All-Night Vigil (Rachmaninoff)

For the liturgical service, see All-night vigil

Sergei Rachmaninoff

The All-Night Vigil (Pre-reform Russian: Всенощное бдѣніе, Vsénoshchnoye bdéniye; Modern Russian: Всенощное бдение) is an a cappella choral composition by Sergei Rachmaninoff, his Op. 37, written and premiered on March 23, 1915 in Moscow.

The piece consists of settings of texts taken from the Russian Orthodox All-night vigil ceremony. It has been praised as Rachmaninoff's finest achievement^[1] and "the greatest musical achievement of the Russian Orthodox Church".^[2] It was one of Rachmaninoff's two favorite compositions^[3] along with The Bells, and the composer requested that its fifth movement (Nunc Dimittis) be sung at his funeral.^[3]

Note: The title of the work is often mis-translated as simply Vespers. This is both literally and conceptually incorrect as applied to the entire work: only the first six of its fifteen movements set texts from the Russian Orthodox canonical hour of Vespers.

History

Composition history

Rachmaninoff composed the All-Night Vigil in less than two weeks in January and February 1915.^[4] The All-Night Vigil is perhaps notable as one of two liturgical settings (the other being the Liturgy of St. John Chrysostom) by a composer who had stopped attending church services. As required by the Russian Orthodox Church, Rachmaninoff based ten of the fifteen sections on chant. However, the five original sections (numbers 1, 3, 6, 10, & 11) were so heavily influenced by chant that the composer called them "conscious counterfeits".

Rachmaninoff's work is a culmination of the preceding two decades of interest in Russian sacred music, as initiated by Tchaikovsky's setting of the all-night vigil.^[5][6] The similarities between the works, such as the extensive use of traditional chants, demonstrates the extent of Tchaikovsky's influence; however, Rachmaninoff's setting is much more complex in its use of harmony, textual variety and polyphony.^[7]

Performance history

The first performance was given in Moscow on March 10, 1915, partly to benefit the Russian war effort. Nikolai Danilin conducted the all-male Moscow Synodal Choir at the premiere. It was received warmly by critics and audiences alike, and was so successful that it was performed five more times within a month.^[8] However the Russian Revolution of 1917 and the rise of the Soviet Union led to the government condemnation of religious music,^[9] and on 22 July 1918 the Synodal Choir was replaced by a non-religious "People's Choir Academy".^[10] It has been written that "no composition represents the end of an era so clearly as this liturgical work".^[11]

Analysis

The Vigil includes three styles of chant: znamenny (in numbers 8, 9, 12, 13 and 14), a more recitational "Greek" style (numbers 2 and 15), and "Kiev" chant — a chant developed in Kiev in the 16th and 17th centuries (numbers 4 and 5). Before writing, Rachmaninoff had studied ancient chant under Stepan Smolensky, to whom he dedicated the piece. It is written for a four-part choir, complete with basso profondo. However, in many parts there is three-, five-, six-, or eight-part harmony; at one point in the seventh movement, the choir is divided into eleven parts. Movements 4 and 9 each contain a brief tenor solo, while movements 2 and 5 feature lengthy solos respectively for alto and tenor. The fifth movement, Nunc dimittis (Nyne otpushchayeshi), has gained notoriety for its ending in which the low basses must negotiate a descending scale that ends with a low B-flat (the third B-flat below middle C). When Rachmaninoff initially played this passage through to Kastalsky and Danilin in preparation for the first performance, Rachmaninoff recalled that:

Danilin shook his head, saying, "Now where on earth are we to find such basses? They are as rare as asparagus at Christmas!" Nevertheless, he did find them. I knew the voices of my countrymen...^[3]

Movements

Note: Numbers 1-6 contain settings from the Russian Orthodox Vespers service (Russian: Вечерня, Vechérnya), numbers 7-14 settings from Matins (Утреня, Útrenya), and number 15 from The First Hour (Первый час, Pérvïy chas).

Recordings

The first recording of the Vigil was made by Alexander Sveshnikov with the State Academic Russian Choir of the USSR for the Soviet Melodiya label in 1965 - exactly half a century after the work's first performance. Because of Soviet anti-religious policies, this record was never available for sale within the USSR, but was only made for the export market and private study. This recording still has a legendary reputation, in part because of its extremely strong low basses, but also because of the solos by Klara Korkan and Konstantin Ognevoi.^[12] The recording was first released in the United States in 1973 on the Melodiya-Angel label. The March 1974 edition of Stereo Review noted that Angel's general manager Robert E. Myers had "tracked down the recording" and "had to prevail rather heavily on the Soviet powers that be to make it part of their trade agreement with Angel".^[13]

References

External links

• Rachmaninoff Vespers: Transliteration and translation
• All-Night Vigil: Scores at the International Music Score Library Project
• Rhodes College Mastersingers, directed by Tony Lee Garner, live recording from February,1998 at St. Mary's Cathedral, Memphis Tennessee. Free mp3s of complete performance
• All-Night Vigil of Rachmaninoff in Russian at Predanie.ru archive

Sergei Rachmaninoff
Operas	Aleko The Miserly Knight Francesca da Rimini Salammbô Monna Vanna
Symphonies	Symphony No. 1 in D minor Symphony No. 2 in E minor Symphony No. 3 in A minor The Bells (choral symphony) Youth Symphony
Concertos	Piano Concerto No. 1 in F♯ minor Piano Concerto No. 2 in C minor Piano Concerto No. 3 in D minor Piano Concerto No. 4 in G minor Rhapsody on a Theme of Paganini
Orchestra works	Scherzo in D minor Suite in D minor Prince Rostislav The Rock Caprice bohémien Isle of the Dead Symphonic Dances
Vocal music	All-Night Vigil Liturgy of St. John Chrysostom Spring The Bells Three Russian Songs Vocalise
Chamber music	Trio élégiaque No. 1 Trio élégiaque No. 2 Cello Sonata in G minor
Piano music	Morceaux de fantaisie (includes Prelude in C♯ minor) Morceaux de salon Six moments musicaux Variations on a Theme of Chopin 10 Preludes Piano Sonata No. 1 in D minor 13 Preludes Études-Tableaux, Op. 33 Piano Sonata No. 2 in B♭ minor Études-Tableaux, Op. 39 Variations on a Theme of Corelli Polka de W.R. Russian Rhapsody Suite 1 for two pianos Suite 2 for two pianos Étude in F♯ major Lento in D minor Four Pieces Three Nocturnes Piece (Canon) in D minor Prelude in F major Four Improvisations Morceau de Fantaisie in G minor Fughetta in F major Three Pieces Miscellaneous
Recognitions	Conservatoire Rachmaninoff Rachmaninoff (crater)
Related articles	List of compositions by Sergei Rachmaninoff Sergei Rachmaninoff Recordings Music written in all major and/or minor keys Youth Ivanovka estate Villa Senar Rachmaninoff (vodka) Romanticism
Category:Sergei Rachmaninoff Portal:Classical music