Saint Sarah

This article is about the Romani saint. For other saints of that name, see Saint Sarah (disambiguation).
Saint Sarah

The shrine of Saintes-Maries-de-la-Mer
Sarah the Black, Kali Sara
Venerated in Christianity
Major shrine Saintes-Maries-de-la-Mer, France
Feast 24 May
Patronage Romani people

Saint Sarah, also known as Sara-la-Kali ("Sara the Black", Romani: Sara e Kali), is the patron saint of the Romani people. The center of her veneration is Saintes-Maries-de-la-Mer, a place of pilgrimage for Roma in the Camargue, in southern France. Legend identifies her as the servant of one of the Three Marys, with whom she is supposed to have arrived in the Camargue.[1]

Accounts

Lorenzo Monaco, The Three Marys at the Tomb
Interior of the shrine of Saintes-Maries-de-la-Mer
Ritual bath during the Romani pilgrimage of Saintes-Maries-de-la-Mer.

According to various legends, during a persecution of early Christians, commonly placed in the year 42, Lazarus, his sisters Mary and Martha, Mary Salome (the mother of the Apostles John and James), Mary Jacobe and Maximin were sent out to sea in a boat. They arrived safely on the southern shore of Gaul at the place later called Saintes-Maries-de-la-Mer. In some accounts Sarah, a native of Upper Egypt, appears as the black Egyptian maid of one of the Three Marys, usually Mary Jacobe.[2]

Though the tradition of the Three Marys arriving in France stems from the high Middle Ages, appearing for instance in the 13th century Golden Legend, Saint Sarah makes her first appearance in Vincent Philippon's book The Legend of the Saintes-Maries (1521), where she is portrayed as "a charitable woman that helped people by collecting alms, which led to the popular belief that she was a Gypsy." Subsequently, Sarah was adopted by Romani as their saint.[3]

Another account has Sarah welcoming the Three Marys into Gaul. Franz de Ville (1956) writes:

One of our people who received the first Revelation was Sara the Kali. She was of noble birth and was chief of her tribe on the banks of the Rhône. She knew the secrets that had been transmitted to her... The Rom at that period practiced a polytheistic religion, and once a year they took out on their shoulders the statue of Ishtari (Astarte) and went into the sea to receive benediction there. One day Sara had visions which informed her that the Saints who had been present at the death of Jesus would come, and that she must help them. Sara saw them arrive in a boat. The sea was rough, and the boat threatened to founder. Mary Salome threw her cloak on the waves and, using it as a raft, Sarah floated towards the Saints and helped them reach land by praying.[4]

Pilgrimage

The day of the pilgrimage honouring Sarah is May 24; her statue is carried down to the sea on this day to re-enact her arrival in France.

Some authors have drawn parallels between the ceremonies of the pilgrimage and the worship of the Hindu goddess Kali, subsequently identifying the two.[5] Ronald Lee (2001) states:

If we compare the ceremonies with those performed in France at the shrine of Sainte Sara (called Sara e Kali in Romani), we become aware that the worship of Kali/Durga/Sara has been transferred to a Christian figure... in France, to a non-existent "sainte" called Sara, who is actually part of the Kali/Durga/Sara worship among certain groups in India.[6]

Cultural references

The statue of Saint Sarah makes an appearance in Tony Gatlif's 1993 film Latcho Drom (Safe Journey) where it is carried to the sea, and her landing is re-enacted.

In Korkoro, also a Tony Gatlif film, the Romani often pray to St. Sarah with intense fervor.

In the Chilean telenovela "Romané", the main character is a Roma woman named Jovanka, a devotée of Saint Sarah. She swears in Sarah's name that she'll never reveal which of her daughters is her true child.

Some authors,[7][8][9] taking up themes from the pseudohistorical book Holy Blood, Holy Grail, suggest that Sarah was the daughter of Jesus Christ and Mary Magdalene. These ideas were popularized by Dan Brown's novel The Da Vinci Code and is also the main plot in Eron Manusov's novel Ahavah's Dream.[10] The story of Sarah as daughter of Jesus Christ and Mary Magdalene also plays a part in The Maeve Chronicles by Elizabeth Cunningham, and figures prominently in the last two novels of this series, Bright Dark Madonna and Red-Robed Priestess.[11] These speculations have been rejected by the local inhabitants.[12][13]

Tinkerscuss sing "Black Sarah" on their 2010 album "Nine Trees".

Alistair MacLean's 1970 thriller, Caravan to Vaccarès is set around the pilgrimage to Saintes-Maries-de-la-Mer.

See also

Notes

  1. Bart McDowell, Gypsies: Wanderers of the World, pp. 38-57.
  2. Michal Droit, Carmague, p. 19.
  3. Rossi, Safron. "Myth 101 – Saint Sarah", Opus Archives and Research Center, February 15, 2011
  4. Franz de Ville, Traditions of the Roma in Belgium.
  5. Isabel Fonseca, Bury Me Standing: The Gypsies and Their Journey, pp. 106-107.
  6. Ronald Lee, "The Rom-Vlach Gypsies and the Kris-Romani", p. 210.
  7. Margaret Starbird, The Woman with the Alabaster Jar: Mary Magdalen and the Holy Grail, Bear & Company, 1993.
  8. Fida Hassnain, A Search for the Historical Jesus (Gateway Books, 1994).
  9. Marilyn Hopkins, Graham Simmans, Tim Wallace-Murphy, Rex Deus. The True Mystery of Rennes-le-Château and the Dynasty of Jesus, Element Books, 2000. ISBN 1-86204-472-4.
  10. Eron Manusov, Ahavah's Dream (PublishAmerica Inc, 2005).
  11. Elizabeth Cunningham, Bright Dark Madonna, Monkfish Book Publishing Company, 2009; Red-Robed Priestess, Monkfish Book Publishing Company, 2011.
  12. The Real Da Vinci Code, Channel Four Television, 3 February 2005.
  13. Behind The Mysteries: Unlocking Da Vinci's Code - The Full Story, National Geographic Channel, 19 December 2004.

References

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