Guillaume-Antoine Calvière
| Organist, Cathedral of Notre Dame | |
|---|---|
|
In office 1730–1755 | |
| Preceded by | Médéric Corneille |
| Succeeded by | Armand-Louis Couperin |
| Personal details | |
| Born | 1685 |
| Died | 1755 |
| Citizenship | French |
| Profession | Organist |
Guillaume-Antoine Calvière (1695-April 18, 1755) was a virtuoso French musician who was for many years organist of the Cathedral of Notre Dame de Paris.
Early years
Guillaume-Antoine Calvière was born in Paris around 1695, the son of Rodolphe Calvière and Jeanne Boundin.[1] He was a pupil of Philippe Isoré de La Fontaine, who spent his whole career until his death in 1733 as organist of Saint-Denis. Calvière was gifted and precocious, and made his first public performance at the age of eleven. Calvière's younger sister Cécile Louise Calvière, born in 1703, was also an organist.[1]
Celebrity
Calvière became organist of Saint-Germain-des-Prés in 1722, and in 1730 succeeded Maderic Corneille as organist at Notre Dame.[1] He became a national celebrity, and the Mercure published verses in his praise. He held the prestigious posts of organist of the Cathedral of Notre-Dame de Paris from 1730 until his death 1755, and of the Royal Chapel from 1738.[2] Calvière was appointed organist of Sainte-Chapelle in succession to Pierre Février, holding this position from 1739 until his death.[3] He was also organist at Sainte-Marguerite. For six months in 1754 he trained Jean-Baptiste Nôtre, who then became organist of the Toul Cathedral for more than half a century.
Work
Calvière was an admirer of François Couperin. His work included motets and pieces for organ. His Te Deum mimicked the sounds of wind and thunder.[4] But apart from a short piece preserved in the library of the Brussels Conservatory, almost nothing has survived. After his death his widow gave his manuscripts to Louis-Claude Daquin for editing and publication. Daquin, his friend, colleague and also rival, neglected to do so. In fairness, Daquin failed to publish many of his own works.
Scores
- IMSLP Pièce en trio for organ.
References
Citations
- 1 2 3 Weber, Guillot & Jambou 1997, p. 131.
- ↑ McManners 1999, p. 461.
- ↑ Weber, Guillot & Jambou 1997, p. 89.
- ↑ Johnson 1996, p. 308.
Sources
- Johnson, James H. (1996-10-01). Listening in Paris: A Cultural History. University of California Press. p. 308. ISBN 978-0-520-20648-9. Retrieved 2012-11-25.
- McManners, John (1999). Church and Society in 18th Century France: The Clerical Establishment and Its Social Ramifications. Oxford University Press. p. 461. ISBN 978-0-19-827003-4. Retrieved 2012-11-25.
- Weber, Edith; Guillot, Pierre; Jambou, Louis (1997). Histoire, humanisme et hymnologie: mélanges offerts au professeur Edith Weber. Presses Paris Sorbonne. p. 89. ISBN 978-2-84050-065-0. Retrieved 2012-11-25.