Sebastiano Bagolino

Sebastiano Bagolino
Born 25 March 1562
Alcamo, province of Trapani
Died 26 July 1604 (aged about 42)
Alcamo
Occupation Scholar, poet
Nationality Italian
Period Renaissance
Spouse Francesca Battiata

Sebastiano Bagolino was a Latin poet and scholar.

Biography

He was born in Alcamo, in the province of Trapani, from Giovan Leonardo, a painter, and Caterina Tabone. His father, probably originary from Verona, painted several frescoes for the churches in Alcamo. His mother came from a family quite rich and that gave the poet a fairly comfortable life.[1]

When a child he was introduced to painting and music, but he had a real aptitude for humanities: in fact Bagolino’s natural ability in writing Latin lines procured him the admittance, even very young, into the house of Francesco Moncada, prince of Paternò, patron of several literates and whom he dedicated various works to. But at the age of 19, his will to enter a more open cultural circle, brought him to move to Naples, the centre of humanistic studies of that period.[1]

He taught poetics to the young sons of noble families and got the protection of Ferrante Carafa, whose son he was the educator. Very soon he learnt to write and speak Latin, Italian and Spanish perfectly well here and to read out lines, so earning the esteem of leading figures like Giovanbattista La Porta.

Bagolino studied humanistic poets, but as he did not feel amalgamated from the intellectual point of view, he went back to Palermo, stil under the protection of Francesco Moncada, prince of Paternò.

He put his knowledge on painting and music at Moncada’s disposal, accompanying him on his frequent trips in his estates: to Caltanissetta, Adernò, Siracusa, Militello, as far as there was a quarrel with Monacada’s mother, Aloisa Luna.[1]

In 1591 Moncada died and Bagolino decided to return to Alcamo, and in 1592 he married Francesca Battiata, probabily a writer. He became a brotherly friend with Annibale Valguarnera, baron of Godrano, a patron of several literates, but this possibilty of support failed too, and he opened a private school of grammar with pupils like Giuseppe Grimaldi, Vincenzo and Niccolò Odaglia, poets and literates.

At the same time he painted and gave lessons of painting and music, as long as 1595 when he had the proposal to translate the Emblemas morales of the bishop Giovanni Orozco. Bagolino moved to Agrigento and started a familiar relationship with Orozco, but even this time the friendship broke because of some disagreements of literary type.[1]

Returned to his town again, he was forced to work for his living, and in 1598 he was called as a teacher at the public gymnasium, though this activity did not give the right satisfaction, it gave him the possibility of earning his living and, in spite of the engagement in his work, he continued to devote himself to his great passion: poetry. In 1604 he wrote his last verses, and on 26 July the poet died at the early age of 42, without publishing his poems. .

After his solemn funeral, Bagolino’s mortal remains were buried in the Church of the Holy Crucifix (or saint Francis of Paola) in Alcamo; inside it, there is a memorial stone, with the epitaph that Bagolino himself had written before his death:[2]

Tu quicumque mei ferris per saxa sepulcri, Attonitus lacrymes non rogo morte mea; Sed responsurae tantum iace verba favillae, ‘Et dicas : cinis hic num Bagolinus erat?

“You, whoever you are, will go among the stones of my sepulchre, (I) astonished do not ask (you) tears for my death; but only ashes can words to re-echo for a dead man, and you might say: “was this ash by any chance Bagolino?”

Alcamo has entitled the Civic Library, a lower secondary school and a large square in memory of its artist.

Works

The best of Bagolino’s works is found in his 729 Latin poems, published in 1782 by Sir G.Triolo Galifi; they are collected in 2 volumes and can be consulted at the Civic Library in Alcamo. There are some with a religious and love theme and are full of fantasy and feeling; a third group is about events actually occurred in Alcamo and testifyed by the poet.

Here is the list:

1.disegni di Christo (Christ’s plans) 2. The Salutation of Our Lady, that is Ave Maria. 3. A spiritual reasoning to Francesca Battiata 4. L'Anchore, a "spiritual reasoning" on the “ four anchores of the Evangelic perfection”

Finally, in the sacristy of the Sanctuary of Madonna of Miracles, there is a monochrome drawing on canvas, made by Bagolino, depicting the founding of the fresco of Our Lady of Miracles, restored in 1947.

References

Sources

This article is issued from Wikipedia - version of the 12/2/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.