Nanahuatzin

Nanahuatzin

In Aztec mythology, the god Nanahuatzin or Nanahuatl (or Nanauatzin, the suffix -tzin implies respect or familiarity; Classical Nahuatl: Nanāhuātzin [nanaːˈwaːtsin]), the most humble of the gods, sacrificed himself in fire so that he would continue to shine on Earth as the sun, thus becoming the sun god. Nanahuatzin means "full of sores." According to a translation of the histoire du mechique, Nanahuatzin is the son of Itzpapalotl and Cuzcamiahu or Tonan, but was adopted by Piltzintecuhtli and Xochiquetzal.[1] In the Codex Borgia, Nanahuatzin is represented as a man emerging from a fire. This was originally interpreted as an illustration of cannibalism. He is probably an aspect of Xolotl.

Aztec tradition

The Aztecs had various myths about the creation, and Nanahuatzin participates in several. In the legend of Quetzalcoatl, Nanahuatzin helps Quetzalcoatl to obtain the first grains which will be the food of humankind. In Aztec mythology, the universe is not permanent or everlasting, but subject to death like any living creature. However, even as it dies, the universe is reborn again into a new age, or "Sun." Nanahuatzin is best known from the "Legend of the Fifth Sun" as related by Bernardino de Sahagún.

In this legend, which is the basis for most Nanahuatl myths, there had been four creations. In each one, one god has taken on the task of serving as the sun: Tezcatlipoca, Quetzalcoatl, Tlaloc, and Chalchiuhtlicue. Each age ended because the gods were not satisfied with the human beings that they had created. Finally, Quetzalcoatl with the aid of Xolotl retrieves the sacred bones of their ancestors, mixes them with corn and his own blood, and manages to make acceptable human beings. However, no other god wants the task of being the sun.

Nothing happens at first, but eventually two suns appear in the sky. One of the gods, angry over Tecciztecatl's lack of courage, takes a rabbit and throws it in Tecciztecatl's face, causing him to lose his brilliance. Tecciztecatl thus becomes the moon, which bears the impression of a rabbit to this very day. Yet the sun remains unmoving in the sky, parching and burning all the ground beneath. Finally the gods realize that they, too, must allow themselves to be sacrificed so that human beings may live. They present themselves to the god Ehecatl, who offers them up one by one. Then, with the powerful wind that arises as a result of their sacrifice, Ehecatl makes the sun move through the sky, nourishing the earth rather than scorching it.

Nanahuatzin and Xolotl

Codex Borgia page 43 depicts a Sun god with the bumpy skin of Nanahuatzin and the canine snout of Xolotl. Beneath this sun-bearing Xolotl/Nanahuatzin lies the source of maize-a nude corn goddess who has star symbols on her body.[2]

A close relationship between Xolotl and Nanahuatzin exists.[3] Xolotl is probably identical with Nanahuatl.[4] Seler characterizes Nanahuatzin ("Little Pustule Covered One"), who is deformed by syphilis, as an aspect of Xolotl in his capacity as god of monsters, deforming diseases, and deformities.[5] The syphilitic god Nanahuatzin is an avatar of Xolotl.[6]

Pipil tradition

The fifth sun is identified with Tonatiuh, Nanahuatzin was the youngest of three boys and a girl named "Xochit Sihuat" who had emerged from the fruit of the gourd-tree (Crescentia cujete), which in turn had grown from the head of a woman that had flown into the night while her body slept. (The head attached itself to a startled deer, and the deer leapt into a canyon, there planting the head in the ground.) Nanahuatzin and his siblings were raised by Tantepus Lamat ("Iron-Toothed Old Woman") until she gave to her lover some food they had obtained. The siblings proceeded to butcher that lover and, calling it venison, fed his body to the old woman, then killed her. The siblings found the world's supply of maize was concealed within a mountain, known only to a bird feeding on that stock. Where his siblings had failed, Nanahuatzin succeeded in opening the mountain, but in doing so, was himself trapped within.[7]


Sources

  1. Teogonía e Historia de los Mexicanos, ed. de Angel Mª Garibay. Porrúa, México 1979. Fuente: Mito genesico del mundo | Mitos Mexicanos
  2. Boone, Elizabeth Hill (2013). Cycles of Time and Meaning in the Mexican Books of Fate. University of Texas Press. ISBN 978-0-292-75656-4.
  3. Boone, Elizabeth Hill (1985). Painted Architecture and Polychrome Monumental Sculpture in Mesoamerica. Dumbarton Oaks Research Library and Collection. ISBN 0-884-02142-4. p.132
  4. Spence, Lewis (1994). The Myths and Legends of Mexico and Peru. Senate; New edition edition. ISBN 1-85958-007-6. p.93
  5. Maffie, James (2013). Aztec Philosophy: Understanding a World in Motion. University Press of Colorado. ISBN 1-45718-426-5. Olin and Xolotl
  6. Sweely, Tracy L. (1999). Manifesting Power: Gender and the Interpretation of Power in Archaeology. Taylor & Francis. ISBN 0-415-17179-2. p.120
  7. ANCIENT AMERICA, 9 = Ruud van Akkeren : Tzuywa : Place of the Gourd. Boundary End Archaeology Research Center, Barnardsville (NC), 2006. ISSN 1531-2097. p. 50
This article is issued from Wikipedia - version of the 8/4/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.