Mabinogion

"Mabinogi" redirects here. For other uses, see Mabinogi (disambiguation).
Pronunciation of 'Mabinogion'
The Two Kings (sculptor Ivor Robert-Jones, 1984) near Harlech Castle, Wales. Bendigeidfran carries the body of his nephew Gwern.
Ceridwen by Christopher Williams, (1910)

The Mabinogion (/ˌmæbəˈnoʊɡiən/; Welsh pronunciation: [mabɪˈnɔɡjɔn]) are the earliest prose literature of Britain. The stories were compiled in the 12th–13th centuries from earlier oral traditions by medieval Welsh authors. The two main source manuscripts were created c. 1350–1410, as well as some earlier fragments. But beyond their origins, first and foremost these are fine quality storytelling, offering high drama, philosophy, romance, tragedy, fantasy, sensitivity, and humour; refined through long development by skilled performers.

The title covers a collection of eleven prose stories of widely different types. There is a classic hero quest: Culhwch and Olwen. Historic legend in Lludd and Llefelys glimpses a far off age, and other tales portray a very different King Arthur than the later popular versions do. The highly sophisticated complexity of the Four Branches of the Mabinogi defy categorisation. The list is so diverse a leading scholar has challenged them as a true collection at all.[1]

Early scholars from the 18th century to the 1970s predominantly viewed the tales as fragmentary pre-Christian Celtic mythology,[2] or in terms of international folklore.[3] There are certainly traces of mythology, and folklore components, but since the 1970s[4] an understanding of the integrity of the tales has developed, with investigation of their plot structures, characterisation, and language styles. They are now seen as a sophisticated narrative tradition, both oral and written, with ancestral construction from oral storytelling,[5] and overlay from Anglo-French influences.

The first modern publications were English translations of several tales by William Owen Pughe in journals 1795, 1821, 1829.[6] However it was Lady Charlotte Guest 1838–45 who first published the full collection, and bilingually in both Welsh and English. She is often assumed to be responsible for the name "Mabinogion" but this was already in standard use since the 18th century. Indeed, as early as 1632 the lexicographer John Davies quotes a sentence from Math fab Mathonwy with the notation "Mabin." in his Antiquae linguae Britannicae . . . dictionarium duplex, article "Hob". The later Guest translation of 1877 in one volume, has been widely influential and remains actively enjoyed today.[7] The most recent translation a compact version by Sioned Davies.[8] John Bollard has published a series of volumes between with his own translation, with copious photography of the sites in the stories.[9] The tales continue to inspire new fiction,[10] dramatic retellings,[11] visual artwork, and research. [12]

Etymology

The name first appears in 1795 in William Owen Pughe's translation in the journal Cambrian Register: "The Mabinogion, or Juvenile Amusements, being Ancient Welsh Romances." The name appears to have been current among Welsh scholars of the London Welsh Societies and the regional Welsh eisteddfodau. It was inherited as the title by the first publisher of the complete collection, Lady Charlotte Guest. The form mabynnogyon occurs once at the end of the first of the Four Branches of the Mabinogi in one manuscript. It is now generally agreed that this one instance was a mediaeval scribal error which assumed 'mabinogion' was the plural of 'mabinogi.' But 'mabinogi' is already a Welsh plural, which occurs correctly at the end of the remaining three branches.

The word mabinogi itself is something of a puzzle, although clearly derived from the Welsh mab, which means "son, boy, young person". Eric P. Hamp of the earlier school traditions in mythology, found a suggestive connection with Maponos a Celtic deity of Gaul, ("the Divine Son"). The "Mabinogi" properly applies only to the Four Branches, which is a tightly organised quartet very likely by one author, where the other seven are so very diverse (see below). Each of these four tales ends with a colophon meaning "thus ends this branch of the Mabinogi" (in various spellings), hence the name.

Translations

Lady Charlotte Guest's work was helped by the earlier research and translation work of William Owen Pughe.[13] The first part of Charlotte Guest's translation of the Mabinogion appeared in 1838, and it was completed in seven parts in 1845.[14] A three-volume edition followed in 1846,[15] and a revised edition in 1877. Her version of the Mabinogion remained standard until the 1948 translation by Gwyn Jones and Thomas Jones, which has been widely praised for its combination of literal accuracy and elegant literary style.[16][17] Several more, listed below, have since appeared.

Date of stories

The question of the dates of the tales in the Mabinogion is important, because if they can be shown to have been written before Geoffrey of Monmouth's Historia Regum Britanniae and the romances of Chrétien de Troyes, then some of the tales, especially those dealing with Arthur, would provide important evidence for the development of Arthurian legend. Regardless, their importance as records of early myth, legend, folklore, culture, and language of Wales is immense.

The stories of the Mabinogion appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written circa 1350, and the Red Book of Hergest or Llyfr Goch Hergest, written about 1382–1410, though texts or fragments of some of the tales have been preserved in earlier 13th century and later manuscripts. Scholars agree that the tales are older than the existing manuscripts, but disagree over just how much older. It is clear that the different texts included in the Mabinogion originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Thomas Charles-Edwards, in a paper published in 1970, discussed the strengths and weaknesses of both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories best fits the 11th century, although much more work is needed. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, which seems to be the current scholarly consensus.

Stories

The collection represents the vast majority of prose found in medieval Welsh manuscripts which is not translated from other languages. Notable exceptions are the Areithiau Pros. None of the titles are contemporary with the earliest extant versions of the stories, but are on the whole modern ascriptions. The eleven tales are not adjacent in either of the main early manuscript sources, the White Book of Rhydderch (c. 1375) and the Red Book of Hergest (c. 1400), and indeed Breuddwyd Rhonabwy is absent from the White Book.

Four Branches of the Mabinogi

The Four Branches of the Mabinogi (Pedair Cainc y Mabinogi) are the most clearly mythological stories contained in the Mabinogion collection. Pryderi appears in all four, though not always as the central character.

Native tales

Beginning of The Dream of Macsen Wledig from the White Book of Rhydderch, f.45.r

Also included in Lady Guest's compilation are five stories from Welsh tradition and legend:

The tales Culhwch and Olwen and The Dream of Rhonabwy have interested scholars because they preserve older traditions of King Arthur. The subject matter and the characters described events that happened long before medieval times. After the departure of the Roman Legions, the later half of the fifth century was a difficult time in Britain. King Arthur's twelve battles and defeat of invaders and raiders are said to have culminated in the Battle of Bath. There is no consensus about the ultimate meaning of The Dream of Rhonabwy. On one hand it derides Madoc's time, which is critically compared to the illustrious Arthurian age. However, Arthur's time is portrayed as illogical and silly, leading to suggestions that this is a satire on both contemporary times and the myth of a heroic age.[18]

Rhonabwy is the most literary of the medieval Welsh prose tales. It may have also been the last written. A colophon at the end declares that no one is able to recite the work in full without a book, the level of detail being too much for the memory to handle. The comment suggests it was not popular with storytellers, though this was more likely due to its position as a literary tale rather than a traditional one.[19]

The tale The Dream of Macsen Wledig is a romanticized story about the Roman Emperor Magnus Maximus. Born in Spain, he became a legionary commander in Britain, assembled a Celtic army and assumed the title of Emperor of the Western Roman Empire in AD 383. He was defeated in battle in 385 and beheaded at the direction of the Eastern Roman Emperor.

The story of Taliesin is a later survival, not present in the Red or White Books, and is omitted from many of the more recent translations.

Romances

The three tales called The Three Romances (Y Tair Rhamant) are Welsh versions of Arthurian tales that also appear in the work of Chrétien de Troyes. Critics have debated whether the Welsh Romances are based on Chrétien's poems or if they derive from a shared original. Though it is arguable that the surviving Romances might derive, directly or indirectly, from Chrétien, it is probable that he in turn based his tales on older, Celtic sources. The Welsh stories are not direct translations and include material not found in Chrétien's work.

Influence on later works

See also

References

  1. ↑ Bollard, John Kenneth. 2007. "What Is The Mabinogi? What Is 'The Mabinogion'?" https://sites.google.com/site/themabinogi/mabinogiandmabinogion
  2. ↑ Notably Matthew Arnold; William J. Gruffydd.
  3. ↑ Jackson, Kenneth Hurlstone. 1961. The International Popular Tale and the Early Welsh Tradition. The Gregynog Lectures. Cardiff: CUP.
  4. ↑ Bollard 1974; Gantz 1978; Ford 1981.
  5. ↑ See various works by Sioned Davies e.g. 1. Davies, Sioned. 1998. "Written Text as Performance: The Implications for Middle Welsh Prose Narratives." In Literacy in Medieval Celtic Societies, 133–48. and 2. Davies, Sioned. 2005. "'He Was the Best Teller of Tales in the World': Performing Medieval Welsh Narrative." In Performing Medieval Narrative, 15–26. Cambridge: Brewer.
  6. ↑ 1. Pughe, William Owen. 1795. "The Mabinogion, or Juvenile Amusements, Being Ancient Welsh Romances." Cambrian Register, 177–87. 2. Pughe, William Owen. 1821. "The Tale of Pwyll." Cambro-Briton Journal 2 (18): 271–75. . 3. Pughe, William Owen. 1829. "The Mabinogi: Or, the Romance of Math Ab Mathonwy." The Cambrian Quarterly Magazine and Celtic Repository 1: 170–79.
  7. ↑ Available online since 2004. Guest, Charlotte. 2004. "The Mabinogion. (Gutenberg, Guest)." Gutenberg. http://onlinebooks.library.upenn.edu/webbin/gutbook/lookup?num=5160.
  8. ↑ Davies, Sioned. 2007. The Mabinogion. Oxford: OUP.
  9. ↑ 1. Bollard, John Kenneth. 2006. Legend and Landscape of Wales: The Mabinogi. Llandysul, Wales: Gomer Press. 2. Bollard, John Kenneth. 2007. Companion Tales to The Mabinogi. Llandysul, Wales: Gomer Press. 3. Bollard, John Kenneth. 2010. Tales of Arthur: Legend and Landscape of Wales. Llandysul, Wales: Gomer Press. Photography by Anthony Griffiths.
  10. ↑ For example the Seren series 2009–2014, but the earliest reinterpretations were by Evangeline Walton starting 1936..
  11. ↑ e.g. Robin Williams; Daniel Morden.
  12. ↑ "BBC – Wales History – The Mabinogion". www.bbc.co.uk. Retrieved 2008-07-11.
  13. ↑ "Guest (Schreiber), Lady Charlotte Elizabeth Bertie". The National Library opf Wales: Dictionary of Welsh biography. Retrieved 6 March 2015.
  14. ↑ "BBC Wales History – Lady Charlotte Guest". BBC Wales. Retrieved 6 March 2015.
  15. ↑ "Lady Charlotte Guest. extracts from her journal 1833 – 1852". Genuki: UK and Ireland Genealogy. Retrieved 6 March 2015.
  16. ↑ "Lady Charlotte Guest". Data Wales Index and search. Retrieved 6 March 2015.
  17. ↑ Stephens, Meic, ed. (1986). The Oxford Companion to the Literature of Wales. Oxford: Oxford University Press. pp. 306, 326. ISBN 0-19-211586-3.
  18. ↑ Roberts, Brynley F. (1991). "The Dream of Rhonabwy." In Lacy, Norris J., The New Arthurian Encyclopedia, p. 120–121. New York: Garland. ISBN 0-8240-4377-4.
  19. ↑ Lloyd-Morgan, Ceridwen. (1991). "'Breuddwyd Rhonabwy' and Later Arthurian Literature." In Bromwich, Rachel, et al., "The Arthur of the Welsh", p. 183. Cardiff: University of Wales. ISBN 0-7083-1107-5.
  20. ↑ John Brebner describes The Mabinogion "as "indispensable for understanding Powys's later novels", by which he means Owen Glendower and Porius (fn, p. 191).
  21. ↑ "John Cowper Powys: 'Figure of the Marches'", in his Imagining Wales (Cardiff: University of Wales Press, 2001), p. 106.
  22. ↑ W. J. Keith, p. 44.
  23. ↑ John Cowper Powys, "The Characters of the Book", Porius, p. 18.

Bibliography

Translations and retellings
Welsh text and editions

Secondary sources

External links

Wikiquote has quotations related to: Mabinogion
Wikisource has original text related to this article:
Wikisource has the text of the 1913 Catholic Encyclopedia article Mabinogion.

There is a new, extensively annotated translation of the four branches of the Mabinogi proper by Will Parker at

The Guest translation can be found with all original notes and illustrations at:

The original Welsh texts can be found at:

Versions without the notes, presumably mostly from the Project Gutenberg edition, can be found on numerous sites, including:

A discussion of the words Mabinogi and Mabinogion can be found at

A theory on authorship can be found at

This article is issued from Wikipedia - version of the 11/29/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.