Masquerade (Khachaturian)

Masquerade was written in 1941 by Aram Khachaturian as incidental music for a production of the play of the same name by Russian poet and playwright Mikhail Lermontov. It premiered on 21 June 1941 in the Vakhtangov Theatre in Moscow.[1] The music is better known in the form of a five-movement suite.

Background

Khachaturian was asked to write music for a production of Masquerade being produced by the director Ruben Simonov.[2] The famous waltz theme in particular gave Khachaturian much trouble in its creation: moved by the words of the play's heroine, Nina – "How beautiful the new waltz is! ... something between sorrow and joy gripped my heart." – the composer struggled to "find a theme that I considered beautiful and new". His former teacher, Nikolai Myaskovsky, attempted to help Khachaturian by giving him a collection of romances and waltzes from Lermontov's time; though these did not give immediate inspiration, Khachaturian admitted that "had it not been for the strenuous search" for the appropriate style and melodic inspiration, he would not have discovered the second theme of his waltz which acted "like a magic link, allowing me to pull out the whole chain. The rest of the waltz came to me easily, with no trouble at all."[3] Khachaturian dedicated the waltz to the actress who played Nina, Alla Kazanskaya.[4]

Masquerade was the last production staged by the theatre before the invasion of the USSR by Germany, and the production run was cut short.[4]

Suite

Later, in 1944, Khachaturian extracted five movements to make a symphonic suite.[5] The movements are:

  1. Waltz
  2. Nocturne
  3. Mazurka
  4. Romance
  5. Galop

Recordings

In 1954 Khachaturian recorded the Waltz, Nocturne and Mazurka from the Suite, conducting the Philharmonia Orchestra for Columbia (also setting down some of his other scores in the same sessions).

References

  1. Yuzefovich, p.79
  2. Yuzefovich, p.74
  3. Yuzefovich, p.78
  4. 1 2 "Masquerade (1941)". Theater Vakhtangov website. Retrieved 4 September 2014.
  5. Yuzefovich, p.80
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