The Vampire Bat

The Vampire Bat

Theatrical film poster for The Vampire Bat
Directed by Frank R. Strayer
Produced by Phil Goldstone
Larry Darmour
Written by Edward T. Lowe Jr.
Starring Lionel Atwill
Fay Wray
Melvyn Douglas
Dwight Frye
Maude Eburne
Music by Charles Dunworth
Cinematography Ira H. Morgan
Edited by Otis Garrett
Distributed by Majestic Pictures
Release dates
  • January 10, 1933 (1933-01-10)
Running time
 63 min
Country United States
Language English

The Vampire Bat is a 1933 American Pre-Code horror film starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye.

Plot outline

When the villagers of Kleinschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism, however police inspector Karl Breettschneider remains skeptical. Scientist Dr. Otto von Niemann, who cares for the victims, visits a patient who was attacked by a bat, Martha Mueller. Martha is visited by a mentally challenged man named Herman, who claims he likes bats because they are "soft like cat" and "nice". On the Doctor's journey home, he meets Kringen, one of the townsfolk, who claims to have been attacked by the vampire in the form of a bat, but withheld his story from the town in order to not spread fear. Dr. von Niemann encourages Kringen to tell the townsfolk of his story. Kringen becomes suspicious that Herman Glieb may be the vampire due to his obsession with bats. Herman lives with bats and collects them off the street.

Dr. von Niemann returns to his home, which also houses Breettschneider's love Ruth Bertin, Ruth's hypochondriac aunt Gussie Schnappmann, and servants Emil Borst, and Gorgiana. Fear of the vampire and suspicion of Glieb quickly spreads around the town, and people start fearing him. Ms Mueller is killed that night. The analyses of Dr. von Niemann and another doctor, Dr. Haupt, conclude that the death is the same as all of the previous deaths; blood loss, with two punctures in the neck caused by needle sharp teeth. Gleib enters the examination and upon seeing the dead body, runs away screaming.

Next morning, Glieb enters Dr. von Niemann's garden, where Dr. von Niemann, Breettschneider, and Bertin are discussing vampires inside the house. The town fathers enter the house and announce that Kringen is dead and Gleib missing. An angry mob hunts down Gleib and chases him through the countryside and into a cave, where he falls to his death.

That night, Dr. von Niemann is seen telepathically controlling Emil Borst, as he picks up sleeping Gorgiana and takes her down to Dr. von Niemann's laboratory, where a strange organism is seen. They then drain her blood from her neck.

Schnappmann then discovers Gorgiana's body in her bed. Dr. von Niemann and Breettschneider investigate and find Ms Mueller's crucifix, which Glieb handled the night Dr. von Niemann visited her. Breettschneider is becoming more convinced of the presence of vampires in the village as no other plausible explanations for the deaths can be found. As Glieb was seen in the garden that morning, the two conclude he is guilty.

Upon hearing of Glieb's death, however, Breettschneider's conviction is erased. Dr. von Niemann tells Breettschneider to go home and take sleeping pills, but gives him poison instead, intent on draining his blood. Bertin discovers Dr. von Niemann telepathically controlling Borst, who is at Breettschneider's house. It is revealed that Dr. von Niemann has created life, and is using the blood to fuel his organism. He ties Bertin up in his lab. Borst supposedly enters with Breettschneider's body on a trolley. Dr. von Niemann walks over to Borst, who is revealed to be Breettschneider (who didn't take the pills) in costume, with the real Borst on the trolley. Breettschneider pulls a gun on Dr. von Niemann, and walks over to untie Bertin. Dr. von Niemann then wrestles Breettschneider, who drops the gun. As the two fight, Borst picks up the gun and shoots Dr. von Niemann.

Production

Fay Wray and Lionel Atwill had been in the successful film Doctor X the previous year and had already wrapped up work on Mystery of the Wax Museum for Warner Bros. This was quite a large-scale release and would have a lengthy post-production process. Seeing a chance to exploit all the advance press, poverty row studio Majestic Pictures Inc. contracted Wray and Atwill for their own "quickie" horror film, rushing The Vampire Bat into production and releasing it in January 1933.

Majestic Pictures had lower overheads than the larger studios, who were struggling at the time during the Great Depression. Part of the reason that The Vampire Bat looked almost as good as any Universal Pictures horror film is because Majestic leased James Whale's castoffs, the “German Village” backlot sets left over from Frankenstein (1931) and the interior sets from his film The Old Dark House (1932), plus some location shooting at Bronson Caves. Completing the illusion that this was a film from a much bigger studio, Majestic hired actor Dwight Frye to populate scenes with Wray and Atwill. A stock musical theme by Charles Dunworth, "Stealthy Footsteps", was used to accompany the opening credits.[1]

The Vampire Bat ruse worked well for Majestic, which was able to rush the quickie film into theaters less than a month before Warner's release of Mystery of the Wax Museum. According to The Film Daily (January 10, 1933), the film's running time was 63 minutes, like most extant prints.

Cast

See also

References

  1. ↑ Larson, Randall D. (1985). Musique fantastique: a survey of film music in the fantastic cinema. Scarecrow Press. p. 32; ISBN 0810817284.
  2. ↑ "Scientific Horror". New York Times. January 23, 1933. Retrieved 2013-05-14.
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