Nile mosaic of Palestrina

The Nile Mosaic of Palestrina.
A detail of the mosaic.
Another detail (Altes Museum, Berlin).

The Nile mosaic of Palestrina is a late Hellenistic floor mosaic depicting the Nile in its passage from Ethiopia to the Mediterranean. The mosaic was part of a Classical sanctuary-grotto in Palestrina, a town east of Rome, in central Italy. It has a width of 5.85 metres and a height of 4.31 metres and provides a glimpse into the Roman fascination with Egyptian exoticism in the 1st century BC, both as an early manifestation of the role of Egypt in the Roman imagination[1] and an example of the genre of "Nilotic landscape", with a long iconographic history in Egypt and the Aegean.

Description

The mosaic, with an arch-headed framing that identifies its original location as flooring an apse in a grotto, features detailed depictions of Ptolemaic Greeks, black Ethiopians in hunting scenes, and various animals of the Nile river.[2] It is the earliest Roman depiction of Nilotic scenes, of which several more were uncovered at Pompeii.[3] A consensus on the dating of the work is slowly emerging. Paul G. P. Meyboom suggests a date shortly before the reign of Sulla (ca. 100 BC) and treats the mosaic as an early evidence for the spread of Egyptian cults in Italy, where Isis was syncretised with Fortuna. He believes Nilotic scenes were introduced in Rome by Demetrius the Topographer, a Greek artist from Ptolemaic Egypt active ca. 165 BC. Claire Préaux emphasises the "escapist" nature of the fantastic scenery.[4]

History

Origins

The Nile Mosaic and its companion piece, the Fish Mosaic, were apparently still to be seen in the Italian city of Palestrina, ancient Praeneste, in the 15th century.[5] When first noticed shortly before 1507 by Antonio Volsco, a humanist in the circle of Pomponio Leto, the mosaics were still in situ among the vestiges of Sulla's sanctuary of Fortuna Primigenia. At that time the town was owned by the Colonna family of Rome, whose palazzo in Palestrina occupied a section of the ruins.

The mosaic may have been indicated in a well-known passage in Pliny's Natural History concerning mosaic floors in Italy:

Mosaics came into use as early as Sulla's régime. At all events there exists even today one made of very small tesserae which he installed in the temple of Fortune at Palestrina.

Volsco added that these were "arranged in the pattern of a picture".[6] Maurizio Calvesi, in identifying Francesco Colonna as the author of Hypnerotomachia Poliphili, identifies passages in Hypnerotomachia depending on Pliny that were enriched by direct experience of the mosaics themselves.[7]

17th century

In the 17th century, Palestrina passed to the Barberini family, who between 1624 and 1626 removed most of the mosaic from its setting, without recording the overall composition, and, after further movements and damage, put it on exhibition in the Palazzo Barberini in Palestrina, where it remains.[8] The mosaic was restored and repaired on numerous occasions, but careful watercolors of the sections were made for Cassiano dal Pozzo before the initial restoration in the opificio of St. Peter's. Helen Whitehouse's rediscovery of the long-lost watercolors enabled a reconstruction of the surviving segments in a more meaningful way [9] although much remains uncertain about the original composition. The mosaic has been a major feature of the Museo Nazionale Prenestino in Palazzo Barberini, Palestrina (not the one in Rome) since 1953

References

  1. ↑ Another Nile floor mosaic, in the House of the Faun, Pompeii, is dated by Meyboom 1995, ca 90 BC.
  2. ↑ A Nilotic monster was identified as a "dinosaur" on a website, giving rise to some hopeful Internet speculation on the coexistence of dinosaurs and humans.
  3. ↑ Paul G. P. Meyboom, The Nile Mosaic of Palestrina: Early Evidence of Egyptian Religion in Italy, Brill 1995, p.83
  4. ↑ Préaux, "Graeco-Roman Egypt", in J.R. Harris, ed. The Legacy of Egypt, 1971:340f.
  5. ↑ Claudia La Malfa, "Reassessing the Renaissance of the Palestrina Nile Mosaic" Journal of the Warburg and Courtauld Institutes 66 (2003), pp. 267-272, notes the mosaic's appearance in a manuscript De antiquitati Latii, a description of sites and antiquities in Lazio, by Antonio Volsco, now in the British Library (Harley Ms 5050); the manuscript is dedicated to Gerolamo Basso Della Rovere, who died in 1507.
  6. ↑ Quoted in La Malfa 2003:268.
  7. ↑ Calvesi (1980). Il sogno di Polifilo prenestino. Rome.
  8. ↑ Meybloom, 1
  9. ↑ Whitehouse, Helen (1976). "The Dal Pozzo Copies of the Palestrina Mosaic". British Archaeological Reports. Oxford.; Meybloom (p. 6) generally agrees with Whitehouse, except over the placing of one section. Commons has a selection of images from the Dal Pozzo copies.

Sources

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