Vahni Capildeo

Surya Vahni Priya Capildeo (born 1973) is a Trinidadian writer, and a member of the extended Capildeo family that has produced notable Trinidadian politicians and writers (including V. S. Naipaul, a cousin of Capildeo's, and Neil Bissoondath).^[1][2][3][4]

Biography

Born in 1973 in Port of Spain, Vahni Capildeo has lived in the United Kingdom since 1991.^[4]

She read English at Christ Church, Oxford, and was subsequently awarded a Rhodes Scholarship^[5] to pursue graduate work in Old Norse and translation theory, also at Christ Church/the Faculty of English Language and Literature. This led to her DPhil, "Reading Egils saga Skallagrímssonar: saga, paratext, translations", awarded in 2001.^[6]

She intermitted from a Research Fellowship at Girton College, Cambridge, in 2000–04 in order to spend time in Trinidad and Jamaica. This produced No Traveller Returns (Salt, 2003),^[7] a book-length poem sequence characterized by a reviewer as "a discontinuous meditation on identity and self-awareness. These are merciless poems — mercilessly observant, mercilessly precise",^[3] and One Scattered Skeleton, a non-fiction book on the palimpsestic nature of place, memory, and language that takes its title from a poem by the Guyanese poet Martin Carter and moves between the U.K., the Caribbean, and Iceland. Extracts from One Scattered Skeleton have appeared in London: City of Disappearances (ed. Iain Sinclair), Stand Magazine, The Arts Journal (Guyana) and The Caribbean Review of Books.^[8]

Person Animal Figure, a set of 45 dramatic monologues in three voices but possibly one character, was published by Jeremy Noel-Tod's Landfill Press in 2005 (http://www.landfillpress.co.uk).

Undraining Sea (completed 2005), a third poetry collection, was published in 2009 from Nathan Hamilton's Norwich-based Eggbox Press.^[9] Described in one review as "a wholly recommendable collection",^[10] it is a three-section book that actively engages with William Carlos Williams's Paterson. This was followed in 2012 by Dark and Unaccustomed Words (completed 2008), which takes its title from George Puttenham's 16th-century Arte of Poesie. This was Puttenham's critical term for arcane or foreign imports into English. The collection was longlisted for the OCM Bocas Prize for Caribbean Literature.^[11] The poems in Capildeo's fourth book do not overtly theorize about poetry but rather seek to demonstrate, for example, the feeling and scope of certain parts of speech (prepositions, adjectives), forms, voices, or attitudes. Rights for both Eggbox books have reverted to the author.

A fifth book, Utter, was published by Peepal Tree Press in 2013.^[12][13] Reviewing the collection in The Caribbean Review of Books, Vivek Narayanan wrote: "What we have here is not a set of conceits, or even concerns, but a system and a mythos entire, one that is delivered to us with such continuous and consistent lyrical intensity, both classical and contemporary, that it can appear as fissures of lightning on the page."^[14] David Caddy in the magazine Tears in the Fence said: "Reading Vahni Capildeo’s Utter ... is an absolute joy, displaying the range and registers that the best of contemporary poetry should exhibit more fully. Capildeo is both Trinidadian and universal."^[15]

Simple Complex Shapes, published by Tony Frazer's Shearsman Books in 2015, was written during Capildeo's time as the Judith E. Wilson Poetry Fellow in the Faculty of English, University of Cambridge. Jamie Osborn notes that this work " can be taken as a sequence of poems or one long poem describing a series of flights and falls from the moment of a touch in the dark through a day or days, a tangle of time, back into a dreaming sleep." ^[16]

Capildeo has worked at Oxfam Head Office and for the Oxford Sexual Abuse and Rape Crisis Centre as a volunteer and a volunteer trainer;^[17] for the Oxford English Dictionary; and she has taught at the Universities of Leeds (2009), Greenwich (2009), Sheffield (2009–10), Kingston upon Thames (2010–11), and Glasgow (2012–13).^[18] She is a Contributing Editor at the Caribbean Review of Books (edited by Nicholas Laughlin). She was part of the team of Commonwealth Writers, the cultural initiative of the Commonwealth Foundation, in 2013–14.^[17] She has been appointed to the 2014 Judith E. Wilson Visiting Fellowship in Poetry at the University of Cambridge.

In 2014 Capildeo served as a judge for the Forward Prize.^[19][20]

Awards

In 2016, Capildeo became the third Caribbean poet in a row — after Jamaican-born poets Kei Miller and Claudia Rankine — to win the Forward Prize for best poetry collection, with Measures of Expatriation.^{[21][22][23][24]} The Chair of the Forward jury, Malika Booker, said: "Vahni Capildeo’s Measure of Expatriation is a work that amazes. We found a vertiginous excitement in the way in which the book grasps its subject: the sense of never quite being at home. This is poetry that transforms. When people in the future seek to know what it's like to live between places, traditions, habits and cultures, they will read this. Here is the language for what expatriation feels like."^[25]

Bibliography

• No Traveller Returns. Salt Publishing, 2003. ISBN 978-1876857882
• Person Animal Figure. Landfill Press, 2005.
• Undraining Sea. Egg Box Publishing, 2009. ISBN 978-0955939907
• Dark and Unaccustomed Words, Egg Box Publishing, 2012. ISBN 978-0956928917
• Utter. Peepal Tree Press, 2013. ISBN 978-1845232139
• Simple Complex Shapes. Shearsman Books, 2015. ISBN 9781848614512
• Measures of Expatriation, Carcanet Press, January 2016. ISBN 978-1784101688

References

External links

• Vahni Capildeo reads poetry at PoetCasting
• Zannab Sheikh, Vahni Capildeo interview, I Don't Call Myself a Poet, 15 August 2012.
• "Vahni Capildeo", The Spaces between Words.
• Vahni Capildeo at PN Review.
• "Vahni Capildeo", Poetry International Web, Rotterdam, 1 November 2006.
• Nicholas Laughlin (in conversation with Vahni Capildeo), "The Liberty of the Imagination", MaComère 13.1&2 (2011–2012): 34–49.
• "'In the Trinidad of my childhood, there was a delight in language well used'" (interview), Global.