Zonoscope

Zonoscope
Studio album by Cut Copy
Released 4 February 2011 (2011-02-04)
Recorded 2010
Studio
Genre
Length 61:25
Label Modular
Producer Dan Whitford
Cut Copy chronology
In Ghost Colours
(2008)		 Zonoscope
(2011)		 Free Your Mind
(2013)
Singles from Zonoscope
  1. "Take Me Over"
    Released: 26 November 2010
  2. "Need You Now"
    Released: 25 February 2011
  3. "Blink and You'll Miss a Revolution"
    Released: 7 August 2011
  4. "Sun God"
    Released: 24 January 2012

Zonoscope is the third studio album by Australian electronic music band Cut Copy, released on 4 February 2011 by Modular Recordings. Recorded in Melbourne in 2010, the album received generally positive reviews from music critics. Zonoscope reached number three on the ARIA Albums Chart, becoming the band's second highest-peaking album after In Ghost Colours, which topped the chart in 2008.

At the ARIA Music Awards of 2011, Zonoscope won Best Dance Release and the Artisan Award for Best Cover Art, and was nominated for Album of the Year.[1][2] It was also nominated for Best Dance/Electronica Album at the 54th Annual Grammy Awards in 2012.[3]

Background and recording

The album's official title and release date were announced exclusively through Spin magazine on 2 November 2010.[4] In an interview with musicOMH, guitarist Tim Hoey said, "I guess we finished touring In Ghost Colours, and we wanted to strip away what we'd done before and re-imagine sonically with different synths and guitars. We also wanted percussion to become more of a feature, because we had this idea of creating a rhythmic, hypnotic record where time becomes irrelevant."[5] He explained that the album's title, Zonoscope, means "a variety of things", adding, "It was an instrument for us, but it's also the lens you would use to view this kind of world. We wanted Zonoscope to represent this record."[5]

Zonoscope was recorded over a six-month period in a warehouse space in Fairfield, Melbourne,[6][7] littered with discarded vintage recording gear and instruments.[4] "There was no Internet in there, barely any heat, nothing, just fucking industrial Melbourne", Hoey said. "We just knew we could kind of go into there and not feel pressured. We were just kind of locked in there by ourselves, and we couldn't have had it sounding how it sounds without us going in there."[4] In an interview with Pitchfork Media, Whitford described the album's recording as "a much more open-ended process where we just sort of went off on these more jammy tangents where we'd just sit there and play stuff for 10 minutes and see what happened—we might end up putting out a 10-disc box set of all the weird extended jams we did on this record. There's more of a repetitive, hypnotic, rhythmic aspect to a lot of the tracks."[8]

The band had the idea of using a vocal ensemble while listening to David Bowie's Young Americans (1975) and Primal Scream's Screamadelica (1991).[9] Hoey stated, "[W]hen we started talking to Ben Allen about mixing the record we mentioned that to him and he knew a vocal ensemble in Atlanta that he'd be able to get for us [...] They were amazingly talented singers and they just helped heighten the epic moments on the record which is something we really wanted to try. They also seemed to compliment Dan [Whitford]'s voice really well. We didn't necessarily want them to be the focus, just to work in harmony with what Dan was doing and it was amazing to see it work out so well."[9] Regarding the album's influences, Whitford stated, "I was obsessed with Fleetwood Mac's Tusk while working on this record—a lot of the Lindsey Buckingham tracks have a proto-80s African feel. Also Talking Heads, Slave to the Rhythm by Grace Jones, and Malcolm McLaren's Duck Rock album. And a lot of acid house era, post-rave indie music like Happy Mondays and Primal Scream."[8]

The album's artwork uses an image by the late Japanese photomontage artist Tsunehisa Kimura titled Toshi Wa Sawayakana Asa Wo Mukaeru (meaning The City Welcomes a Fresh Morning), which depicts New York City being engulfed in a waterfall.[4] "We saw this representing what the album is about, a tussle between synthetic and organic instruments. It isn't a destruction of the old world, more a creation of the new—it looks archaic, but at the same time it's timeless, referencing music from the past", Hoey said of the artwork.[5]

Singles

"Take Me Over" was released as the lead single from Zonoscope on 26 November 2010.[10] Described by Hoey as "certainly one of the more pop moments from the album",[11] the song reached number 10 on the ARIA Hitseekers chart.[12] A music video for the single was filmed by Kris Moyes in Sydney in November 2010,[11] featuring jungle scenes, an Indiana Jones-style wardobe and nude models, but it was never released due to production delays.[13] "Need You Now" was released as the album's second single on 25 February 2011,[14] and its accompanying video was directed by Keith Schofield.[13] "Blink and You'll Miss a Revolution" followed as the third single on 7 August 2011.[15] The album's fourth and final single, "Sun God", was released in the United States on 24 January 2012 and in the United Kingdom on 12 February, featuring two remixes by Andrew Weatherall.[16][17][18]

Promotional singles

"Where I'm Going" served as the first taste of the album. Peter Gaston of Spin opined that the song "veer[s] into a more conventional-sounding, guitar-bass-drums combination and seemed to indicate a departure from the sleek, electronic-laced sound of In Ghost Colours."[4] Hoey said of the song, "I knew it might throw people a little bit, but at the end of the day it still sounded like a Cut Copy song [...] It's got a pop music element, which runs throughout every Cut Copy song or album. I thought it was actually great to put out first from the record."[4]

The track premiered on Triple J's Tom and Alex breakfast show on 16 July 2010 and was offered as a free download from the band's official website.[19][20] It was released digitally and as a limited-edition 7" vinyl on 20 August 2010.[21][22] A different version of "Where I'm Going" made the final cut for the album, which Hoey said was "more like the original vision we had for that song: more chant-y, kind of tribal, and probably less pop than the version that came out a couple of months ago."[4]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic71/100[23]
Review scores
SourceRating
AllMusic[24]
The A.V. ClubA−[25]
The Guardian[26]
Los Angeles Times[27]
NME5/10[28]
Pitchfork Media8.6/10[29]
PopMatters[30]
Rolling Stone[31]
Slant Magazine[32]
Spin8/10[33]

Zonoscope received generally positive reviews from most music critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream critics, the album received an average score of 71, based on 31 reviews, which indicates "generally favorable reviews".[23] Spencer Kornhaber of The A.V. Club wrote that "Cut Copy's music successfully achieves synesthesia on its own throughout [the album]" and that "each arpeggiator pattern, glow-worm guitar line, and percussive thump on Zonoscope bobs in the mix as a luxuriously distinct spot of sound."[25] Mikael Wood of Spin noted that the album "catches Cut Copy in a pop-attuned mode they've only hinted at in the past" and that it "works best at its most focused and extroverted, as on the disco-glammy 'Where I'm Going' and 'Need You Now'".[33] AllMusic's Tim Sendra stated, "There isn't a single weak track to be found, and though could have easily done so with no side effects, the group didn't just remake Ghost, they made some subtle alterations here and there to their approach."[24]

Pitchfork Media's Tom Breihan commented that throughout the album, "Cut Copy build a long-form piece of work that moves between genres and ideas and moods without ever sacrificing its dancefloor momentum", adding that the band "have the architecture of dance music down perfectly and the confidence to execute the genre's moves with absolute precision."[29] Matthew Cole of Slant Magazine viewed that "Zonoscope shows every sign of being a transitional record, and as such, the most significant test of its merits won't be its ability to generate singles as exhilarating as 'Hearts on Fire,' but rather the possibilities it opens up for the band's future. Judged by the music here, which often sounds self-consciously mature in comparison to the band's previous work, Cut Copy understands that they're at a crossroads."[32] In a review for Los Angeles Times, Margaret Wappler found that "[t]here aren't too many new stones in the pop garden that Cut Copy overturns, but what it roots out is expertly arranged, creating pastiches that raise ghosts from the past while capturing a spirit that's utterly now."[27]

PopMatters reviewer Timothy Gabriele described Zonoscope as "an album that is, in parts, loose and jammy" and called it "a deviation with mostly good ideas, some great ones, and enough sparkling synth ambrosia and sing-along chorus hooks to get you through."[30] The Guardian's Dave Simpson felt that the album is "almost like a mix tape, taking snatches of recognisable songs and blending them together into their own tracks with the aim of creating a greater whole [...] This approach won't win the Aussie electro pranksters awards for originality, but they do it with enough sleight of hand to stay ahead of the lawyers, and it's a lot of fun."[26] Rolling Stone's Jody Rosen noticed the influence of bands such as Depeche Mode, Orchestral Manoeuvres in the Dark and New Order on the album, dubbing it "impressive ventriloquism, and the songs are catchy. But the lovelorn sentiments are generic, and singer Dan Whitford's baritone drone adds little to the proceedings."[31] Rob Webb of the NME expressed, "After the ubiquitous presence of '80s-indebted music last year, a follow-up [to In Ghost Colours] with little stylistic deviation isn't a thrilling proposition".[28]

Pitchfork Media placed the album at number 28 on its list of The Top 50 Albums of 2011 and concluded, "Above all, Cut Copy showed that they know how to weave new songs from familiar touch-points and that they have the songwriting chops to make the patchwork feel of a piece."[34]

Track listing

All tracks written by Cut Copy.

No.TitleLength
1."Need You Now"  6:09
2."Take Me Over"  5:50
3."Where I'm Going"  3:34
4."Pharaohs & Pyramids"  5:28
5."Blink and You'll Miss a Revolution"  4:17
6."Strange Nostalgia for the Future"  2:06
7."This Is All We've Got"  4:43
8."Alisa"  4:07
9."Hanging Onto Every Heartbeat"  4:37
10."Corner of the Sky"  5:29
11."Sun God"  15:05

Personnel

Credits adapted from the liner notes of Zonoscope.[37]

  • Dan Whitford – vocals, design, illustration, production, sleeve
  • Ben Allen – mixing
  • Alter – design, illustration, sleeve layout
  • TJ Elias – second assistant
  • Natasha Evans – backing vocals (tracks 1, 2, 5, 9)
  • Rob Gardiner – additional editing, additional engineering
  • Tony Hightower – backing vocals (tracks 1, 2, 5, 9)
  • Juno – studio vibe regulator
  • Tsunehisa Kimura – cover image
  • Paris Lewis – backing vocals (tracks 1, 2, 5, 9)
  • Artia E. Lockett – backing vocals (tracks 1, 2, 5, 9)
  • Steve Morrison – additional editing, additional engineering, mixing assistant
  • CJ Ridings – second assistant
  • Tanya Smith – backing vocals (tracks 1, 2, 5, 9)
  • Mirko Vogel – engineering

Charts

Weekly charts

Chart (2011) Peak
position
Australian Albums (ARIA)[38] 3
Australian Dance Albums (ARIA)[39] 2
Canadian Albums (Billboard)[40] 33
Irish Albums (IRMA)[41] 65
Swedish Albums (Sverigetopplistan)[42] 48
UK Albums (OCC)[43] 82
UK Independent Albums (OCC)[44] 8
US Billboard 200[45] 46
US Dance/Electronic Albums (Billboard)[46] 2
US Independent Albums (Billboard)[47] 5
US Top Alternative Albums (Billboard)[48] 6
US Top Rock Albums (Billboard)[49] 10

Year-end charts

Chart (2011) Position
Australian Dance Albums (ARIA)[50] 37
US Dance/Electronic Albums (Billboard)[51] 19

Release history

Region Date Label Ref.
Australia 4 February 2011 Modular [52]
Ireland [53]
Germany 7 February 2011 Universal [54]
United Kingdom Modular [55]
United States 8 February 2011 [56]
Canada Universal [57]
Sweden 9 February 2011 [58]

References

  1. ↑ "Winners of the 2011 ARIA Awards". The Sydney Morning Herald. Fairfax Media. 27 November 2011. Retrieved 11 December 2011.
  2. ↑ "The countdown begins....nominations announced". ARIA Music Awards. 11 October 2011. Archived from the original on 26 November 2011. Retrieved 28 October 2011.
  3. ↑ "54th Annual GRAMMY Awards Nominees And Winners". Grammy Awards. The Recording Academy. Archived from the original on 3 May 2012. Retrieved 14 December 2015.
  4. 1 2 3 4 5 6 7 Gaston, Peter (2 November 2010). "EXCLUSIVE: Cut Copy Unveil Album Artwork, Video". Spin. Retrieved 14 December 2015.
  5. 1 2 3 Hogwood, Ben (3 August 2011). "Interview: Cut Copy". musicOMH. Retrieved 30 April 2014.
  6. ↑ Murfett, Andrew (3 February 2011). "Cut Copy move on from the "Modular sound"". The Sydney Morning Herald. Fairfax Media. Retrieved 3 December 2013.
  7. ↑ "Cut Copy – Zonoscope". Modular Recordings. Archived from the original on 10 February 2014. Retrieved 30 April 2014.
  8. 1 2 Dombal, Ryan (16 June 2010). "Cut Copy Talk New Record, Gaga". Pitchfork Media. Retrieved 10 December 2011.
  9. 1 2 Ash (27 January 2011). "Cut Copy Talk Zonoscope, Atlanta Vocal Ensembles and Learning To Play Their Instruments". Pedestrian TV. Retrieved 10 December 2011.
  10. ↑ "Cut Copy Store – Take Me Over". Getmusic. Universal Music Australia. Archived from the original on 24 December 2011. Retrieved 30 April 2014.
  11. 1 2 "Cut Copy discuss new single ahead of Tuesday premiere". The Music Network. Peer Group Media. 19 November 2010. Archived from the original on 22 February 2011. Retrieved 21 November 2010.
  12. ↑ "ARIA Hitseekers – Week Commencing 6th December 2010" (PDF). ARIA Charts. Pandora Archive. p. 21. Retrieved 14 December 2011.
  13. 1 2 Treuen, Jason (18 February 2011). "Cut Copy release crazy sports video for Need You Now". The Music Network. Peer Group Media. Archived from the original on 19 February 2011. Retrieved 10 December 2011.
  14. ↑ "Cut Copy Store – Need You Now". Getmusic. Universal Music Australia. Archived from the original on 16 October 2011. Retrieved 30 April 2014.
  15. ↑ "Blink and You'll Miss a Revolution – EP (Remixes) by Cut Copy". iTunes Store (GB). Apple. Archived from the original on 13 November 2012. Retrieved 9 August 2011.
  16. ↑ "Sun God: Cut Copy: MP3 Downloads". Amazon.com. Retrieved 30 April 2014.
  17. ↑ "Sun God: Cut Copy: MP3 Downloads". Amazon.co.uk. Archived from the original on 2 May 2014. Retrieved 30 April 2014.
  18. ↑ Fitzmaurice, Larry (15 December 2011). "Cut Copy: "Sun God (Andrew Weatherall Remix)"". Retrieved 30 April 2014.
  19. ↑ "Get the new Cut Copy single for free". Australian Broadcasting Corporation. 16 July 2010. Retrieved 10 December 2011.
  20. ↑ Treuen, Jason (15 July 2010). "Exclusive: Cut Copy to premiere Where I'm Going this Friday". The Music Network. Peer Group Media. Archived from the original on 11 September 2011. Retrieved 10 December 2011.
  21. ↑ "Cut Copy Store – Where I'm Going". Getmusic. Universal Music Australia. Archived from the original on 24 December 2011. Retrieved 30 April 2014.
  22. ↑ "Cut Copy Store – Where I'm Going (7 inch Vinyl)". Getmusic. Universal Music Australia. Archived from the original on 20 November 2011. Retrieved 10 December 2011.
  23. 1 2 "Reviews for Zonoscope by Cut Copy". Metacritic. CBS Interactive. Retrieved 11 February 2011.
  24. 1 2 Sendra, Tim. "Zonoscope – Cut Copy". AllMusic. All Media Network. Retrieved 8 February 2011.
  25. 1 2 Kornhaber, Spencer (8 February 2011). "Cut Copy: Zonoscope". The A.V. Club. Retrieved 14 December 2015.
  26. 1 2 Simpson, Dave (10 February 2011). "Cut Copy: Zonoscope – review". The Guardian. Retrieved 8 March 2011.
  27. 1 2 Wappler, Margaret (15 February 2011). "Album review: Cut Copy's 'Zonoscope'". Los Angeles Times. Tribune Media. Retrieved 10 December 2011.
  28. 1 2 Webb, Rob (4 February 2011). "Album Review: Cut Copy – Zonoscope (Modular)". NME. Time Inc. UK. Retrieved 9 February 2011.
  29. 1 2 Breihan, Tom (7 February 2011). "Cut Copy: Zonoscope". Pitchfork Media. Retrieved 7 February 2011.
  30. 1 2 Gabriele, Timothy (9 February 2011). "Cut Copy: Zonoscope". PopMatters. Retrieved 8 March 2011.
  31. 1 2 Rosen, Jody (8 February 2011). "Zonoscope". Rolling Stone. Wenner Media. Retrieved 10 February 2011.
  32. 1 2 Cole, Matthew (7 February 2011). "Cut Copy: Zonoscope". Slant Magazine. Retrieved 14 December 2015.
  33. 1 2 Wood, Mikael (8 February 2011). "Cut Copy, 'Zonoscope' (Modular)". Spin. Archived from the original on 10 August 2011. Retrieved 7 February 2011.
  34. ↑ "The Top 50 Albums of 2011". Pitchfork Media. 15 December 2011. Retrieved 8 January 2012.
  35. ↑ "Cut Copy Store – Zonoscope (Deluxe)". Getmusic. Universal Music Australia. Archived from the original on 16 October 2011. Retrieved 11 December 2011.
  36. ↑ "Zonoscope by Cut Copy". iTunes Store (AU). Apple. Retrieved 10 December 2011.
  37. ↑ Zonoscope (CD liner notes). Cut Copy. Modular Recordings. 2011. MODCD134.
  38. ↑ "Australiancharts.com – Cut Copy – Zonoscope". Hung Medien. Retrieved 13 July 2016.
  39. ↑ "ARIA Dance – Week Commencing 14th February 2011" (PDF). ARIA Charts. Pandora Archive. p. 17. Retrieved 30 April 2014.
  40. ↑ "Top 100 Albums in Canada". Jam!. 17 February 2011. Archived from the original on 21 February 2011. Retrieved 6 July 2011.
  41. ↑ "GFK Chart-Track Albums: Week 6, 2011". Chart-Track. IRMA. Retrieved 6 July 2011.
  42. ↑ "Swedishcharts.com – Cut Copy – Zonoscope". Hung Medien. Retrieved 13 July 2016.
  43. ↑ "Official Albums Chart Top 100". Official Charts Company. Retrieved 13 July 2016.
  44. ↑ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved 14 December 2015.
  45. ↑ "Cut Copy – Chart history" Billboard 200 for Cut Copy. Retrieved 30 April 2014.
  46. ↑ "Cut Copy – Chart history" Billboard Dance/Electronic Albums for Cut Copy. Retrieved 30 April 2014.
  47. ↑ "Cut Copy – Chart history" Billboard Independent Albums for Cut Copy. Retrieved 30 April 2014.
  48. ↑ "Cut Copy – Chart history" Billboard Top Alternative Albums for Cut Copy. Retrieved 30 April 2014.
  49. ↑ "Cut Copy – Chart history" Billboard Top Rock Albums for Cut Copy. Retrieved 30 April 2014.
  50. ↑ "ARIA Charts – End Of Year Charts – Top 50 Dance Albums 2011". Australian Recording Industry Association. Retrieved 4 January 2012.
  51. ↑ "Year End Charts – Dance/Electronic Albums". Billboard. Prometheus Global Media. 2011. Archived from the original on 7 June 2012. Retrieved 9 December 2011.
  52. ↑ "Cut Copy Store – Zonoscope". Getmusic. Universal Music Australia. Archived from the original on 7 April 2012. Retrieved 11 December 2011.
  53. ↑ "Zonoscope – Cut Copy (CD)". HMV Ireland. Retrieved 14 December 2015.
  54. ↑ "Zonoscope" (in German). Amazon.de. Retrieved 11 December 2011.
  55. ↑ "Zonoscope". Amazon.co.uk. Retrieved 20 February 2016.
  56. ↑ "Zonoscope". Amazon.com. Retrieved 11 December 2011.
  57. ↑ "Zonoscope by Cut Copy". HMV Canada. Retrieved 14 December 2015.
  58. ↑ "Zonoscope – Cut Copy" (select "Fakta" tab) (in Swedish). CDON.se. Retrieved 11 December 2011.
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