William Dobell

Sir William Dobell

William Dobell, 1942, photograph by Max Dupain
Born (1899-09-24)24 September 1899
Cooks Hill, Newcastle, Australia
Died 13 May 1970(1970-05-13) (aged 70)
Wangi Wangi, Australia
Nationality Australian
Known for Painting

Sir William Dobell, OBE (24 September 1899 – 13 May 1970) was an Australian artist.

Career

William Dobell was born in Cooks Hill, a working-class neighbourhood of Newcastle, New South Wales in Australia. His father was a builder and there were six children.

Dobell's artistic talents were evident early. In 1916, he was apprenticed to Newcastle architect, Wallace L. Porter and in 1924 he moved to Sydney as a draftsman. In 1925, he enrolled in evening art classes at the Sydney Art School (which later became the Julian Ashton School of Art), with Henry Gibbons as his teacher. He was influenced by George Washington Lambert. He was also gay and consequently never married, while several of his works carried strong homoerotic overtones.[1]

In 1929, Dobell was awarded the Society of Artists' Travelling Scholarship[2] and travelled to England to the Slade School of Fine Art where he studied under Philip Wilson Steer and Henry Tonks. In 1930, he won first prize for figure painting at Slade and also travelled to Poland. In 1931 he moved on to Belgium and Paris, and after 10 years in Europe returned to Australia – taking with him a new Expressionist style of painting as opposed to his earlier naturalistic approach.

In 1939, he began as a part-time teacher at East Sydney Technical College. After the outbreak of war, he was drafted into the Civil Construction Corps of the Allied Works Council in 1941 as a camouflage painter; he later became an unofficial war artist.

In 1944, he had his first solo exhibition including public collection loans at the inauguration of the David Jones Art Gallery, Sydney.

In 1949, he visited New Guinea as a guest of Sir Edward Hallstrom with writers Frank Clune and Colin Simpson. The trip inspired a new series of tiny, brilliantly coloured landscapes. In 1950, he revisited New Guinea; on his return to Australia he continued to paint scenes of New Guinea, as well as portraits.

Sir William Dobell visiting an art class at the Newcastle Technical College Art School in 1956

Between 1960 and 1963 TIME magazine commissioned Dobell to paint four portraits for covers, one per year, of: Robert Menzies, Prime Minister of Australia; South Vietnam's President Ngô Đình Diệm; Frederick G. Donner, the Chairman of General Motors; and Tunku Abdul Rahman, Prime Minister of Malaysia.

In 1964, Dobell exhibited in a major retrospective at the Art Gallery of New South Wales and the first monograph of his work was written by James Gleeson.

He died in 1970 in Wangi Wangi. The sole beneficiary of his estate was the Sir William Dobell Art Foundation, which was founded on 19 January 1971.

A film of Dobell's life, titled Yours sincerely, Bill Dobell was made in 1981 by Brian Adams and Cathy Shirley for the Australian Broadcasting Commission and the William Dobell Art Foundation. Brian Adams' book Portrait of an Artist – A biography of William Dobell was first published in 1983 by Hutchinson Publishing Group and revised in paperback in 1992 for Random House Australia.

A book on the life and art of William Dobell, William Dobell: An Artist's Life by Elizabeth Donaldson, was compiled in 2010 with the support of the Sir William Dobell Art Foundation and Dobell House, in Wangi Wangi. It is published by Exisle Publishing.

Controversy

In 1943, Dobell's portrait of Joshua Smith, titled "Portrait of an artist", was awarded the Archibald Prize. This was contested in 1944 by two unsuccessful entrants, who brought a lawsuit against Dobell and the Gallery's Board of Trustees in the Supreme Court of New South Wales on the grounds that the painting was a caricature and therefore not eligible for the prize. Public opinion was sharply divided, with most viewers puzzled by the unexpected portrait.[3]

One art critic was highly laudatory:

Creating a man in the simplicity of everyday existence, Dobell reaches profundity by his understanding of this life which, at this instant, is realized and merged with his own nature.[4]

The claim was dismissed and the award was upheld, but the ordeal left Dobell emotionally disturbed and he retreated in 1945 to his sister's home at Wangi Wangi on Lake Macquarie, where he began to paint landscapes. The Supreme Court opinion by Mister Justice Roper said:

The picture in question is characterized by some startling exaggeration and distortion, clearly intended by the artist, his technique being too brilliant to admit of any other conclusion. It bears, nevertheless, a strong degree of likeness to the subject and is, I think, undoubtedly a pictorial representation of him. I find it a fact that it is a portrait within the meaning of the words in the will, and consequently the trustees did not err in admitting it to the competition.[5]

Analysis

Dobell's style is unique in being able to adapt to suit the character of his subject. This was best described by James Gleeson; "One of the astonishing things about Dobell's portraiture is his ability to adjust his style to the nature of the personality he is portraying ... If the character of his sitter is broad and generous, he paints broadly and generously. If the character is contained and inward looking, he uses brushstrokes that convey this fact. In his later portraits one has only to look at a few square inches of a painted sleeve to know what sort of person is wearing it."

Among private and other public holdings, examples of Dobell's work are exhibited in the Newcastle Region Art Gallery, the Art Gallery of New South Wales, the Queensland Art Gallery in Brisbane and the National Gallery of Australia in Canberra.

Legacy

Awards and honours

In 1943, Dobell won the Archibald Prize for a portrait of the artist Joshua Smith.[6] This was unsuccessfully challenged in court as being caricature rather than portraiture.

In 1948, Dobell entered Margaret Olley in the Archibald and won;[7] he also won the Wynne prize for Storm approaching Wangi.[8]

In 1959, Dobell again won the Archibald for Dr E. G. MacMahon.[9]

He was made an Officer of the Order of the British Empire (OBE) in 1965 and was knighted in 1966.

The federal electoral Division of Dobell in New South Wales is named after him.

Exhibitions

Dobell had the following solo exhibitions:

The book William Dobell: An Artist's Life by Elizabeth Donaldson published in 2010 includes many of Dobell's works, as well as archival photographs.

A biography of Dobell Bill: The Life of William Dobell[10] by Scott Bevan was published in 2014.[11]

See also

References

  1. ↑ M. Eagle, 'William Dobell', Australian Dictionary of Biography, Vol. 14, Melbourne, 1996
  2. ↑ "TRAVELLING SCHOLAR.". The Sydney Morning Herald. 10 April 1929. p. 18. Retrieved 2 May 2014.
  3. ↑ See Josh Pentecost, "William Dobell (1899-1970)" (16 Sept. 2005) online, with a copy of the portrait
  4. ↑ Sydney morning Herald 22 January 1944 in F. K. Crowley, Modern Australia in Documents: 1939-1970 (1973) 2:94.
  5. ↑ F. K. Crowley, Modern Australia in Documents: 1939-1970 (1973) 2:93
  6. ↑ "Archibald Prize". AGNSW prize record. Art Gallery of New South Wales. 1943. Retrieved 9 May 2016.
  7. ↑ "Archibald Prize". AGNSW prize record. Art Gallery of New South Wales. 1948. Retrieved 9 May 2016.
  8. ↑ "Wynne Prize". AGNSW prize record. Art Gallery of New South Wales. 1948. Retrieved 9 May 2016.
  9. ↑ "Archibald Prize". AGNSW prize record. Art Gallery of New South Wales. 1959. Retrieved 9 May 2016.
  10. ↑
  11. ↑ "Book review: Bill: The life of William Dobell, by Scott Bevan". The Sydney Morning Herald. Australia. 2 January 2015. Retrieved 21 June 2016.
Awards
Preceded by
William Dargie		 Archibald Prize
1943
for Joshua Smith 		Succeeded by
Joshua Smith
Preceded by
William Dargie		 Archibald Prize
1948
for Margaret Olley 		Succeeded by
Arthur Murch
Preceded by
William Edwin Pidgeon		 Archibald Prize
1959
for Dr. Edward MacMahon 		Succeeded by
Judy Cassab
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