Mihai Ralea

Mihai Dumitru Ralea

Ralea at his desk, photographed c. 1960
Born (1896-05-01)May 1, 1896
Huși, Kingdom of Romania
Died August 17, 1964(1964-08-17) (aged 68)
outside East Berlin, German Democratic Republic
Residence Eastern Europe
Other names Mihail Ralea, Michel Raléa, Mihai Rale
Academic background
School or tradition
Influences Henri Bergson, Célestin Bouglé, Émile Durkheim, Friedrich Engels, Paul Fauconnet, Ludwig Gumplowicz, Dimitrie Gusti, Lucien Herr, Garabet Ibrăileanu, Pierre Janet, Jean Jaurès, Ludwig Klages, Vladimir Lenin, Lucien Lévy-Bruhl, André Malraux, Karl Marx, Max Scheler, Werner Sombart, Joseph Stalin
Academic work
Era 20th century
Main interests political sociology, sociology of culture, aesthetics, anthropology, social psychology, national psychology, social pedagogy, Marxist sociology, Romanian literature
Influenced Matei Călinescu, Adrian Marino, Tatiana Slama-Cazacu, D. I. Suchianu

Mihai Dumitru Ralea (also known as Mihail Ralea, Michel Raléa, or Mihai Rale;[1] May 1, 1896 – August 17, 1964) was a Romanian social scientist, cultural journalist, and political figure. He debuted as an affiliate of Poporanism, the left-wing agrarian movement, which he infused with influences from corporatism and Marxism. A distinguished product of French academia, Ralea rejected traditionalism and welcomed cultural modernization, outlining the program for a secular and democratic "peasant state". His ideology blended into his scholarly work, with noted contributions to political sociology, the sociology of culture, and social and national psychology. He was a professor at the University of Iași and, from 1938, the University of Bucharest.

By 1935, Ralea had become a doctrinaire of the National Peasants' Party, managing Viața Românească review and Dreptatea daily. He had publicized polemics with the far-right circles and fascist Iron Guard, which he denounced as alien to the Romanian ethos. He later drifted apart from the party's centrist leadership and his own democratic ideology, setting up a Socialist Peasants' Party, then embracing authoritarian politics. He was a founding member and Labor Minister of the dictatorial National Renaissance Front, representing its corporatist left-wing. He fell from power in 1940, finding himself harassed by successive fascist regimes, and became a "fellow traveler" of the underground Communist Party.

Ralea willingly cooperated with the communists and the Ploughmen's Front before and after their arrival to power, serving as Minister of Arts, Ambassador to the United States, and vice president of the Great National Assembly. He was sidelined, then recovered, by the communist regime, and, as a Marxist humanist, was one of its leading cultural ambassadors by 1960.

Always an avid traveler and raconteur, Ralea died abroad, while on mission to the UNESCO. He endures in cultural memory as a controversial figure. He is celebrated for his sociological and critical insights, but reprehended for his nepotism, his political choices, and his literary compromises.

Biography

Early life and Poporanist beginnings

A native of Huși, Fălciu County (currently in Vaslui County), Ralea was the son of a Dumitru Ralea, a local magistrate, and Ecaterina Botezatu-Ralea.[2] He was always spiritually attached to his native region and, later in life, bought himself a vineyard on Dobrina Hill, just outside Huși, building himself a vacation home.[3] Huși was where he completed his primary education, before he moved on to the urban center of Iași, where he enlisted at boarding school (Liceul Internat).[4] He was colleagues with another future sociologist, D. I. Suchianu. The two remained personal and political friends for the rest of their lives.[5]

Ralea went on to attend the University of Bucharest Faculty of Letters and Philosophy, under Constantin Rădulescu-Motru (who shortlisted and prepared Ralea for academic tenure).[6] He made his debut in publishing during 1916, with an essay in Rădulescu-Motru's Revista de Filozofie,[7] and with Convorbiri Literare articles that he usually signed with the initials M. R. (an alternative signature he would use for the rest of his career).[8] Ralea was university colleagues with philosophers Tudor Vianu and Nicolae Bagdasar, with whom he remained close friends for the rest of his life.[9] Their studies were interrupted by the Romanian Campaign of World War I, during which time Ralea relocated to Iași. He took his final examination in Law and Letters at the University of Iași, in 1918.[2]

Described by Vianu as a "young luminary" with "new and original ideas", "always surrounded by a sizable pack of students",[10] Ralea returned to cultural journalism in postwar Greater Romania. From February 1919, he was a contributor to the Iași-based review Însemnări Literare, which stood in for the temporarily disestablished Viața Românească.[11] The magazine was managed by the novelist Mihail Sadoveanu and heavily influenced by culture critic Garabet Ibrăileanu. Ralea recalled that his first encounter with Ibrăileanu was "my life's greatest intellectual event".[12] This friendship sealed Ralea's affiliation to prewar Poporanism, a leftist current which promoted agrarianism, "national specificity", and art with a social mission. The Însemnări Literare group also recognized that Poporanism was made inadequate by the social promises of land reform and universal male suffrage. These policies, Ibrăileanu acknowledged, "settled a debt" with the peasantry.[13] Poporanism was generally pro-Westernization, with a noted reserve; taken separately, Ralea was the most pro-Western, socialist, and least culturally conservative thinker of this category.[14]

Also in 1919, Ralea and his new friend, Andrei Oțetea, earned state scholarships to complete his doctorate in Paris.[15] Ralea entered the École Normale Supérieure as a disciple of Lucien Herr,[7] simultaneously registering for doctoral programs in letters and politics, with interests in sociology and psychology. He studied under the functionalist Célestin Bouglé, then under Paul Fauconnet and Lucien Lévy-Bruhl, and later, at the Collège de France, under Pierre Janet.[16] As he himself recounted, he became a passionate follower of the French Left, a reader of Jean Jaurès, and a guest of Léon Blum's.[17] He defined himself as a rationalist, heir to the Age of Enlightenment and the French Revolution,[17] and was ostensibly an atheist.[18] Ralea's secular agenda was underscored when he joined the Romanian Freemasonry, which, historian Lucian Nastasă writes, implied a commitment to freethought and religious toleration.[19]

For a while, Ralea managed a Romanian restaurant owned by the banker Aristide Blank.[20] He was part of a tight cell of Romanian students in letters or history, which also included Oțetea, Gheorghe Brătianu, and Alexandru Rosetti, who remained close friends over the decades.[21] Suchianu and his sister Ioana, who were also studying in Paris, lived in the same boarding house as Ralea.[5]

Debut as theoretician

With funds raised by a Support Committee that included Ralea,[22] Viața Românească was eventually revived by Ibrăileanu. Ralea became its foreign correspondent, sending in articles about the intellectual life and philosophical doctrines of the Third Republic,[23] and possibly the first Romanian notices about the work of Marcel Proust.[24] He traveled extensively, studying first-hand the cultural life of France, Belgium, Italy, and Weimar Germany.[23]

In 1922, Ralea took his Docteur d'État degree (the sixth Romanian to ever qualify for it)[23] with L'idée de la révolution dans les doctrines socialistes ("The Idea of Revolution in Socialist Doctrines"). Under the Francized name Michel Raléa, he published it at Rivière company in 1923. L'idée de la révolution... theorized that, in order to be classified as a revolution, a social movement needed at once a "social body", an "ideal", and a "transfer of power"—depending on which trait was prevailing, revolutions were, respectively, "organic", "programmatic", or "means-based".[25] The focus of his attention was Pierre-Joseph Proudhon, whom he rediscovered (and criticized) as a proponent of "class solidarity" and nonviolent revolution.[26] The work earned Ralea the Institut de France's Prix Osiris[7] and a Doctor of Letters degree in 1923.[2] He spent another several months frequenting Berlin University lectures.[23] It was there that he first met a future enemy, the poet-mathematician Ion Barbu. The latter left a corrosive record of their first encounter, dismissing Ralea as a "clown" with "aristocratic manias".[27]

Upon his return to Romania, Ralea began publishing his political and sociological essays in reviews such as Fapta, Ideea Europeană, and Gândirea.[28] He was also involved with Dimitrie Gusti and Virgil Madgearu's Romanian Social Institute, publishing his texts in its Arhiva pentru Știință și Reformă Socială. In 1923, it hosted his essay on "The Issue of Societal Classification" and his critical review of German sociology.[29]

While still in Paris, Ralea was confident that he would find employment: the University of Iași Chair of Sociology had been set aside for him by Rădulescu-Motru, with Ibrăileanu's approval.[30] The matter was complicated when another Paris graduate, Garabet Aslan, ran for the same position. Supported by Ibrăileanu and Gusti, Ralea was eventually moved to the Logic and Modern Philosophy Department, as an assistant professor to Ion Petrovici, while also employed as lecturer in social pedagogy.[31] According to Ralea's own words, this was a "ridiculous" situation: most of his students were girls, some of whom were infatuated with him.[32] He had married Ioana Suchianu in November 1923, while still in Bucharest, and lived with her in a small apartment above the Viața Românească offices.[33]

For the next two years, Ralea diversified his qualifications with the goal of obtaining employment in his main field. He published the tract Formația ideii de personalitate ("How the Notion of Personality Is Formed"), noted as a pioneering introduction to behavioural genetics.[34] On January 1, 1926, following good referrals from Petrovici (and despite the preference of psychology students, who favored C. Fedeleș), Ralea was appointed Professor of Psychology and Aesthetics at Iași University.[35]

Modernism and anti-modernism

Ralea soon became one of Viața Românească's ideologues and polemicists, as well as architect of its satire column, Miscellanea (alongside Suchianu and, initially, George Topîrceanu).[36] By 1925, he was also regularly featured in the left-wing daily Adevărul, and its cultural supplement, Adevărul Literar și Artistic.[37] His essays were taken up by other cultural magazines throughout Romania, including Kalende of Pitești and Minerva of Iași.[38] In 1927, when Ralea published his Contribuțiuni la știința societății ("Contributions to Social Science") and Introducere în sociologie ("Companion to Sociology"),[39] Gusti's Social Institute had Ralea as a guest speaker, with a lecture on "Social Education".[40] At around that time, with Gusti as president of the Broadcasting Company, Ralea became a frequent presence on the radio.[41]

In his columns and essays, Ralea defended Ibrăileanu's "national specificity" against criticism from the new-wave modernists at Sburătorul. Eugen Lovinescu, the modernist ideologue, had reconnected with 19th-century classical liberalism, rejecting Poporanism as a nationalist, culturally isolationist, and socializing phenomenon. Lovinescu and Ralea denounced each other's politics as reactionary.[42] Ralea opined that Poporanist ideas were still culturally relevant, and not in fact isolationist, since they provided a recipe for "originality"; as he put it, "national specificity" had become inevitable.[43] The conflict was not just political: Ralea also objected to modernist aesthetics, from the pure poetry cultivated by Sburătorul to the more radical Constructivism of Contimporanul magazine.[44]

Ralea was not an anti-modernist, but rather a particular modernist. According to his friend and colleague Octav Botez, he was an "integrally modern man" in tastes and behavior, "one of the few philosophers who conceived of, and lived, their lives as regular people, with a naturalness and facility that were charming and stimulating."[45] The same was also noted by Contimporanul writer Sergiu Dan, who proposed that Ralea denied himself "all sort of transaction with the confuse world of sentiment".[46]

Ralea's literary columns very often promoted modernist writers, or modernist interpretations of classical ones, such as when he used Janet's psychology to explain the genesis of works by Thomas Hardy.[47] More famous was his reading of Proust through Henri Bergson's classification of memory.[24][48] Ralea offered much praise to rationalist modernists such as Alexandru A. Philippide, and hailed Tudor Arghezi, the eclectic modernizer of poetic language, as Romania's greatest poet of the day.[49] Ralea (and, before him, Ibrăileanu) campaigned for social realism in prose. His natural favorite was Sadoveanu, but he was also enthusiastic about modernist novels with a flavor of social radicalism, including those by Sburătorul's Hortensia Papadat-Bengescu.[50]

Ralea vs. Gândirea

With the Lovinescu–Ralea debate occupying the center stage at Viața Românească and Sburătorul, a new intellectual movement, critical of both modernism and Poporanism, was emerging in the cultural life of Greater Romania. Led by poet-theologian Nichifor Crainic, this group took over at Gândirea, turning the magazine against its former Viața Românească allies.[51] As pointed out by Lovinescu, Ralea was initially welcoming of Crainic's "remarkable" program.[52] He did not object to Crainic's Romanian Orthodox devotion (seeing it as compatible with secularism and "national specificity"), but mainly to his national conservatism, which worshiped the historical past.[53] Like other Poporanists, Ralea adopted left-wing nationalism, arguing that the very concept of nation was a product of French radicalism: "[It] emerged from the great French Revolution, the modest ideology of the bourgeoisie. [...] What's more, we may claim that only a democracy can truly be nationalistic."[54] He credited the core ideas of Romanian liberalism, according to which Romanian national awareness was an afterthought of Jacobinism: "We have had to visit France to find out we're Romanians."[55] As noted by scholar Balázs Trencsényi: "Ralea sought to separate the study of national specificity, which he considered to be legitimate, from the exhortation of national particulars, which he rejected."[56]

In 1928, Gândirea hosted the inflammatory "White Lily" Manifesto. It signaled the Poporanists' confrontation with a "new generation" of anti-rationalists, and Ralea's personal rivalry with one of the White Lily intellectuals, Petre Pandrea. Pandrea's Manifesto was at once a plea for aestheticism and mysticism, a critique of "that famed social justice" idea, and an explicit denunciation of Ralea, Ibrăileanu, Suchianu and the Sburătorul group as "dry", "barren", all too critical.[57] Ralea answered with half-satirical comments: the country, he noted, could do without "prophets" with "fun and interesting biases", but not without "liberty, paved roads, justice and cleanliness in the streets".[58] In his view, the Manifesto authors were modern-day Rasputins, prone to fanatical vandalism.[59]

From that moment on, Crainic's Orthodox spirituality and traditionalism made a slow transition into far-right politics. Their rejection of democracy became another issue of dispute, with Ralea noting, in 1930, that "all civilized countries are democratic; all semi-civilized or primitive countries are dictatorial."[60] Over the years, Gândirists produced more and more systematic attacks on Ralea's ideology, condemning its atheism, "historical materialism", and Francophilia.[61] In reply, Ralea noted that, beyond their facade, national and religious conservatism meant a reinstatement of primitive customs, obscurantism, Neoplatonism, and Byzantinism.[62] He pushed the envelope by demanding a program of forced Westernization and secularization, to mirror Kemalism.[63]

His comments also challenged the grounding of Gândirist theory: Romanian Orthodoxy, he noted, was part of an international Orthodox phenomenon that mainly included Slavs, whereas many Romanians were Greek-Catholic. He concluded, therefore, that Orthodoxy could never claim synonymy with the Romanian ethos.[64] Ralea also insisted that, despite its nativist anti-Western claims, Orthodox religiousness was a modern "trifle", that owed inspiration to Keyserling's Theosophy and Cocteau's Catholicism.[65] He maintained that Romanian peasants, whose religiousness was exhorted by Crainic, were "superstitious, but atheistic", not respectful "of any spiritual value when it should compete with their logical instincts." No other people, he contented, was as blasphemous as Romanians when it came to profanities.[66]

Ralea collected his critical essays as a set of volumes: Comentarii și sugestii ("Comments and Suggestions"), Interpretări ("Interpretations"), Perspective ("Perspectives").[67] He was still involved in psychological research, with tracts such as Problema inconștientului ("The Problem of the Unconscious Mind") and Ipoteze și precizări privind știința sufletului ("Hypotheses and Précis Regarding Spiritual Science").[68] Ralea also resumed his European travels, touring the Kingdom of Spain, and was unenthusiastic about its conservatism. Ralea's travelogue, Memorial din Spania, depicts the country as a reactionary bulwark of "somber priests" and "festooned soldiers".[46] Another Memorial, serialized by Adevărul Literar și Artistic, detailed his trips through Germanic-speaking Europe.[69]

PNȚ deputy and Viața Românească editor

Shortly before the election of December 1928, Ralea was attracted into the National Peasants' Party (PNȚ), speaking out against the National Liberal political class as "an abnormal regime of corruption and brutality."[70] He successfully contested a seat in the Assembly of Deputies.[71] He was one of a compact group of National Peasantist academics in Poporanist Iași, together with Botez, Oțetea, Constantin Balmuș, Iorgu Iordan, Petre Andrei, Traian Bratu, and Traian Ionașcu.[72] Inside the party, Ralea was a follower of the Poporanist founding figure, Constantin Stere, but did not follow Stere's "Democratic Peasantist" dissidence of 1930.[71] Around 1929, Ralea was a noted contributor to the party press organ Acțiunea Țărănistă and to Teodorescu-Braniște's Revista Politică.[73] In January 1933, Ibrăileanu retired, leaving Ralea and literary critic George Călinescu as editors of Viața Românească.[74]

Ralea eventually affiliated with the centrist current of the PNȚ, distancing himself from those party factions who were tempted by socialism.[75] Ralea and Ibrăileanu still promoted the vision of a "peasant state", accepting socialist reformism, but still cautious of socialist industrialization, and rejecting outright the idea of proletarian primacy. Criticized by the communist left as "outstanding shortsightedness",[76] this ideological position came to define the PNȚ in the mid 1930s. Ralea defended classical parliamentarianism at several Inter-Parliamentary Union meetings, including the 1933 conference in the Republic of Spain, but insisted on the benefits of statism and a planned economy.[77]

By then, Ralea was leaving behind his sociological research. As noted by his friend Botez, he showed himself to be "absent-minded and preoccupied most of all with politics."[78] Botez noted that Ralea was showing signs of hyperactivity, seemingly incapable of concentrating during formal functions.[32] He became infamous as one of the "traveling professors",[79] who lived in Bucharest and only taught the minimum of classes allowed in Iași—one of his return trips to Iași, in 1936, was for the funeral ceremony of his mentor Ibrăileanu.[80] He now owned an Iași townhouse and a villa in Bucharest's Filipescu Park.[81] Although lovingly married to Ioana, he had begun an affair with another woman, Marcela Simionescu.[82]

Ralea's energies were also drawn into administrative disputes and professional rivalries. Alongside Brătianu, he fought to obtain Oțetea a permanent seat at the University of Iași, at the expense of PNȚ colleague Ioan Hudiță.[83] He tried to do the same for Rosetti, but was met with the stiff opposition of linguist Giorge Pascu.[84] Hudiță was particularly vexed by these maneuvers, and, in 1934, asked for a formal inquiry by Parliament, and even for a formal review of Ralea's own 1926 appointment.[85] More privately, Hudiță also claimed that Ralea was having affairs with his female students, and even with younger girls who presented to Ralea for their baccalaureate examination.[82] Such criticism did not dissuade Ralea. In 1937, he also managed to obtain an Iași University chair for Călinescu, in controversial circumstances.[86]

Anti-Nazi cartoon in Viața Românească, February 1934: Joseph Goebbels and Hermann Göring joking about the European alliances

From 1934 to March 1938,[87] Ralea was also editor of the main PNȚ newspaper, Dreptatea. He contributed its political editorials, answering to criticism from the right. In February 1935, he co-authored and published the new PNȚ Party Program, which rendered explicit the goal of transforming Romania into a "peasant state".[88] In Dreptatea, addressing Universul editor Pamfil Șeicaru, Ralea dismissed suspicions that the "peasant state" signified a "simplistic domination" or a dictatorship of the peasantry. He maintained that the notion simply implied "a juster distribution of the national income", and the "collective" but peaceful "redemption of an entire class."[89]

Against the Iron Guard

Ralea's time at Dreptatea overlapped with the emergence of fascism, whose leading Romanian representatives were members of the Iron Guard. This violent movement had been temporarily banned in 1931, by order of a PNȚ Interior Minister, Ion Mihalache. Mihalache's ban followed repeated requests by the party's left-wingers, Ralea included.[90] Ralea had his own brush with the Guard in late 1932, when he was presiding upon symposiums on French literature at Criterion Society. One of the sessions, focusing on André Gide, was interrupted, on Crainic's instigation, by Guardsmen under Mihai Stelescu, who assaulted Criterion activists and created a bustle.[91] By 1933, Ralea had quarreled with the Criterion cell, which had since adopted "new generation" idealism and sympathy for the Iron Guard.[92] In private, he also dismissed the Guard's new convert and ideologue, Nae Ionescu, as a "trickster" and a "barber".[93]

The issue of Romanian fascism became stringent after the Guard assassinated Romanian Premier Ion G. Duca. In his articles, Ralea described the National Liberal administration as "insane and degenerate" for continuing to tolerate the Guard's existence, instead of jailing its leaders.[94] At Dreptatea, protesting against the Guard's assault of the leftist intellectual Alexandru Graur, Ralea decried fascism in Romania as an "island of Doctor Moreau", an experiment in the growth of "blind and absurd mysticism".[95]

In 1935, 161 of Ralea's essays were collected and published at Editura Fundațiilor Regale as Valori ("Values"). They predicted the emergence of a stable civilization, conformist and collectivist, whose great merit was the elimination of careerism.[96] Ralea synthesized his critique of fascism in the 1935 essays on "The Right's Doctrine", taken up by Dreptatea and Viața Românească. These texts described the far-right and fascism as parasitical phenomena, feeding on democracy's errors, with an ignorant mindset, incapable of subtlety.[97] His assessments were countercriticized by Guardist intellectual Toma Vlădescu, in the newspaper Porunca Vremii. According to Vlădescu, the "right-wing ideology" existed as an expression of the "human equilibrium", and, at its very core, was antisemitic.[98]

With the advent of Nazi Germany and the invigoration of European fascism, Ralea was again moving to the left, cooperating with the Social Democratic Party (PSDR). In 1936, at Dreptatea, he condemned the German march into Rhineland as a bad omen and an attack on world peace.[99] He became one of the PNȚ men affiliated with Lord Cecil's International Peace Campaign, which, in Romania, was dominated by PSDR militants.[100]

In 1937, with an obituary piece to the "martyr" Stere, he defended Poporanism from accusations of "Bolshevik" subservience. Bolshevism, he argued, was impossible in Romania.[101] However, he himself had established a working relationship with the outlawed Romanian Communist Party (PCdR), who was also interested in other PNȚ antifascists (one of them was the White Lily's Pandrea, who had since joined the National Peasantist left current).[102] Ralea also allowed PCdR intellectuals such as Ștefan Voicu and Lucrețiu Pătrășcanu to publish essays in Viața Românească, and hosted news about social life and culture in the Soviet Union.[103] At the time, the PCdR acknowledged him as one of the intellectuals who could be trusted with "fulfilling the bourgeois revolution in Romania."[104]

In January 1937, at the PNȚ Youth Conference in Cluj, Ralea spoke of the "peasant state" as a "neo-nationalist" application of democratic socialism, opposed to fascism, and in natural solidarity with the trade unions. He felt confident that this alliance would be powerful enough to oppose fashionable totalitarianism.[105] During April of that year, Ralea and his Iași colleagues expressed public solidarity with his old Poporanist friend Sadoveanu, whose books were being burned by far-right militants.[106]

Becoming Carol's minister

Founding session of the National Renaissance Front. Wearing the Front's gala uniforms, from left: Armand Călinescu, Grigore Gafencu, Ralea, Mitiță Constantinescu

The December 1937 election toned down Ralea's anti-Guard militancy: the PNȚ had a non-aggression pact with the Guardsmen. Consequently, Ralea campaigned in his native Fălciu County alongside the movement's candidates, in terms he would later describe as "cordial".[107] His apparent compromise with the Guard is one of the most serious charges in Pandrea's later criticism of Ralea.[71] The tied elections, and the successes of the Guard, prompted the authoritarian King Carol II to increase his participation in politics, beyond his royal prerogative. Identified as one of the PNȚ "turncoats",[108] Ralea sealed a surprising deal with Carol II and Premier Miron Cristea (the Patriarch of Romania), becoming the country's Minister of Labor. He was promptly stripped of his PNȚ membership, and inaugurated his own party, the exceedingly minor Socialist Peasants' Party (PSȚ).[109]

Historians tend to describe Ralea's attitude toward Carol as "servile",[110] and Ralea himself as Carol's "pocket Socialist"[111] or "intellectual trophy".[112] Iuliu Maniu, the PNȚ chief and leader of the semi-clandestine democratic opposition, suggested that Ralea had "not a trace of character" to compliment his intellectual gifts.[109]

In December 1938, Ralea became a founding member of Carol's single party, the National Renaissance Front (FRN).[113] In addition to his ministerial appointment, Ralea was created a Knight 2nd Class of the Meritul Cultural Order,[114] publishing, at Editura Fundațiilor Regale, the volume Psihologie și vieață ("Psychology and Life").[68] Toward the end of 1938, Ralea moved from his old chair at the University of Iași and took up a similar position at his Bucharest alma mater.[115] Vianu was the assistant professor, lecturing in specialized aesthetics and literary criticism, and in practice taking over all of Ralea's classes.[116]

Historian Lucian Boia argues: "Of all the king's dictatorship dignitaries, one may count Mihai Ralea as the most left-wing."[117] In Ralea's own view, the FRN regime was, overall, progressive: "I had inaugurated a corpus of social reforms that were approved by the working class."[118] As noted in 1945 by political scientist Hugh Seton-Watson, there was a cynical side to Ralea's reform-mindedness: "however much [the average Romanian intellectual] cursed the regime, he was grateful to it for one thing. It stood between him and the great, dirty, primitive, disinherited masses, whose 'Bolshevik' desire for Social Justice threatened his comforts."[119]

His time in office brought the creation of a workers' leisure service, Muncă și Voe Bună, together with a Workers' University,[120] a workers' theater, and a hostel for vacationing writers (Casa Scriitorilor).[121] Nepotistic in his selection of a ministerial staff,[122] by November 1939 his ministry was able to co-opt PSDR politicians such as George Grigorovici[123] and Stavri Cunescu.[120][124] He appropriated socialist propaganda, and attracted more or less sizable contributions from various centrists and left-wingers: Sadoveanu, Vianu, Suchianu, Philippide, as well as Demostene Botez, Octav Livezeanu, Victor Ion Popa, Gala Galaction, Barbu Lăzăreanu, and Ion Pas.[125]

Ralea's time in office was also a crossover of left-wing corporatism and fascism. In June 1938, he even visited Nazi Germany and had a formal meeting with his counterpart, Robert Ley.[117][126] His Muncă și Voe Bună was directly inspired by Strength Through Joy and the Opera Nazionale Dopolavoro.[117][120][126] In 1939, Ralea celebrated May Day with a large parade of support for Carol II. This was meant to undermine the leftist Workers' Day while showing the success of the FRN's worker guilds, and was partly inspired by Nazi festivities.[124] Nevertheless, the parade was voluntarily joined by militants of the underground PCdR, who found that it gave them am opportunity for chanting "democratic slogans".[124]

From March 1939, the premiership had passed to Armand Călinescu, a former PNȚ politician. Ralea was his friend and confidant, and, as he later claimed, tried to keep Călinescu grounded in the face of "mythomaniacal" rumors.[127] The FRN regime soon organized a massive clampdown of the Iron Guard. Ralea claimed to have protected Guardsmen employed by the Labor Ministry, and to have negotiated pardons for militants interned at Miercurea Ciuc.[128] He obtained one such reprieve for Guardist historian P. P. Panaitescu.[129] Himself a Guard sympathizer, Ion Barbu later claimed that Ralea was behind his marginalization in academia.[130] Ralea was also accused by Pandrea of having done nothing to prevent the arrest of his former Dreptatea colleague, the anti-Carol PNȚ-ist Madgearu.[71]

Downfall and harassment

Ralea's vote on the Soviet ultimatum and mobilization, registered on Romanian government stationary, alongside those of his cabinet colleagues

On September 21, 1939, following a spree of extrajudicial killings ordered by government, an Iron Guard death squad took its revenge, assassinating Premier Călinescu. Ralea, Andrei, and other former PNȚ-ists preserved their governmental posts as the premiership passed to Constantin Argetoianu, then to Gheorghe Tătărescu.[131] Meanwhile, the outbreak of World War II caught Romania isolated from either the Axis Powers and the Western Allies. During the Battle of France, the FRN regime itself was divided between partisans of a détente with Germany and Francophiles such as Ralea. As witnessed by the Swiss diplomat René de Weck, Ralea was restating his Valori ethos at cabinet meetings, in front of Axis representatives, declaring that the Allies stood for "humanistic civilization".[127] Former PCdR activists still enjoyed access to Ralea, through Petre Constantinescu-Iași. In May 1940, the latter unsuccessfully tried to create a bridge of communications between the Labor Minister and the Soviet Union.[132]

Just a month later, the Soviets issued an ultimatum, demanding that Romania cede Bessarabia. During the deliberations, Ralea voted in favor of Argetoianu's proposal: withdrawing from the region and mobilizing the army on the Prut, in preparation of a future defense.[133] The subsequent occupation of Bessarabia and Northern Bukovina sent Romania into a deep political crisis. The events, and revelations about the existence of a Nazi–Soviet agreement, led Carol to order a final clampdown of the PCdR's remaining Romanian cells. In July, Ralea intervened to rescue a communist friend, the journalist George Ivașcu.[134] The Romanian crisis was aggravated in August, when the Nazi-inspired Vienna arbitration stripped her of Northern Transylvania. The political standstill propelled the Iron Guard, which was Nazi-aligned, into government, and forced Carol into permanent exile. The emerging "National Legionary State" banned reviews such as Viața Românească,[135] and moved to prosecute all former FRN dignitaries. With Panaitescu as the new Rector, the University instituted a Commission for Review, which included Iron Guard sociologist Traian Herseni and eugenicist Iordache Făcăoaru.[136]

Of those professors brought before the commission, Ralea was the only one to have his contract terminated without the possibility of transfer.[137] Panaitescu, Herseni and Făcăoaru found that his appointment to Bucharest had been illegal, and dismissed his scientific contributions as having "zero value".[138] Ralea and his colleagues were able to defend Vianu, whose origins were Jewish Romanian, and who was threatened with demotion under the racial purity laws.[139]

In November 1940, the Guard's Police chief, Ștefan Zăvoianu, ordered the arrests of several FRN dignitaries, Ralea included. This angered the military Conducător, Ion Antonescu, who freed Ralea and the others, ordering Zăvoianu to resign.[140] After the clashes of January 1941, the Iron Guard was ousted, and Antonescu remained unchallenged. Although fascist, the new regime reinstated Ralea to his professorship. Antonescu castigated the Commission for Review as a "shame", and declared Ralea to be "indispensable".[141] In a companion to Romanian philosophy, published that year, Herseni revised his stance, calling Ralea "a thinker of unquestionable talent", whose sociological work had been "a true revelation."[142] Ralea returned to teach at the University where, in addition to Vianu, he had received as his assistant a refugee from Soviet-occupied territory, Traian Chelariu.[143] Meanwhile, Panaitescu was stripped of his position and briefly imprisoned.[144]

Still present in public life after the Romania's entry into the anti-Soviet war, Ralea returned to publishing with articles in Revista Românǎ[145] and the 1942 book Înțelesuri ("Meanings").[68] Despite being partly recovered by the new regime, and allegedly proposing to Antonescu that they revive together the National Socialist Party,[126] Ralea became the object of surveillance by the state security agency, Siguranța, and also by the Romanian Police and the German Embassy.[146] His file contains a denunciation of his entire career and loyalties: he stood accused of having been a "socialist-communist" camouflaged within the PNȚ, of having revived the guilds so as to give the PCdR room for maneuver, and of having sponsored Soviet agents to protect himself in the event of a Soviet invasion.[147] In December 1942, Antonescu approved his interment at the concentration camp in Târgu Jiu, releasing him in March 1943.[148]

Antihitlerite Front

Ralea (left) and Petru Groza, flanking Gheorghe Gheorghiu-Dej as he addresses the Ploughmen's Front Congress, June 1945

Ralea's return from camp coincided roughly with the Battle of Stalingrad and the turn of fortunes on the eastern front. He soon established contacts with the antifascist opposition, repeatedly seeking to set up a Peasantist left and rejoin the PNȚ. Maniu received him and listened to his pleas, but denied him readmission and invited him to create his own coalition from shards of the Renaissance Front, promising him some measure of leniency "for that hour when we shall be evaluating the past mistakes that have thrown this country into dejection."[109] Eventually, Ralea reestablished the PSȚ, and attracted into its ranks a Social Democratic dissident faction, led by former PSDR theoretician Lothar Rădăceanu.[149] The two reestablished contacts with the PCdR and other fringe parties: moving between Bucharest and Sinaia, Ralea was involved in trilateral talks between the communists, the Ploughmen's Front of Petru Groza, and the National Liberal inner faction of Gheorghe Tătărescu, helping to coordinate actions between them.[150] In Brașov, he met with the economist Victor Jinga, whose antifascist and socialist program was reused in later PSȚ propaganda.[151] Together with party colleague Stanciu Stoian, he signed the PSȚ's adherence to the PCdR's clandestine "Patriotic Antihitlerite Front".[152]

In addition to such underground work, Ralea was notably involved in combating the nationalism and racism of the Antonescu years. He was one of several literary critics who publicly chided a colleague, George Călinescu, for publishing a 1941 treatise which included racialist profiles of Romanian writers,[153] alongside criticism of Ralea's own anti-nationalism.[63] With the 1943 collection of essays, Între două lumi ("Between Two Worlds", published at Cartea Românească),[68] Ralea revised his earlier prophecies about the triumph of collectivism.[154]

In November 1943, Ralea applied for a new Chair of Psychology at Bucharest, reserving his old department for Vianu. The review committee, overseen by leftist allies such as Gusti and Mircea Florian, gave him immediate approval for transfer.[155] In February of the next year, Ralea and N. Bagdasar rejected the application of Constantin Noica, the traditionalist philosopher, to join the university teaching staff. In his report, Ralea noted that Noica had "an absolute and metaphysical mindset", with no "practical reason", and that he was therefore unsuited for research and teaching.[156] Together with Hudiță and other rival PNȚ-ists, and his friends in Iași academia, Ralea signed to Grigore T. Popa's manifesto of the intellectuals, demanding that Antonescu negotiate a separate peace with the Soviets. Reputedly, the document had been stripped of references to the prosecution of FRN and Antonescian officials, leading Maniu to conclude that the signers were "cowardly".[157]

According to Hudiță, Ralea objected to the Soviets' offer of an armistice as "too soft" on Romania.[157] Blocked out of the National Democratic Bloc coalition,[109][158] which included the PNȚ, the PSDR, and ultimately the PCdR, Ralea watched from the side as the August 23 Coup deposed Antonescu and pushed Romania into the anti-Nazi camp. In the PSȚ newspaper, Dezrobirea, he saluted "the full triumph of the ideas and principles for which our foremost activists have been militating uninterruptedly these past six years" (a pedigree which seemingly included Ralea's own activities under King Carol).[159] He reissued Viața Românească with a similar statement about "the present triumph of our credo".[160] Meanwhile, keeping up with his earlier threats, Maniu repeatedly asked for Ralea to be indicted for war crimes.[124]

Ralea played an instrumental part in the gradual installation of communism, and is described by various authors as the prototype "fellow traveler".[126][161] In December 1944, he was announced as the Literary Section Vice President of the Romanian Society for Friendship with the Soviet Union (ARLUS).[162] His PSȚ was drawn into the National Democratic Front (FND) coalition, which comprised the PCdR, the Ploughmen's Front, and the Union of Patriots. According to the PCdR, this transformation of the Antihitlerite Front was "a progressive step, befitting the tasks of the people's revolution";[163] according to historian Adrian Cioroianu, it was more of opportunistic move on Ralea's part.[164]

Ralea's Socialist Peasantists were eventually absorbed into the Ploughmen's Front. Subsequently, like the rest of the FND, Ralea participated in the movement to depose the monarchist premier, General Nicolae Rădescu. Faced with the PCdR's obstructionism, Rădescu approached Ralea with an alternative offer: the Ploughmen's Front was to form a new government with no communist ministers. Ralea divulged this offer to the Soviet envoy, Andrey Vyshinsky.[165] On February 16, 1945, together with 10 other academics (among them Balmuș, Parhon, Rosetti and Oțetea), he signed a letter of protest, accusing Rădescu of stalling land reform and of undermining the work of the Allied Commission.[166]

Arts Minister and ambassador

Funeral service for the "victims of Maniu's gangs", in November 1945. Front row, from the right: General Grigore Vasiliu Rășcanu, Teohari Georgescu, Gheorghe Tătărescu, Groza, Gheorghiu-Dej, Chivu Stoica, Petre Constantinescu-Iași. Ralea is visible second row, between Georgescu and Tătărescu

Bloody clashes ensued in Bucharest, most of them between anticommunists and communist agents.[166] They signaled a new political crisis, and forced the FND into power. Ralea was made Minister of Arts on March 6, 1945, when Groza took the premiership from the deposed General Rădescu.[167] In June 1945 Ralea was one of the rapporteurs at the Ploughmen's Front largest-ever General Congress.[168] On March 6, 1946, he also took over the Ministry of Religious Affairs, replacing the disgraced Constantin Burducea until August (when Groza himself replaced him in this function).[169]

Ralea became one of several intellectuals who were mobilized to run on the Ploughmen's Front (and FND) list in the 1946 parliamentary election.[170] In his capacity as minister, Ralea set in motion the purge of PNȚ-ist functionaries and of artists perceived by the PCdR as pro-fascist.[171] He extended his personal protection to Șerban Cioculescu, who became Iași University professor in 1946 upon Ralea's intervention.[172] Ralea also pursued his projects for workers' education, authorizing the establishment of a workers' theatrical troupe, Teatrul Muncitoresc CFR Giulești.[173] He also republished his 1930s travel accounts, completed with notes from his trip to Egypt, as Nord-Sud ("North-South").[174]

In September 1946, Ralea stepped down from the Ministry of Arts, only to be appointed Ambassador to the United States. Reputedly, he was a last minute replacement for the Union of Patriots' Dumitru Bagdasar, who had fallen severely ill;[175] Ralea's own arrival in Washington was delayed by his inclusion on the Romanian delegation to the Paris Peace Conference, and he finally landed on American soil in October.[176] Ralea supported a détente in Romanian–American relations, after President Harry S. Truman had refused to recognize the Groza cabinet. In front of American criticism, he played down the electoral fraud of 1946, claiming that it was within the "normal" boundaries, at some 5% of the vote.[177] Ralea was also tasked with undermining the reputation of the anticommunist opposition and with popularizing communism among Romanian American exiles.[176] The anticommunist press responded by calling Ralea "a liaison man" of the Politburo, tasked with planting Stalinism in America.[178]

In his reports to Bucharest, Ralea noted: "America's attitude toward us was oscillating between hostility and ignorance. All doors were closed. [...] We were seen as a Soviet branch office, and people were discouraged from giving us any sort of assistance."[176] Reportedly, he was shocked by Truman's ignorance of Romanian affairs.[179] Ralea's diplomatic mission was tainted by his difficult lifestyle, including his noticeable hypochondriasis,[180] but also his philandering. Ralea had appointed his mistress as cultural attaché, but she deserted her post and left to Mexico while Ioana Ralea took up residence in the Romanian embassy.[181]

Going against Soviet policies and his own government, Ralea also sought to obtain American foreign aid, and even political interventions. His persistence in this regard contributed to the relief effort organized by General Schuyler in famine-stricken Moldavia.[175] With the looming threat of Soviet-style collectivization, Ralea informed the Americans that Romanian peasants valued individual property.[177] Reportedly, during his January 1947 interview with US Secretary of State James F. Byrnes, he pleaded emotionally for Romanians not to be left "behind the Iron Curtain".[182] He was still the country's ambassador when King Michael I was forced to abdicate by the PCdR officials and a communized people's republic was proclaimed. As one of his last activities in America, he organized a communist counter-manifestation upon Michael's arrival to Washington.[183]

Communist marginalization and recovery

Upon returning to Romania, Ralea ran in the formal election of March 1948, taking a seat in the Great National Assembly.[184] He worked on the anthropological tract Explicarea omului ("Explaining Man"), translated into the French by Eugène Ionesco[185] and published at PUF.[186] In November, he was accepted into the recently purged Romanian Academy, at the same time as Balmuș, Raluca Ripan, Grigore Moisil, Ștefan Milcu, Camil Petrescu, and PCdR historian Mihail Roller.[187] A contributor to the PCdR daily, Scînteia, as well as to its youth supplement and its cultural reviews (Studii, Contemporanul, etc.),[1] Ralea also sat on the editorial staff of the Academy Historical Section's trimonthly, Buletin Științific, alongside Roller, David Prodan, and Constantin Moisil.[188]

Nevertheless, the Workers' Party (as the PCdR was known after absorbing the PSDR) was collecting evidence incriminating Ralea. The Securitate secret police opened a file on him, which recorded his criticism of Roller and other "ignoramuses" promoted by the regime; in exchange, the Securitate labeled Ralea "opportunistic" and "a danger to our regime."[189] He was again able to rescue Vianu, this time from communist persecution,[190] and intervened to save the career of writer Costache Olăreanu.[191] However, he could not do the same for neither his brother-in-law Suchianu, who was arrested and held in communist prisons,[189] nor Chelariu, who was sacked and had to work as a rat-catcher.[143] His disciple, psycholinguist Tatiana Slama-Cazacu, was forced to abandon her doctorate studies because of her political nonconformism.[192]

Ralea had had friendly contacts with his former supervisor, Foreign Minister Ana Pauker. Pandrea, who had fallen out with the Workers' Party regime and spent time in prison, alleged that Ralea, "the impenitent servant", cultivated the friendship of communist women, from Pauker to Liuba Chișinevschi.[193] Ralea witnessed Pauker's 1952 downfall and banishment, and reputedly kept himself informed about her activities through mutual acquaintances.[194]

Ralea's survival in the post-Pauker era was an unusual feat. According to Pandrea, it was possible only because Ralea was "without scruples", always ready for a "cowardly submission", and a "valet" of Workers' Party potentates such as Ion Gheorghe Maurer.[71] A close bond existed between Ralea and the Workers' Party chief, Gheorghe Gheorghiu-Dej, who began cultivating his very own intellectual circle after engineering Pauker's downfall.[195] Ralea supported Gheorghiu-Dej's adoption of a national communist platform, which was presented as an alternative to Soviet control.[196]

In 1955, with the relaxation of political pressures, Ralea brought up his criticism of communist policies in education, with a report to the Workers' Party leadership. It spoke about the poor scientific standards at Romania's universities, and criticized the appointment of political workers as school principals.[197] The report also condemned the Art Ministry for promoting "mediocrities" as cultural inspectors.[198] At the time, some Romanian anticommunist circles began taking an interest in Ralea, vainly hoping that he would be appointed premier of a post-Stalinist Romania.[143]

In 1956, Ralea published his historical essay on French politics and culture, Cele două Franțe ("The Two Frances"). It came out in a 1959 French edition, as Les Visages de France, with a preface by Roger Garaudy.[199] Ralea was also one of the select few Romanians, most of them trusted figures of the regime, who could reissue selections from their interwar literary contributions, at the specialized state company Editura de Stat pentru Literatură și Artă. Ralea was one of the first in this series, with the 1957 Scrieri din trecut ("Writings from the Past).[200] Under a similar understanding with the regime, Ralea and other dignitaries could publish accounts of their travels in capitalist countries—in Ralea's case, the 1959 În extremul occident ("Into the Far West").[199] It had comments on the "iron fisted rule" of the United Fruit, and gibes at "the putrefied lazy specimens" of "exploiters" in pre-communist Cuba.[201] Ralea was nevertheless active in reintegrating culturally some intellectuals who had been imprisoned and rehabilitated: together with one such figure, Constantin I. Botez, he wrote the 1958 Istoria psihologiei ("History of Psychology").[202]

Final years

Ralea's grave at Bellu cemetery

Ralea and his family lived at a luxurious villa on Washington Street, Dorobanți.[203] In 1961, he had been re-inducted into the literary canon, mentioned in official manuals as one of sixteen critics whose work supported "socialist construction".[204] Around that time, Ralea and Vianu mounted campaign for Marxist humanism, and were elected to the National Board of UNESCO (Ralea was its vice president). Their actions were condemned at the time by the exile writer Virgil Ierunca, who described their "solemn agitation" as a new ruse on the part of Gheorghiu-Dej.[205] Ralea was also sent abroad with a dossier on exile writer Vintilă Horia, who had received the Prix Goncourt. It showed evidence of Horia's support for interwar fascism. Ralea's mission was hampered by revelations about his own compromises with fascism, published in Le Monde, Paris-Presse and the Romanian diaspora press, under such titles as: "Ralea used to lift his arm really high".[126] According to later assessments, the Horia affair and Ralea's participation therein were instrumented by the Securitate.[126][206]

Adhering to the official cultural policy, Ralea was making efforts to be admitted into the Workers' Party. His application was politely turned down,[207] but he was honored with the vice presidency of the Great National Assembly Presidium[126] and a seat on the republican Council of State.[189] In 1962, Ralea was one of the guest speakers at a Geneva conference on the generation gap, alongside Louis Armand, Claude Autant-Lara, and Jean Piaget.[208] Also that year, he helped with the recovery and reemployment of a former rival, Traian Herseni. Reportedly, Ralea excused Herseni's Iron Guard affiliation as a careerist move rather than a political crime.[209] Together, they published Sociologia succesului ("The Sociology of Success"); Herseni used the pseudonym Traian Hariton.[210]

A heavy smoker, and prone to culinary excesses, Ralea checked himself in Otopeni hospital showing symptoms of facial nerve paralysis, with hypertension and fatigue.[211] Against the advice of his doctors, he decided to attend the UNESCO meeting in Copenhagen. He died aboard the train, outside East Berlin, on the morning of August 17, 1964.[212] His body was transported back to Bucharest, and buried at Bellu cemetery.[213] Ralea and Herseni had been working on a textbook, Introducere în psihologia socială ("Companion to Social Psychology"), which only saw print in 1966.[214]

Sociology of culture

Generic traits

Ralea's contemporaries left remarks on not just his hyperactivity, but also his neglect of details, and his eclecticism. Pompiliu Constantinescu remarked of "petulant" Ralea: "Here is a soul who will not stand for the label of specialization!"[215] In 1926, Eugen Lovinescu dismissed Ralea as "a fecund ideologue, paradoxical in his association and dissociation of varied and superficial ideals that have happened to have points of contact with Romanian literature."[216] He reads both Ralea and Suchianu as displays of "useless erudition" and "failure of logic".[217] Completing this verdict, Monica Lovinescu saw Ralea as "not truly a literary critic", but "a sociologist, a psychologist, a moralist—a moralist with no morals, and yet a moralist".[218] More leniently, George Călinescu noted that Ralea was an "epicurean" of "vivid intelligence", who only chronicled "books that he has enjoyed reading". His free associations of concepts were "very often surprising, quite often admirable".[48] Ralea, Călinescu proposes, was Romania's own "little Fontenelle".[2]

After his French sojourn, Ralea infused Poporanism and collectivism with both Durkheim's corporatism[219] and Marx's theory of "class consciousness".[220] In his earliest work, he also referenced Ludwig Gumplowicz's ideas about the fundamental inequality of class-based societies, ideas which he used against the "class solidarity" of early corporatism and Proudhon's mutualist economics.[221] Despite this collectivist-functionalist outlook, and although he spoke out against art for art's sake, Ralea was adamant that strictly sociological explanations of creativity were doomed to fail. As he put it, all attributes of a writer were "subsidiary to [his] creative originality".[222]

Ralea reduced aestheticism and social determinism to the basic units of "aesthetics" and "ethnicity". As he saw it, an ethnic consciousness was biologically and psychologically necessary: it helped structure perception, giving humans a reference point between the particularity and generality.[223] An artist, Ralea argued in 1925, was "obliged" to address the national society he lived in, "at the present stage in civilization": "If he were human, he would be discarding specificity itself, that is to say the very essence of art, and would fall into science; if he were too specific, too original, he'd stand to lose his means of expression, the point of contact with his public".[224] Ralea believed that the origin of beauty was biological, before being human or social; he also claimed (questionably so, according to art critic Petru Comarnescu) that traditional society allowed no depiction of ugliness before the arrival of Christian art.[225]

With this analysis of aesthetic principles, borrowing from Henri Bergson, Ralea toned down his own rationalism and determinism, taking in relativism and intuitionism.[226] With his respect for critical intuition, his critique of determinism, and his cosmopolitanism, he came unexpectedly close to the aestheticism of his rival Lovinescu, and, though him, to the "aesthetic autonomism" of Titu Maiorescu.[227] Ralea even sketched out his own relativist theory, according to which works of art could have limitless interpretations (or "unforeseen significances"),[228] thus unwittingly paralleling, or anticipating, the semiotics of Roland Barthes.[229] With Între două lumi, he still rejected individualism and subjectivity, but also nuanced his corporatist collectivism. As he noted, militancy in favor of either philosophy had sparked the modern crisis. The solution, Ralea suggested, was for man to rediscover the simple joys of anonymity.[154]

National psychology

In his essay Fenomenul Românesc ("The Romanian Phenomenon"), Ralea elaborated on the issue of Romanian national psychology. He understood this as a natural development of Dimitrie Gusti's sociological "science of the nation", but better suited to the topic and more resourceful.[230] According to Ralea, Romanians were structurally opposed to mysticism, which could not compliment their true character: "good-natured, even-minded, sharp-witted like all meridional men, [and] extremely lucid."[231] The "Romanian soul" was therefore an adaptable and pragmatic entity, mixing a Western propensity for action with a Levantine fatalism.[232] Combating antisemitism, Ralea applied this theory to the issue of European Jewish intelligence: quoting Werner Sombart, he deduced that the "rationalist", "progressive" and "utilitarian" essence of Jewishness was socially determined by the Jews' participation in capitalist competition.[233]

Building on his observations as a psychologist, Ralea gave a humanistic praise to dilettantism and vitality, in the face of philosophical sobriety. He commended Ion Luca Caragiale, the creator of modern Romanian humor, as the voice of lucidity, equating irony with intelligence.[234] As noted by Călinescu, Ralea "either intentionally or unconsciously [suggests] that intense flippancy is in fact sobriety".[2] Ralea did have his uncertainties about the grounding of his own idea. Caragiale's humor risked making Romanians too accepting of their superficiality: "maybe this genius portraitist of our bourgeoisie has done us a great harm".[235] During his polemic with Sburătorul modernism, Ralea attacked the new schools of aesthetics for their artificiality and obsessiveness: "Not one of the truly terrible chapters in life is familiar to [the modernists]. They are not humans, just clowns. [...] Only the demented and children are unilateral. True aesthetics expresses the mature and normal spiritual functions. The alternative is comparative or infantile aesthetics".[236] According to Monica Lovinescu, his critique of "lassitude" and "cowardice" in urban life is "a severe diagnostic of his own disease."[237]

On such grounds, Ralea concluded that Romanian writers "have had no deep spiritual experience", lacking "a comprehension of humanity, of life and death."[238] In a notorious socio-critical essay, first published in Perspective, Ralea asked: "Why Did We Not Produce a Novel?". He contended that the grand epic genre, unlike the short story, did not yet suit the Romanian psyche, since it required discipline, anonymity, and a "great moral significance".[239] He also postulated a deterministic relationship between the staples of ancestral Romanian folklore and modern literary choices: in the absence of any ambitious poetic cycles (as found in Western literature), Romanian ballads and doine had naturally mutated into novellas.[240] In order to mend such a historical disadvantage, he set himself the goal of writing his own novel, but eventually gave up on the idea.[241] At the time of its writing, the essay claimed to count only a few living novelists; by 1935, however, there was already talk of an "inflation of novels".[242]

Conformist Marxism

In a 1945 interview with writer Ion Biberi, Ralea explained himself as a Marxist humanist, influenced by André Malraux and by unspecified "recent Russian doctrinaires".[17] Expanding on his earlier stances, he understood the socialist mode of production as both desirable and inevitable, to be received with "enthusiasm" by the masses: "[it] provides practically infinite production opportunities, because it excludes personal gain and is no longer dominated by the game of markets, of supply and demand."[243] According to political scientist Ioan Stanomir, Ralea's discourse is to be read as a "celebration of slavery".[244]

The transformation was accelerated during Ralea's last 15 years of life. Around 1950, Ralea was studying Marxist aesthetics and Marxist literary criticism, advising young literati, and his colleague Vianu, to do the same.[245] Ralea was going back on his cosmopolitanism, seeing it as an obstacle to the proper understanding of Romanian society.[246] In Explicarea omului, Vianu notes, he brought up "a fundamental cultural motif, man's urge to create himself obstacles and consequently break through them with his natural instinct [Vianu's emphasis]."[247] According to Ralea, brute ethics existed as "a mechanism for social self-regulation", which helped to distill the "vital impulse", whereas the accomplished human being would internalize its requirements and verify them against his own rationality.[185] Overall, Ralea contended that "dialectical materialism has the complete answer to any fundamental issue regarding social structuring". That answer was in "superstructures", and the references were Marx, Friedrich Engels, Vladimir Lenin, Joseph Stalin, alongside Ludwig Klages and Max Scheler.[186] According to philosopher François Evain, Ralea's study failed as a work of psychological anthropology, and merely showed "what superstructures become under Marxist materialism."[186] Contrarily, critic Antonio Patraș noted the links between Explicarea omului (a "brilliant study") and Ralea's earlier contributions to sociology.[185]

Sociologia succesului was to some extend dependent on Ralea's study of Durkheim's Division of Labor, with its distinction between laws of punishment and laws of restitution (or reward). Ralea maintained that remedial sanctions were a characteristic of modern civilized society, and that the social fact of "success" was created within that setting.[248] However, the work was heavily reliant on Marxist sociology, hypothesizing that socialist societies had perfected new incentives for workers to set collective objectives and succeed at them.[249] According to psychologist Edgar Krau, Ralea and Herseni gave credibility to "the tenet that the individualistic ethics of capitalism disunites and hurts people"; however, they ignored the reality of communism, which was "not [its] collectivism, but the all-pervading party tuition".[250]

Legacy

Ralea was survived by his only child, daughter Catinca Ralea (1929–1981). She also had a career in letters, before becoming a Radio Romania International reporter and Romanian Television producer.[251][252] Additionally, she is remembered for her translations from J. D. Salinger (which fed Romania's counterculture of the 1960s)[253] and J. R. R. Tolkien.[254] Against her father's wish,[251] she married in 1958 the actor Emanoil Petruț, who survived her by two years.[255]

Ralea's death, coinciding with a spell of liberalization, created unexpected room for maneuver for a younger generation of literary critics and historians, who were anti-sociological, subjectivist, and post-structuralist.[256] Nevertheless, some members of this intellectual school, such as Adrian Marino[229] and Matei Călinescu,[257] continued to draw inspiration from Ralea, having rediscovered his early Bergsonian essays. They were joined in this by Alexandru Ivasiuc, the novelist and Marxist literary theorist.[258]

After the 1989 Revolution and the fall of communism, Ralea's Dobrina estate was transferred by government order to the Orthodox Diocese of Huși, and came to host a convent.[259] His Dorobanți villa, which Catinca Ralea had sold, bears a memorial plaque honoring the sociologist.[260] By Government Act 503/1998, the Romanian Academy Institute of Psychology was renamed Mihai Ralea Institute.[261] The Huși library, also named after Ralea, has been hosting the entire corpus of his works since 2013.[262]

Ralea's early sociological writings were republished, as Fenomenul Românesc, in 1997.[263] By then, his sociological contribution was being reassessed in various ways. Around 1995, a heated public debate erupted, focusing on the careers of leftist intellectuals such as Ralea, and their supposed acts of self-betrayal. The central question, brought up by researcher Marin Nițescu, was: would they have done better not to publish at all under communism?[264]

Notes

  1. 1 2 Straje, p. 586
  2. 1 2 3 4 5 Călinescu, p. 912
  3. ↑ Nastasă (2007), p. 125; (2010), p. 385
  4. ↑ Călinescu, p. 912; Vianu, p. 143
  5. 1 2 Nastasă (2010), p. 129
  6. ↑ Nastasă (2007), pp. 191–192, 293, 344
  7. 1 2 3 Vianu, p. 144
  8. ↑ Straje, pp. 406, 586
  9. ↑ Nastasă (2007), p. 283. See also Vianu, p. 143
  10. ↑ Vianu, p. 143
  11. ↑ Crohmălniceanu, p. 114; Nicolescu, p. 131. See also Desa et al. (1987), pp. 508–509
  12. ↑ Vianu, p. 145
  13. ↑ Nicolescu, p. 132
  14. ↑ Balázs Trencsényi, "Conceptualizarea caracterului național în tradiția intelectuală românească", in Neumann & Heinen, pp. 353–354; Verdery, pp. 50–51, 53, 328
  15. ↑ Nastasă (2007), pp. 190–192, 250, 284
  16. ↑ Nastasă (2007), pp. 191–192, 293
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  24. 1 2 (Romanian) Constantin Coroiu, "Proust și romanul românesc modern", in Convorbiri Literare, October 2012
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  28. ↑ Crohmălniceanu, p. 76; Desa et al. (1987), p. 469; Straje, p. 586
  29. ↑ Gusti, pp. 16, 17
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  31. ↑ Nastasă (2007), pp. 344–345, 347, 483
  32. 1 2 Nastasă (2007), p. 483
  33. ↑ Nastasă (2010), pp. 150, 200–201, 266
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  36. ↑ Crohmălniceanu, p. 135
  37. ↑ Desa et al. (2003), pp. 17, 18
  38. ↑ Desa et al. (2003), pp. 557, 619–620
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  40. ↑ Gusti, p. 93
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  46. 1 2 Dan, p. 184
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  49. ↑ Constantinescu, p. 227; Crohmălniceanu, p. 140. See also M. Lovinescu, p. 42
  50. ↑ Crohmălniceanu, pp. 180, 253, 397, 406, 414
  51. ↑ Crohmălniceanu, pp. 76–77, 96–97
  52. ↑ E. Lovinescu, pp. 123–124
  53. ↑ E. Lovinescu, pp. 123–128
  54. ↑ Klaus Bochmann, "Conceptul de patriotism în cultura română", in Neumann & Heinen, p. 124; Ornea (1995), pp. 65, 351
  55. ↑ Ornea (1995), p. 62
  56. ↑ Balázs Trencsényi, "Conceptualizarea caracterului național în tradiția intelectuală românească", in Neumann & Heinen, p. 353
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  58. ↑ Crohmălniceanu, p. 121
  59. ↑ Crohmălniceanu, p. 122
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  61. ↑ Crohmălniceanu, pp. 97, 102
  62. ↑ Crohmălniceanu, pp. 124, 127, 130–132
  63. 1 2 Călinescu, p. 973
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  65. ↑ Crohmălniceanu, p. 132; Ornea (1995), pp. 81–83
  66. ↑ Ornea (1995), p. 104
  67. ↑ Călinescu, p. 1025; Crohmălniceanu, pp. 187–188, 586, 598, 616
  68. 1 2 3 4 Călinescu, p. 1025
  69. ↑ Călinescu, pp. 912, 1025
  70. ↑ Octavian Tăslăuanu, "Ce scriu tinerii despre România", in Țara Noastră, Nr. 28/1928, pp. 898–899
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  73. ↑ Desa et al. (2003), pp. 16, 822
  74. ↑ Ornea (1998), p. 146; Piru, pp. 162–163
  75. ↑ Cioroianu, p. 126. See also Ornea (1995), pp. 119, 295
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  77. ↑ (French) Compte rendu de la XXIXe conférence tenue à Madrid du 4 au 10 octobre 1933, Éditions Payot, Lausanne, 1934, pp. 582–588 (digitized by the Bibliothèque nationale de France Gallica digital library)
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  79. ↑ Nastasă (2007), p. 297
  80. ↑ Nastasă (2010), pp. 475–476; Piru, pp. 170–171
  81. ↑ Nastasă (2010), pp. 201, 391
  82. 1 2 Nastasă (2010), pp. 266–267
  83. ↑ Nastasă (2007), pp. 250, 403, 406
  84. ↑ Nastasă (2007), pp. 302–303
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  91. ↑ (Romanian) Irina Manea, "Criterion – o istorie", in Historia, May 2014; Ornea (1995), pp. 152–153
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  93. ↑ Boia, p. 31
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  95. ↑ Niculae et al., pp. 232–233
  96. ↑ Dan, pp. 184–186
  97. ↑ Crohmălniceanu, p. 119; Ornea (1995), pp. 64–65, 350–352
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  115. ↑ Nastasă (2007), pp. 293, 343, 447
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References


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