Mammoth Records

Mammoth Records
Parent company Disney Music Group
(The Walt Disney Studios)
Founded 1989
Founder Jay Faires
Defunct 2006
Genre Various
Country of origin United States
Location Carrboro, North Carolina

Mammoth Records was an independent record label founded in 1989 by Jay Faires in the Carrboro area of Chapel Hill, North Carolina.[1] The majority of the acts on Mammoth were executive-produced by Faires and the label’s general manager, Steve Balcom.[2][3] The label was the first independent to produce two platinum records.[4] Mammoth featured an eclectic roster including: Blake Babies, Chainsaw Kittens, Machines of Loving Grace, Juliana Hatfield, Joe Henry, Seven Mary Three, Squirrel Nut Zippers, Victoria Williams, The Sidewinders, Jason & the Scorchers, Frente!, The Bats, The Backsliders, Antenna, Dash Rip Rock, Dillon Fence, Fun-Da-Mental, Fu Manchu, Kill Creek, The Melvins, Jocelyn Montgomery, The Hope Blister, My Friend Steve, and Vanilla Trainwreck among others.[5]

History

Mammoth first signed Tucson band The Sidewinders; The Sidewinder’s debut album, Witchdoctor, sold to RCA within Mammoth’s first three months of business.[6][7] Another early signing, Blake Babies, led by Berklee School of Music students Juliana Hatfield and John Strohm, released “Earwig” and “Sunburn” with Mammoth before breaking up. John Strohm went on to release two solo albums with Mammoth under the moniker Antenna while Juliana Hatfield released solo efforts Hey Babe and Only Everything with Mammoth.[8][9][10] Louisiana Music Hall of Famer Dash Rip Rock signed to Mammoth with its 1989 release, Ace of Clubs, produced by Jim Dickinson. Chainsaw Kittens released four albums with Mammoth, including its second album, Flipped Out in Singapore, which was Butch Vig’s follow-up project after producing Nirvana’s Nevermind.[11][12][13]

The first signing from the local Chapel Hill college scene was Dillion Fence; the group released three albums on the Mammoth label between 1991 and 1995.[5] Also from the local area, Mammoth signed Vanilla Trainwreck; the band released Sofa Livin’ Dreamazine and two other albums.[14] After The Sidewinders, a second Tucson band—Machines of Loving Grace—was signed to Mammoth. That band released three albums with Mammoth between 1991 and 1995 with the album Concentration gaining national attention.[15][16] Multiple Grammy Award winner Joe Henry released albums with Mammoth between 1992 and 2001, including Trampoline and Fuse.[17][18] Through a distribution deal with Les Claypool’s Prawn Song Records, Mammoth released The Charlie Hunter Trio’s self-titled album in 1993; Charlie Hunter went on to sign with the jazz label Blue Note Records.[19] The label’s early success across a spectrum of genres with acts like Blake Babies, Chainsaw Kittens, Dash Rip Rock, Dillon Fence, Juliana Hatfield, Joe Henry and Machines of Loving Grace attracted the attention of Atlantic Records. Mammoth and Atlantic Records formed a joint venture in 1992.[8]

During the Atlantic era, Mammoth signed Frente!. Frente!’s cover of New Order’s “Bizarre Love Triangle” went Top 10 on Billboard Modern Rock Charts, and its record, The Marvin Album, shipped more than 750,000 copies worldwide. The label also added Victoria Williams to its roster, releasing her albums, Loose and This Moment: In Toronto with the Loose Band. Mammoth set a precedent for recognizing and promoting female, alternative voices with acts, such as The Black Girls, Blake Babies, Juliana Hatfield, Frente!, and Victoria Williams. Frente!, which MTV labeled "Buzz Bin", and Hatfield both sold more than 250,000 records.[5][20][21][22]

When Chris Douridas was the director of music at KCRW, Mammoth teamed with the radio station to release Rare on Air, a four-part compilation series featuring artists such as Radiohead, Tori Amos, Lindsey Buckingham, Los Lobos, Beck, Nick Cave, John Cale, World Party, Philip Glass, The Cranberries, Jackson Browne, Fiona Apple, Ben Folds, James Taylor, Ani Difranco, Randy Newman, Jeff Buckley, Mazzy Starr, Patti Smith, Tom Waits, PJ Harvey and Lucinda Williams.[23][24][25][26]

Nashville-based Jason and the Scorchers had a second life after signing with Mammoth Records and released three albums with the label.[27] In 1996, New Orleans brass band, The Dirty Dozen, released Ears to the Wall with Mammoth, an album produced by The Black Crowes’ Chris Robinson.[28] Seven Mary Three recorded three albums between 1995 and 1998 with Mammoth. Its debut album, American Standard, sold 1.3 million copies aloft the single "Cumbersome", making Seven Mary Three the record label's first platinum seller.[29]

In 1997, Mammoth Records returned to an independent label.[30] Squirrel Nut Zippers released six albums with Mammoth from 1994 to 2000; its second album, Hot, was released towards the end of 1996 and climbed the charts as Mammoth separated from Atlantic. Hot became Mammoth’s second platinum record.[4][31] As an independent, the label also saw the release of Jocelyn Montgomery’s “Et Ideo,” produced by David Lynch.[32]

Later, Mammoth made headway with big beat and the early electronic movement from the United Kingdom with bands like The Freestylers, which MTV deemed “Buzzworthy,” and The Wiseguys, whose single “Ooh La La” on The Antidote became a breakout party anthem.[33][34][35] Founder of British label 4AD and leader of This Mortal Coil, Ivo Watts-Russell released his band The Hope Blisters' album Smiles OK on Mammoth in the U.S, an album including work from by other artists, including Brian Eno and John Cale.[5][36]

Mammoth artists where featured on soundtracks for The Crow (Machines of Loving Grace) alongside Nine Inch Nails and Rage Against the Machine,[37] The Crow: City of Angels (Seven Mary Three) alongside Hole and White Zombie,[38] Hurricane Streets (Pure and Seven Mary Three) alongside Mary’s Playground and Xzibit,[39] My So Called Life (Frente!, Chainsaw Kittens and Juliana Hatfield) alongside Sonic Youth and The Lemonheads,[40] Trey Parker and Matt Stone’s Orgazmo (The Dust Brothers) alongside Wu-Tang Clan and Dilated Peoples,[41] the triple platinum album for Reality Bites (Juliana Hatfield) alongside Lisa Loeb and U2,[42] Saturday Morning Cartoons (Frente! and Juliana Hatfield) alongside Matthew Sweet and the Ramones, and the compilation album Music for Our Mother Ocean (Seven Mary Three) alongside the Beastie Boys and No Doubt.[43][44]

The success of the Squirrel Nut Zippers' albums, along with the development of other Mammoth bands—like Pure with Generation Six-Pack, Fu Manchu, and the Backsliders—focused the industry’s attention on the newly independent Mammoth.[45][46][47] The label sold to The Walt Disney Company in late 1997.[1]

Discography

1987

1988

1989

1990

1991

1992

1993

1994

1995

1996

1997

1998

1999

2000

2001

2002

2004

2005

2006

References

  1. 1 2 Gabriel, Trip. "The Corporate Wooing and Winning of Mammoth Records". NY Times. Retrieved 3 June 2014.
  2. ↑ "Jay Faires AllMusic". AllMusic.
  3. ↑ "Steve Balcom AllMusic". AllMusic.
  4. 1 2 Cornell, Rick. "Surveying Both Ends of the Mammoth Records Catalog". Indyweek. Retrieved 6 June 2014.
  5. 1 2 3 4 "Mammoth Records". Discogs.
  6. ↑ "Sidewinders". TrouserPress.
  7. ↑ "Witchdoctor". AllMusic.
  8. 1 2 Haring, Bruce. "Mammoth, Atlantic forge bond". Variety.
  9. ↑ "Juliana Hatfield Biography". AllMusic.
  10. ↑ "Music Attorney and Musician John Strohm on the Value of Public Radio". Retrieved 2 June 2014.
  11. ↑ Raggert, Ned. "Chainsaw Kittens Biography". AllMusic.
  12. ↑ "Flipped Out in Singapore". AllMusic.
  13. ↑ Ankeny, Jason. "Butch Vig Biography". AllMusic.
  14. ↑ Bush, John. "Vanilla Trainwreck Biography". AllMusic.
  15. ↑ Locey, Bill. "Machines of Loving Grace--Dancing in the Gloom : This nihilistic band sounds bummed out enough to be British. It isn't.". LA Times.
  16. ↑ Armoudian, Maria. "Review: 'The Swans; Machines of Loving Grace'". Variety.
  17. ↑ Wolff, Kurt. "Joe Henry Biography". AllMusic.
  18. ↑ "Grammy Winner List".
  19. ↑ "Charlie Hunter Trio - Self-titled". Discogs.
  20. ↑ "'The Hills' Raids MTV's Buzz Bin of 1994, Close Out Episode with Frente". RollingStone.
  21. ↑ Cohen, Jonathan. "Billboard Bits: Nine Inch Nails, Frente, Louis XIV". Billboard.
  22. ↑ Bell, Carrie. A Mammoth Undertaking. Billboard.
  23. ↑ "Rare on Air: Vol. 1 Tracklist". Discogs.
  24. ↑ "Rare on Air: Vol. 2 Tracklist". Discogs.
  25. ↑ "Rare on Air: Vol. 3 Tracklsit". Discogs.
  26. ↑ "Rare on Air: Vol. 4 Tracklist". Discogs.
  27. ↑ Matsumoto, Jon. "Jason and the Scorchers Rise From Near Ashes". LA Times.
  28. ↑ Griggs, Tim. "Ears to the Wall". AllMusic.
  29. ↑ "Seven Mary Three Biography".
  30. ↑ Christman, Ed. Mammoth Leaves Atlantic. Billboard.
  31. ↑ "Squirrel Nut Zippers Biography". Artist Direct.
  32. ↑ "Et Ideo". Discogs.
  33. ↑ "Freestylers' Disc 'Points' To More Cohesive Sound". Billboard.
  34. ↑ "Billboard Bits: Wiseguys, Shriekback, BET". Billboard.
  35. ↑ "The Wiseguys Biography". Billboard.
  36. ↑ "The Hope Blister". 4AD.
  37. ↑ "The Crow Soundtrack". Discogs.
  38. ↑ "The Crow: City of Angels Soundtrack". Discogs.
  39. ↑ "Hurricane Streets Soundtrack". AllMusic.
  40. ↑ "My So Called Life Soundtrack". AllMusic.
  41. ↑ "Orgazmo Soundtrack". AllMusic.
  42. ↑ "Reality Bites Soundtrack". AllMusic.
  43. ↑ "Saturday Morning: Cartoons' Greatest Hits". AllMusic.
  44. ↑ "Music for Our Mother Ocean". AllMusic.
  45. ↑ Thompson, Dave. "Generation Six-Pack Review". AllMusic.
  46. ↑ "Fu Manchu". AllMusic.
  47. ↑ Leaver, Jack. "Throwin' Rocks at the Moon Review". AllMusic.
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