Samba (2014 film)

Samba

Film poster
Directed by
Produced by
  • Nicolas Duval-Adassovsky
  • Laurent Zeitoun
  • Yann Zenou
Screenplay by
  • Olivier Nakache
  • Eric Toledano
Based on Samba pour la France
by Delphine Coulin
Starring
Music by Ludovico Einaudi
Cinematography Stéphane Fontaine
Edited by Dorian Rigal-Ansous
Production
company
Distributed by Gaumont
Release dates
  • 7 September 2014 (2014-09-07) (TIFF)
  • 15 October 2014 (2014-10-15) (France)
Running time
119 minutes[1]
Country France
Language
  • French
  • Arabic
  • English
  • Portuguese
  • Russian
  • Serbian
Budget $15.4 million[2]
Box office $31.1 million[3]

Samba is a 2014 French comedy-drama film co-written and directed by Olivier Nakache and Éric Toledano.[4][5] It is the second collaboration between Sy and directors Nakache and Toledano after 2012's The Intouchables.

The film premiered at the 2014 Toronto International Film Festival on 7 September 2014.[6] It had a theatrical release on 15 October 2014 in France.[7] The U.S. theatrical release is set for 24 July 2015.[8]

Plot

Samba Cissé (Omar Sy), a migrant from Senegal to France, works as a dish washer in a hotel. After a bureaucratic slip-up lands him in a detention, he is ordered to leave France. With the help of an immigration officer (Charlotte Gainsbourg), he fights to stay in France.

Cast

Reception

The film generated mixed reviews. Review aggregator Rotten Tomatoes reports that 50% of 10 film critics have given the film a positive review, with a rating average of 5.5 out of 10.[9]

Peter Debruge of Variety called the film "A highly polished, widely appealing big-budget French movie." He praised Omar Sy's performance in the film that "Sy’s position as one of France’s most magnetic screen personalities, even more compelling to watch in serious scenes than in the obligatory comedic bits."[10] Sam Woolf gave the film a positive review inWe Got This Covered by saying that "The immigrant's struggle is brought to pulsating life in Samba, which works best as an affecting and amusing star vehicle for Omar Sy."[11]

However, Jordan Mintzer of The Hollywood Reporter criticized the film's plot that "The film's message is lost amid too many plot contrivances." He concluded that "(it's an) Another crowdpleasing social dramedy from the makers of "Intouchables," though one that wears out its welcome without bringing its message home."[12] Mark Adams from Screen International in his review said that "(it's) A well-meaning and occasionally joyous film that is ultimately too scattershot in its format and tone to really work."[13]

References

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