The Big Goodbye

"The Big Goodbye"
Star Trek: The Next Generation episode

Picard, Data, and Whalen enter the Dixon Hill holoprogram.
Episode no. Season 1
Episode 12
Directed by Joseph L. Scanlan
Written by Tracy Tormé
Featured music Dennis McCarthy
Cinematography by Edward R. Brown
Production code 113
Original air date January 11, 1988 (1988-01-11)
Guest appearance(s)
Episode chronology

"The Big Goodbye" is the 12th episode of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on January 11, 1988. This was the second writing credit of the series for Tracy Tormé following the episode "Haven". Rob Bowman planned to direct the episode, but he was switched to "Datalore" due to delays in its production. With Bowman working on another episode, Joseph L. Scanlan became the director.

Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In this episode, the crew are sent to open diplomatic ties with the Jaradan. While taking a break from preparations, a computer malfunction traps Captain Jean-Luc Picard (Patrick Stewart), Lt. Cmdr. Data (Brent Spiner), and Dr. Beverly Crusher (Gates McFadden) in a 1940s-style gangster holodeck program with Captain Picard playing the role of detective Dixon Hill.

"The Big Goodbye" is the first episode to significantly feature the holodeck. Tormé credited Gene Roddenberry with the idea for the detective novel, with Tormé employing the film noir style using references to The Maltese Falcon (1941). Lawrence Tierney, who previously appeared in film noir movies in the 1940s, guest stars as Cyrus Redblock. The Dixon Hill setting reappeared in two later episodes in the series and in the film, Star Trek: First Contact (1996).

11.5 million viewers watched "The Big Goodbye"; critical reception was mixed. One reviewer found it too similar to The Original Series episode, "A Piece of the Action". Other reviewers complained about the holodeck, but praised Tierney's performance. The episode won an Emmy Award for Outstanding Costumes for a Series and is the only Star Trek episode to ever win the Peabody Award.

Plot

The Enterprise heads to Torona IV to open negotiations with the Jaradan, an insect-like race that is unusually strict in matters of protocol. After practicing the complex greeting the Jaradan require to open negotiations, Captain Jean-Luc Picard (Patrick Stewart) decides to relax with a Dixon Hill story in the holodeck. Playing Detective Hill in the holoprogram, Picard takes up the case of Jessica Bradley (Carolyn Allport), who believes Cyrus Redblock (Lawrence Tierney) is trying to kill her. Picard decides to continue the program later and leaves the holodeck to affirm their estimated arrival at Torona IV. He invites Dr. Beverly Crusher (Gates McFadden) and visiting historian Dr. Whalen (David Selburg) to join him in the holodeck. While Crusher is still preparing, Picard and Whalen are ready to enter the holodeck when Lt. Cdr. Data (Brent Spiner) arrives, having overheard Picard's invitation. Entering the holodeck, the three discover Jessica has been murdered in Picard's absence. As Picard explains that he saw Jessica at his office the day before, Lt. McNary (Gary Armagnac) brings Picard into the police station for questioning as a suspect in her murder. Meanwhile, the Enterprise is scanned from a distance by the Jaradan, causing a power surge in the holodeck external controls. Dr. Crusher later enters the holodeck, first experiencing a momentary glitch with the holodeck doors, and joins her friends at the police station.

The Jaradan demand their greeting earlier than the agreed time and are insulted at having to talk to anyone other than the Captain. The crew try to communicate with Picard in the holodeck but find it impossible; the Jaradan signal has affected the holodeck's functions, preventing the doors from opening or allowing communication with the crew inside. Lt. Geordi La Forge (LeVar Burton) and Wesley Crusher (Wil Wheaton) attempt to repair the holodeck systems, while inside the holodeck, the group returns to Dixon's office. Mr. Leech (Harvey Jason) appears having waited for Picard, demanding he turn over an object he believes Jessica gave him. When Picard fails to understand, Leech shoots Dr. Whalen with a gun, and the crew discovers that the safety protocols have been disabled as Whalen is severely wounded. As Dr. Crusher cares for his wound, Picard and Data discover the holodeck is malfunctioning and they are unable to exit the program. Mr. Leech is joined by Redblock and continues to demand the object. Lt. McNary arrives and becomes involved in the standoff. Picard tries to explain the nature of the holodeck, but Redblock refuses to believe him.

Outside, Wesley finds the glitch, however he cannot simply turn off the system for fear of losing everyone inside. Instead, Wesley resets the simulation, briefly placing Picard and the others in the middle of a snowstorm before finding themselves back in Dixon's office. With the reset successfully clearing the malfunction, the exit doors finally appear. Despite Picard's warnings, Redblock and Leech exit the holodeck, but dissipate as they move beyond the range of its holoemitters. As they leave the holodeck, Picard thanks McNary for his assistance, who now suspects that his world is artificial and asks whether Picard's departure is "the big goodbye", to which Picard replies that he simply doesn't know. Picard reaches the bridge in time to give the proper greeting to the Jaradan. The Jaradan accept the greeting, heralding the start of successful negotiations.

Production

References were deliberately included in "The Big Goodbye" to the 1941 film The Maltese Falcon.

The initial idea for Picard's detective based holodeck program came from series creator Gene Roddenberry and other writing staff. Tracy Tormé received credit for writing the episode.[1][2] Tormé said he added film noir elements, including references to The Maltese Falcon (1941). Redblock and Leech represent the characters played by Sydney Greenstreet and Peter Lorre.[2] The production staff attempted to create the same layout of the detective office from the film.[3] Dixon Hill was originally named Dixon Steele in reference to In a Lonely Place (1950), a film noir starring Humphrey Bogart. However, the name was changed due to similarities with the name of the title character in the American television series, Remington Steele. Tormé expanded the Jarada a great deal, but because of budgetary restraints, they are only heard in the episode.[2] After the episode "Haven", "The Big Goodbye" is the second writing credit of the series for Tormé.[4] Rob Bowman was originally scheduled to direct the episode, but following problems with "Datalore", the filming order was switched, so Joe Scanlan directed "The Big Goodbye" instead.[2]

Scanlan and Tormé recommended filming the holodeck sequences in black and white, but Rick Berman and Bob Justman disagreed with the idea.[2][note 1] "The Big Goodbye" was the first episode based on the holodeck in the Star Trek franchise.[6] The holodeck would appear later in the season in "11001001", as well as a number of other episodes in various series, and would eventually become a regular feature.[7] Because of the differences between the Dixon Hill scenes and those set on the Enterprise, Scanlan treated the diverse settings as if he was filming two unconnected episodes.[3]

Tierney was well known for playing villains in 1940s film noirs, including Dillinger (1945) and The Devil Thumbs a Ride (1947). After his performance in Star Trek: The Next Generation, Tierney gained new fame playing Joe Cabot in Quentin Tarantino's film, Reservoir Dogs (1992).[8] Wheaton later recalled he felt intimidated by Tierney during filming, as he was 15 and Tierney had a reputation for having a character similar to the tough guys he typically played.[9] Tierney returned to Star Trek in 1997 to play an alien Regent in the Deep Space Nine episode, "Business as Usual".[10] Wheaton said that after 12 previous episodes in the series at the time, he and the cast and crew preferred "The Big Goodbye" as it allowed them to play a period piece.[9] The Dixon Hill holoprogram reappeared in the second series episode "Manhunt", the fourth season episode "Clues" and the film Star Trek: First Contact (1996). The Dixon Hill characters are also featured in the licensed novel, A Hard Rain.[11]

Reception and home media release

Rather than give in to the usual realities of "first-run" and produce a low budget, but profitable program, the producers chose instead to opt for the highest quality in writing, decor, acting, and, indeed, all facets of the production. In doing so, they have set a new standard of quality for first-run syndication and this is exemplified in the episode "The Big Goodbye."

The Peabody Board.[12]

The episode first aired on January 11, 1988, receiving Nielsen ratings of 11.5 million. It was the first new episode broadcast since the previous November, when 10.3 million viewers watched "Haven". "The Big Goodbye" received more viewers than the following episode "Datalore", which also had only 10.3 million viewers.[13] In recognition of its "new standard of quality for first-run syndication", the episode was honored with a Peabody Award in 1987.[12] "The Big Goodbye" was also nominated for two Emmy Awards in the categories of Outstanding Cinematography for a Series and Outstanding Costumes for a Series, with costume designer William Ware Theiss winning the award in the latter category.[14][15]

After its initial release, a review in TV Guide criticised the episode for its similarity to The Original Series episode "A Piece of the Action", which featured a planet based on 1930s gangland Chicago.[2] Several reviewers re-watched the episode after the end of the series. Keith DeCandido of Tor.com praised the "stellar guest casting" and said that Tierney "own[ed] the episode".[11] He compared the episode to The Maltese Falcon, and said that the episode featured "charming performances" by the entire cast.[11] DeCandido gave the episode a score of seven out of ten.[11] Cast member Wil Wheaton called the episode a "fantastic collaborative effort, from Tracy Torme's script, to Joseph Scanlan's direction, to Ed Brown's cinematography, to every actor's performance. There's a reason 'The Big Goodbye' is the only Star Trek episode to win a Peabody."[9] He gave the episode an A grade.[9]

Writing for Den of Geek, James Hunt said that the risk of disintegration on the holodeck was "insane" and was rectified in later episodes. He thought that the episode stood out from the others in the first season due to the prototype holodeck story. "The holodeck will break again and again over the years, but rarely in a way any more interesting than this. Not that The Big Goodbye was particularly interesting, but it has the rare fortune of being first," Hunt wrote.[6]

Michelle Erica Green of TrekNation praised the dialogue but felt the episode did not "hold up to a lot of logical analysis".[16] However, she also said it was a "fun" episode that "set the stage" for holodeck episodes featuring the sentient Professor Moriarty hologram in "Elementary, Dear Data" and "Ship in a Bottle".[16] Writing for The A.V. Club, Zack Handlen observed "a certain flatness" in parts of the episode and considered it "very silly" for the characters to slowly disintegrate after leaving the holodeck.[17] Although he said the holodeck in "The Big Goodbye" was similar to "an Xbox that periodically eats your cat",[17] he gave the episode an overall grade of B-.[17]

"The Big Goodbye" was released on VHS cassette in the United States and Canada on August 26, 1992.[18] The episode was released on the Star Trek: The Next Generation season one DVD box set in March 2002.[19] The season one Blu-ray set was released on July 24, 2012.[20]

Notes

  1. The Captain Proton holodeck program in Star Trek: Voyager was filmed in black and white from the episode "Night" onwards.[5]

Footnotes

  1. Nemecek (2003): p. 44
  2. 1 2 3 4 5 6 Nemecek (2003): p. 45
  3. 1 2 Gross; Altman (1993): p. 162
  4. Gross; Altman (1993): p. 161
  5. Basson, David (June 1999). "Rocket Man". Star Trek: Monthly. Retrieved July 5, 2013.
  6. 1 2 Hunt, James (December 7, 2012). "Revisiting Star Trek TNG: The Big Goodbye". Den of Geek. Retrieved July 5, 2013.
  7. Hanley (1998): p. 42
  8. "Lawrence Tierney". The Guardian. March 1, 2002. Retrieved July 7, 2013.
  9. 1 2 3 4 Wheaton, Wil (July 11, 2007). "Star Trek: The Next Generation: The Big Goodbye". AOL TV. Retrieved July 4, 2013.
  10. "Tierney, Lawrence". Star Trek.com. Retrieved July 7, 2013.
  11. 1 2 3 4 DeCandido, Keith (June 13, 2011). "Star Trek: The Next Generation Rewatch: "The Big Goodbye"". Tor.com. Retrieved July 4, 2013.
  12. 1 2 "Star Trek: The Next Generation – The Big Good-Bye". Peabody Awards. Retrieved June 15, 2016.
  13. "Star Trek: The Next Generation Nielsen Ratings – Seasons 1–2". TrekNation. Archived from the original on October 5, 2000. Retrieved July 3, 2013.
  14. "Primetime Emmy Award Database". Emmys.com. Retrieved July 5, 2013.
  15. Turner, George (October 1988). "And the Winners are...". American Cinematographer. 69 (10). (subscription required)
  16. 1 2 Green, Michelle Erica (May 18, 2007). "The Big Goodbye". TrekNation. Retrieved July 5, 2013.
  17. 1 2 3 Handlen, Zack (April 30, 2010). ""The Big Goodbye"/"Datalore"/"Angel One"". The A.V. Club. Retrieved July 5, 2013.
  18. "Star Trek – The Next Generation, Episode 13: The Big Goodbye (VHS)". Tower Video. Retrieved July 4, 2013.
  19. Periguard, Mark A (March 24, 2002). "'Life as a House' rests on shaky foundation". The Boston Herald. Retrieved April 9, 2013. (subscription required)
  20. Shaffer, RL (April 30, 2012). "Star Trek: The Next Generation Beams to Blu-ray". IGN. Retrieved July 4, 2013.

References

  • Gross, Edward; Altman, Mark A. (1993). Captain's Logs: The Complete Trek Voyages. London: Boxtree. ISBN 978-1-85283-899-7. 
  • Hanley, Richard (1998). The Metaphysics of Star Trek. New York: Basic Books. ISBN 978-0465091249.  (subscription required)
  • Nemecek, Larry (2003). Star Trek: The Next Generation Companion (3rd ed.). New York: Pocket Books. ISBN 0-7434-5798-6. 
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