Cupid and Psyche (van Dyck)

Cupid and Psyche is a 1638–40 painting by Anthony van Dyck. It is now in the Royal Collection and shown in Kensington Palace.^[1] Psyche may be modelled on van Dyck's mistress Margaret Lemon.

One of the last in his oeuvre, it shows a marked influence of Titian and dates from his time as a court artist to Charles I of England. It is his sole surviving mythological painting from that period and possibly comes from a series of paintings on the Cupid and Psyche theme ordered for the Queen's House at Greenwich - other artists involved in the series included Jacob Jordaens and van Dyck's old tutor Peter Paul Rubens. That project never came to completion, which is one possible explanation for why the painting has no frame and is relatively unfinished. This would date it to 1638–1640. A second alternative is that it was produced for the celebrations of Princess Mary's marriage to William II of Orange in 1641.

References

↑ https://www.royalcollection.org.uk/collection/405571/cupid-and-psyche

Gian Pietro Bellori, Vite de' pittori, scultori e architecti moderni, Torino, Einaudi, 1976.
Didier Bodart, Van Dyck, Prato, Giunti, 1997.
Christopher Brown, Van Dyck 1599–1641, Milano, RCS Libri, 1999, ISBN 88-17-86060-3.
Justus Müller Hofstede, Van Dyck, Milano, Rizzoli/Skira, 2004.
Stefano Zuffi, Il Barocco, Verona, Mondadori, 2004.

Paintings by Anthony van Dyck

Religious subjects	The Betrayal of Christ (1618–20) (Bristol ; Madrid ; Minneapolis) Christ Crowned with Thorns (1619–20) Crucifixion (1630) Crucifixion with Saints (1617–19) Deposition / Lamentation over the Dead Christ (1615; 1618; 1619; 1629; 1629–30; 1634; 1635; 1640) Entry of Christ into Jerusalem (1617) Madonna and Child (1621–27) The Mocking of Christ (1628-30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Saint Ambrose barring Theodosius from Milan Cathedral (1619–20) Saint Martin and the Beggar (1618) Saint Rosalie Interceding for the Plague–Stricken of Palermo (1624) Samson and Delilah (1620 ; 1630) The Vision of the Blessed Hermann Joseph (1629–30)

Mythological subjects	Cupid and Psyche (1638–40) Drunken Silenus (1620) Jupiter and Antiope (1620) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–32)

Portraits	Charles I (Equestrian ; At the Hunt; Triple Portrait; with M. de St Antoine) Henrietta Maria (As St Catherine; Triple Portrait) Magistrates of Brussels (Preparatory sketch) Olivia Boteler Porter

Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640

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