Trinity College Chapel, Kandy

Trinity College Chapel

Trinity College Chapel
Basic information
Location Kandy, Sri Lanka
Geographic coordinates 7°17′59″N 80°38′02″E / 7.29972°N 80.63389°E / 7.29972; 80.63389Coordinates: 7°17′59″N 80°38′02″E / 7.29972°N 80.63389°E / 7.29972; 80.63389
Affiliation Anglican, Church of Ceylon
Year consecrated 3 March 1935
Status Active School Chapel
Website trinitycollege.lk/college-chapel
Architectural description
Architect(s) Rev. L.J. Gaster
Architectural type Church
Architectural style Traditional Sinhalese
Groundbreaking 1922
Completed 1935

The Trinity College Chapel ("Holy Trinity Church") in Kandy, Sri Lanka is one of the more distinctive church buildings in Sri Lanka. It is situated below the Principal's bungalow at Trinity College, Kandy. The chapel is one of the first and finest examples of the application of indigenous architecture in the design of an Anglican church in the country.[1] The building is modelled on traditional Buddhist architecture,[2][3] reminiscent of those found in Polonnaruwa, an ancient capital of Sri Lanka, in that it is an open building with a lofty hipped roof supported by numerous carved stone pillars.[4]

History

In 1918 the school principal of Trinity College, Rev. Alexander Garden Fraser (1873-1962)[5] commenced planning for the construction of a chapel, identifying a site within the school grounds.[6] Rev. Fraser was the principal of Trinity College between 1904 and 1924. He played a pivotal role in the development of Trinity College from a small provincial school to a national college. The vice principal, Rev. Lewis John Gaster (1879-1939), who joined the school in 1910,[7] a qualified architect and draughtsman, prepared the plans for the chapel.[6] Gaster went on to become the principal at King's College in Uganda.[8]

The foundation stone was laid by Foss Westcott, the Metropolitan of India, Burma and Ceylon on 19 August 1922, as part of the school's fiftieth anniversary celebrations. The original foundation stone of the chapel, was laid in front of the main hall, where the car park now stands and was later moved to the outside wall of the chapel, where it can still be seen today.

The construction of the chapel, which commenced in early 1923 and took over twelve years to complete, was overseen by staff members, Mr. K.L.B. Tennekoon[9] and Mr. H.W. Mediwake.[10]

During construction nearly a 100 craftsman and laborers were employed. In 1929 the side chapel was the first section to be completed. David Paynter, OBE (1900-1975),[11] a staff member of the college painted the first mural on the southern wall of the side chapel in 1928.[6] In 1930 the side chapel was dedicated as the "Chapel of the Light of the World".[6]

Following the completion of the side chapel the main chapel and the sanctuary were constructed. These works were completed in 1933 upon which Paynter painted a further mural above the main altar.[6]

The Chapel was formally dedicated on 3 March 1935.[6]

In 1954 the original corrugated zinc roof sheets were replaced with calicut tiles, during the course of the re-roofing the murals above the pulpit and lectern are badly damaged. Paynter subsequently repainted these murals, completing the work in 1957.

Architecture

The interior of Trinity College Chapel, Kandy

At the time when most Europeans were content to build churches in their own Gothic style, Gaster deliberately sought inspiration from the local Sinhalese architecture. Prototypes for the Church are to be found at the Royal Audience Hall, Magul Maduwa (Celebration Hall), of the Kingdom of Kandy[12] (built in 1783 by Sri Rajadhi Rajasinha) and the 14th century Embekka Devalaya Shrine near Kandy.[13] The first example of the use of traditional architectural design in Christian churches, also involved both Rev. Fraser and Rev. Gaster was the chapel at the Peradeniya Training Colony,[14] however similar to the Magul Maduwa and the Embekka Shrine the pillars of this chapel are made of wood.

Pillars

The creation of the stone pillars were supervised by Mr. K.L. Siripala, a famous stonemason of the time, to be shaped and carved. Other stone carvers were also brought to Sri Lanka especially for the purpose of carving the pillars for the chapel. The carvings on the windows of the side of the chapel were done by local craftsmen.

The fifty four pillars are made of granite quarried in Aruppola, 4 kilometres (2.5 mi) away.[10] Some, in the chancel, are built in sections, but most have been hewn out of single blocks (5.5 metres (18 ft) long and 0.9 metres (3.0 ft) square), each of which weighing about 3 metric tons (3.0 t) before carving. The blocks were then hauled up to the college on a trolley by a pair of elephants.[10] The first pillars to be erected, those by the pulpit and the south entrance, were fully carved at the quarry before being transported. The remainder were carved at the site of the chapel.

Each pillar is 4.9 metres (16 ft) in height and 0.6 metres (2.0 ft) square, they are square based and square capped, with a gently tapering stem, octagonal in shape.[10] The capitals on ten of the pillars facing the nave are carved with the coats of arms of those British schools and colleges, which made financial donations towards the cost of the chapel. Four of the pillars at the northern entrance carry carvings of the 'four beasts' of Revelation.[10] The pillars are surmounted by four pekadas, made of a tough local wood called Gummalu. Each pekada, designed by Mr Bezalel Navaratne, when viewed from below, has been carved to represent an inverted lotus.[10] Many of the beams which the pillars support were also carved by local craftsman.

Roof

The roof of the chapel is in the style of a traditional Kandy-style double pitched roof.[15][16] It starts at a height of 6 metres (20 ft) and peaks at a height of 16.75 metres (55.0 ft) above the central aisle. The chapel was originally roofed in corrugated zinc roof sheets but these were replaced in 1954 with calicut tiles.

The Side Chapel

The side chapel, entered from the north transept, was named by the then principal, Rev. McLeod Campbell as "the Chapel of the Light of the World". It was the first part of the chapel to be completed and was formally dedicated on 23 March 1930.

The door and frame are typical Kandyan work. The whole of the south wall of this chapel is covered with an early painting by David Paynter depicting the Mother of James and John making a request to Jesus on behalf of her two sons. The chapel is rich in stone and wood carving. The screen and the grape and the chalice design on the altar were both made by local craftsman from the original drawings by Gaster. The windows are typical Kandyan, the vertical bars are made of wood and painted with lacquer. The grill on the east was carved locally from a slab of Swedish green marble, like the grills on the sanctuary of the main chapel.

The Murals

"The Crucifixion", by David Paynter (1933)

The four murals were the work of the Sri Lankan artist David Paynter, once a member of the staff. Like the chapel itself, they were revolutionary when conceived, in that they portrayed biblical stories a Sri Lankan setting.[17]

Bell Tower

Construction of the Bell Tower commenced in 1965, with the donation of ten slabs by Barney Raymond, an Old Boy.[10] The Tower was dedicated on the 8 December 1969, in memory of Rev. Cannon John McLeod Campbell, by Rt. Rev. Lakdasa De Mel, the First Bishop of Kurunegala. The bell was received from a parish church in Hemsby in 1971.

See also

References

  1. ↑ Scriver, Peter (Ed); Prakash, Vikramaditya (Ed) (2007). Colonial Modernities: Building, Dwelling and Architecture in British India and Ceylon. Milton Park (UK): Routledge. p. 216. ISBN 978-0-415-39908-1.
  2. ↑ Frampton, Kenneth (Ed); Mehrotra, Rahul (Ed) (2000). World Architecture 1900-2000: South Asia. University of California. pp. 56–57. ISBN 978-3-211-83291-2.
  3. ↑ Sharma, Shuresk K.; Sharam, Usha (2004). Cultural and Religious Heritage of India: Christianity. Mittal Publications. p. 58. ISBN 978-8-170-99959-1.
  4. ↑ Miranda, Sujitha (18 August 2013). "Trinity Kandy has been 'Looking to the End' since its beginning". The Sunday Times. Retrieved 17 September 2014.
  5. ↑ Gunawardena, Charles A. (2005). Encyclopedia of Sri Lanka. Sterling Publishers. p. 151. ISBN 19327-054-81.
  6. 1 2 3 4 5 6 Franklin, Jacob (8 August 2004). "Trinity College Chapel - a building for eternity". The Sunday Leader. Retrieved 17 September 2014.
  7. ↑ Balding, Rev. J. W. (1922). "The Centenary Volume of the Church Missionary Society in Ceylon: 1818-1918". Madras: Church Missionary Society. p. 80. Retrieved 18 September 2014.
  8. ↑ MacAloon (Ed), John J. (2008). Muscular Christianity in Colonial and Post-Colonial Worlds. Milton Park (UK): Routledge. p. 83. ISBN 978-0-415-39074-3.
  9. ↑ "Fifty years at Trinity". The Island. 9 February 2002. Retrieved 18 September 2014.
  10. 1 2 3 4 5 6 7 de Alwis, Sharm (13 June 2010). "Hymns and readings that filled the Trinity chapel with ethereal quality". The Sunday Times. Retrieved 18 September 2014.
  11. ↑ Gunawardena, Charles A. (2005). Encyclopedia of Sri Lanka. Sterling Publishers. p. 276. ISBN 19327-054-81.
  12. ↑ Pieris, Anoma (2013). Architecture and Nationalism in Sri Lanka: The Trouser Under the Cloth. Milton Park (UK): Routledge. pp. 110–112. ISBN 978-0-415-63002-3.
  13. ↑ Gaveshaka (15 August 2004). "The Exquisite Wood Carvings at Embekke". The Sunday Times. Retrieved 17 September 2014.
  14. ↑ Paranavitana, Senarat (Ed); Prematilleka, Leelananda (Ed); van Lohuizen-De Leeuw, Johanna Engelberta (Ed) (1978). Senarat Paranavitana Commemoration Volume: Volume 7 of Studies in South Asian Culture , No 5. Sri Lankan University Press. p. 224. ISBN 90-04-05455-3.
  15. ↑ Vernacular settlement in the new millenium: resistance and resilience of local knowledge in built environment. University of Indonesia - Department of Architecture. February 2002. p. 427.
  16. ↑ Abeywickrema, Chiranji (July 2012). "Spaces for Spiritual Upliftment". The Architect. The Sri Lankan Institute of Architects.
  17. 1 2 3 4 Schokman, Derrick (7 June 2003). "David Paynter: his art was essentially Sri Lanka". Ancestry.com. Retrieved 18 September 2014.
  18. 1 2 Hettiarachchi, Kumudini. "There's soul behind the strokes". The Sunday Times. Retrieved 19 September 2014.

External links

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