Deposition (van Dyck, 1629-30)

The Deposition or Lamentation over the Dead Christ was a painting by the Flemish painter Anthony van Dyck, produced between 1629 and 1630. It measured 220 cm by 166 cm. Its final owners were the Kaiser Friedrich Museum then the Gemäldegalerie, Berlin, before it was lost (either missing or destroyed) in May 1945 in the Friedrichshain flak tower fire.^[1] A copy of the work is now in the Gedächtniskapelle of the Deutschordensmünster in Heilbronn.

References

↑ https://www.monumentsmenfoundation.org/join-the-hunt/additional-missing-works-of-art

Christopher Norris, 'The Disaster at Flakturm Friedrichshain; A Chronicle and List of Paintings', Burlington Magazine, Vol. 94, No. 597 (Dec., 1952), pp. 337–347

Paintings by Anthony van Dyck

Religious subjects	The Betrayal of Christ (1618–20) (Bristol ; Madrid ; Minneapolis) Christ Crowned with Thorns (1619–20) Crucifixion (1630) Crucifixion with Saints (1617–19) Deposition / Lamentation over the Dead Christ (1615; 1618; 1619; 1629; 1629–30; 1634; 1635; 1640) Entry of Christ into Jerusalem (1617) Madonna and Child (1621–27) The Mocking of Christ (1628-30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Saint Ambrose barring Theodosius from Milan Cathedral (1619–20) Saint Martin and the Beggar (1618) Saint Rosalie Interceding for the Plague–Stricken of Palermo (1624) Samson and Delilah (1620 ; 1630) The Vision of the Blessed Hermann Joseph (1629–30)

Mythological subjects	Cupid and Psyche (1638–40) Drunken Silenus (1620) Jupiter and Antiope (1620) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–32)

Portraits	Charles I (Equestrian ; At the Hunt; Triple Portrait; with M. de St Antoine) Henrietta Maria (As St Catherine; Triple Portrait) Magistrates of Brussels (Preparatory sketch) Olivia Boteler Porter

Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640

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