Lux in Tenebris

Lux in Tenebris, in Latin, meaning "Light in Darkness," is a short one-act farce, written in prose, by the German dramatist Bertolt Brecht. It is thought that he wrote it in 1919, under the influence of "that great Munich clown Karl Valentin".^[1]

The Latin phrase belongs to the Latin translation of the Gospel of John: "et lux in tenebris lucet et tenebrae eam non conprehenderunt", meaning "The Light shines in the darkness, and the darkness did not comprehend it". (Fifth verse of Chapter I)^[2]

Sources

Willett, John and Ralph Manheim. 1994. Introduction and Editorial Notes. Collected Plays: Two by Bertolt Brecht. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen. ISBN 0-413-68560-8.

Notes

↑ Willett and Manheim (1994, viii).
↑ Chapter 1, The Gospel According to Saint John, Jerome's Latin Vulgate (405 A.D.) (The HTML Bible)

Bertolt Brecht

Plays	Baal Drums in the Night A Wedding Driving Out a Devil Lux in Tenebris Mysteries of a Barbershop In the Jungle of Cities Edward II Man Equals Man Downfall of the Egotist Johann Fatzer The Elephant Calf Little Mahagonny The Threepenny Opera The Flight Across the Ocean The Baden-Baden Lesson on Consent Happy End Rise and Fall of the City of Mahagonny Der Jasager / Der Neinsager The Decision Saint Joan of the Stockyards The Exception and the Rule The Mother Kuhle Wampe The Seven Deadly Sins Round Heads and Pointed Heads The Horatians and the Curiatians Fear and Misery of the Third Reich Señora Carrar's Rifles Life of Galileo How Much Is Your Iron? Dansen Mother Courage and Her Children The Trial of Lucullus Mr Puntila and his Man Matti The Good Person of Szechwan The Resistible Rise of Arturo Ui Hangmen Also Die! The Visions of Simone Machard The Duchess of Malfi Schweyk in the Second World War The Caucasian Chalk Circle Antigone The Days of the Commune The Tutor Die Verurteilung des Lukullus Report from Herrnburg Coriolanus Joan of Arc Turandot Don Juan Trumpets and Drums

Theories and techniques	Epic theatre Non-Aristotelian drama Lehrstücke Fabel Gestus Defamiliarization Demonstration Not / But Historicization Refunctioning Separation of the elements Interruptions Complex seeing The Modern Theatre Is the Epic Theatre The Street Scene A Short Organum for the Theatre Messingkauf Dialogues

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