Stile concitato
Stile concitato (rather Genere concitato[1]) or "agitated style" is a Baroque style developed by Claudio Monteverdi with effects such as having rapid repeated notes and extended trills as symbols of bellicose agitation or anger.
Kate Van Orden points out a precedent in Clément Janequin's "La Guerre" (1528).
Agathe Sueur points out similarities and ambiguities between Monteverdi's genere concitato and stile concitato in rhetoric and poetry.[2] [3]
Some examples of stile concitato can be found in the following works:
- Claudio Monteverdi (1567–1643): Il Ritorno d'Ulisse in Patria
- Claudio Monteverdi (1567–1643): L'incoronazione di Poppea
- Claudio Monteverdi (1567–1643): Il Combattimento di Tancredi e Clorinda
- Giacomo Carissimi (1605–1674): Jephte
- Barbara Strozzi (1619–1677): Tradimento
References
- ↑ Gerald Drebes: ‘‘Monteverdis „Kontrastprinzip“, die Vorrede zu seinem 8. Madrigalbuch und das „Genere concitato“.‘‘ In: ‘‘Musiktheorie‘‘, Jg. 6, 1991, S. 29–42, online:
- ↑ Agathe Sueur, Le Frein et l'Aiguillon. Eloquence musicale et nombre oratoire (XVIe-XVIIIe siècle), Paris, Classiques Garnier, 2014, « Lectures jésuites du genere concitato de Monteverdi ».
- ↑ Almeida, Vicente Casanova de. Monteverdi e o Stile Concitato – uma poética guerreira no Oitavo Livro de Madrigais de 1638. Dissertação. 2014. Disponível em: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112014-144929/pt-br.php
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