Live 1967 (Red Krayola album)

Live 1967
Live album by The Red Krayola
Released July 28, 1998
Recorded June – July 1967 at Venice Beach, Los Angeles and at the Berkeley Folk Festival, Berkeley, California
Genre Experimental rock
Length 108:41
Label Drag City
Producer Kurt Von Meier, The Red Krayola
The Red Krayola chronology
Hazel
(1996)
Live 1967
(1998)
Fingerpainting
(1999)

Live 1967 is a live performance album by the experimental rock band Red Krayola, released on July 28, 1998 through Drag City.[1] The two-disc set comprises the band's performance at the Angry Arts Festival in Los Angeles as well as their sets from various shows at the Berkeley Folk Festival during the summer of 1967.[2] Like all the music played at the festivals it is dedicated to the troops positioned in Vietnam.[3]

Background

Kurt Von Meier, a University of California art-history professor, became interested in the band after he heard tapes containing Coconut Hotel, Red Krayola's rejected second album. He was intrigued by the band's experimental and free-form music and invited them to perform at Angry Arts Folk Festival in Berkeley and the Greek Theater in Los Angeles in June and July.[3] Meier also pushed to get the band to play in the Monterey Pop Festival, but was turned down by the festival's organizers.[4]

Performance

The music played by the Red Krayola during their sets was completely instrumental and consisted of improvised drone and electronic music, comparable to early Velvet Underground.[2] The first disc contains the band's performance at the Angry Arts Festival on June 6, 1967. The Second disc is made up of three separate performances which took place in the evenings between June 27 to July 4. During the festival the band met folk guitarist John Fahey, who accompanied the band onstage for a twenty-three-minute improv session on July 3. On the 4th, the announcer mistook the Red Krayola's music for an equipment malfunction and continued to talk several minutes into the band's set.[5]

Reception

Professional ratings
Review scores
SourceRating
Allmusic[2]

These performances received a lukewarm response from audience and critics alike. Berkeley's underground newspaper, the Berkeley Barb, dismissed the band as being the "bummer of the festival."[5] Some of audience accused the music of being so abrasive that it was the direct cause of a dog's death during the festival.[4] However, some of the audience appreciated the band's feedback-laden sound, some of whom can be heard chanting "More! More!" at the end of the band's performance on the 4th.

In reviewing the two-disc release, music critic Richie Unterberger noted his admiration of the band's dedication to experimenting in-front of an audience who expected more conventional music. He gave the album two out of five stars, writing: "The Velvet Underground and Pink Floyd, however, rarely stuck with this kind of inaccessible freakiness for more than a few minutes at a time on record, even at their most willfully obscure. This is all inaccessible freakiness."[2]

Track listing

All music composed by The Red Krayola.

Disc one
No. Title Length
1. "Venice Pavilion Concert, Afternoon"   27:03
2. "Venice Motel, Evening: Piece One"   12:35
3. "Venice Motel, Evening: Piece Two"   4:16
Disc two
No. Title Length
1. "7/2, Evening: "Dust""   27:46
2. "7/3, Afternoon: Red Crayola with John Fahey"   22:53
3. "7/4, Afternoon: Jubilee Concert at Hearst Greek Theatre Radio Broadcast on KQED/San Francisco"   14:08

Personnel

Red Krayola

Additional musicians and production

References

  1. Kenny, Glenn; Grant, Steven; Robbins, Ira (2007). "Red Crayola". Trouser Press. Retrieved May 26, 2016.
  2. 1 2 3 4 Unterberger, Richie. "Live in 1960s". Allmusic. Retrieved August 12, 2012.
  3. 1 2 Miller, Bruce (June 2, 2006). "The Red Krayola: Outside The Lines". Magnet. Retrieved August 15, 2012.
  4. 1 2 "The Story So Far of the Red Crayola & the Red Krayola" (PDF). press@dragcity.com. Retrieved August 15, 2012.
  5. 1 2 "Faster Than Sheep: Issue No. 1" (PDF). Two Monkeys Ten Minutes. March 1999. Retrieved August 15, 2012.
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