List of paintings by Rembrandt

The following is a list of paintings by Rembrandt that are generally accepted as autograph by the Rembrandt Research Project.

Title	Year	Technique	Dimensions (cm)	Gallery	Number	Commentary	Wikidata
The Spectacles-pedlar (Sight)	c. 1624	Oil on panel	21 x 17.8	Stedelijk Museum De Lakenhal, Leiden	1	Hypothetical; one of the series The Senses	Q21405958
The Three Singers (Hearing)	c. 1624	Oil on panel	21.6 x 17.8	Leiden Collection	2	Hypothetical; one of the series The Senses	Q21406034
The Operation (Touch)	c. 1624	Oil on panel	21.5 x 17.7	Leiden Collection	3	Hypothetical; one of the series The Senses	Q21406026
The Unconscious Patient (Smell)	c. 1624	Oil on panel	21.5 x 17.7	Leiden Collection		Hypothetical; one of the series The Senses	Q27885055
(Taste)	c. 1624	Oil on panel	21.5 x 17.7	Whereabouts unknown		Hypothetical; one of the series The Senses	Q27885057
Christ Driving the Money-changers from the Temple	1626	Oil on panel	43.1 x 32	Pushkin Museum, Moscow	4		Q21401840
The Stoning of St. Stephen	1625	Oil on panel	89.5 x 123.6	Musée des beaux-arts de Lyon	5		Q2646680
Bust of a Man Wearing a Gorget and Plumed Beret	1626	Oil on panel	40 x 29.4	Private collection	6		Q21406066
History Painting	1626	Oil on panel	90 x 122	Stedelijk Museum De Lakenhal, Leiden	7	Subject still under discussion	Q13726955
David with the Head of Goliath before Saul	1626/1627	Oil on panel	27.2 x 39.6	Kunstmuseum Basel	8		Q21406179
The Baptism of the Eunuch	1626	Oil on panel	63.5 x 48	Museum Catharijneconvent, Utrecht	9	The abraded face of Philip has been unsatisfactorily retouched	Q13571486
Balaam and the Ass	1626	Oil on panel	63.2 x 46.5	Musée Cognacq-Jay, Paris	10		Q650086
Musical Allegory	1626	Oil on panel	63.4 x 47.6	Rijksmuseum Amsterdam	11		Q3686099
Tobit Accusing Anna of Stealing the Kid	1626	Oil on panel	40.1 x 29.9	Rijksmuseum Amsterdam	12		Q16610825
The Flight into Egypt	1627	Oil on panel	27.5 x 24.7	Musée des Beaux-Arts de Tours	13		Q2488726
The Rich Man from the Parable	1627	Oil on panel	31.7 x 42.5	Gemäldegalerie, Berlin	14		Q11830152
The apostle Paul in Prison	1627	Oil on panel	72.8 x 60.2	Staatsgalerie Stuttgart	15	There are darkened overpaintings on both sides of the seams of the panel	Q16622054
Simeon in the Temple	c. 1628	Oil on panel	55.4 x 43.7	Kunsthalle Hamburg	16	Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the original	Q21406189
The Foot Operation	1628	Oil on panel	31.8 x 24.4	Private collection	17		Q21549398
Rembrandt Laughing	c. 1628	Oil on copper	22.2 x 17.1	J. Paul Getty Museum, Los Angeles	18		Q20178648
Self-Portrait Study in the Mirror (the Human Skin)	c. 1627/1628	Oil on panel	42.8 x 33	Indianapolis Museum of Art	19		Q16167060
Lighting Study in the Mirror	c. 1628	Oil on panel	22.6 x 18.7	Rijksmuseum Amsterdam	20		Q3630753
Bust of a Man Wearing a Turban	c. 1628	Oil on panel	26.7 x 20.3	The Kremer collection	21		Q21473970
Interior with figures, called ‘La main chaude’	c. 1628	Oil on panel	21 x 27	National Gallery of Ireland, Dublin	22		Q21451933
Judas Repentant, Returning the Pieces of Silver	1629	Oil on panel	79 x 102.3	Private collection	23		Q21422900
The Painter in his Studio (‘Idea’)	c. 1628	Oil on panel	24.8 x 31.7	Museum of Fine Arts, Boston	24		Q3905873
The Supper at Emmaus	1629	Oil on panel	37.4 x 42.3	Musée Jacquemart-André, Paris	25		Q21401882
An Old Man Asleep by the Fire (perhaps typifying ‘Sloth’)	1629	Oil on panel	51.9 x 40.8	Sabauda Gallery, Turin	26		Q21406843
Two Old Men Disputing (St. Peter and St. Paul)	1628	Oil on panel	72.3 x 59.5	National Gallery of Victoria, Melbourne	27		Q9247900
The apostle Paul at his Writing Desk	c. 1629/1630	Oil on panel	47.2 x 38	Germanisches Nationalmuseum, Nuremberg	28	The painting is covered with a thick layer of yellowed varnish	Q21426047
Self-portrait with Plumed Beret	1629	Oil on panel	89.7 x 73.5	Isabella Stewart Gardner Museum, Boston	29		Q21409404
Self-portrait with a Gorget	c. 1629	Oil on panel	38.2 x 31	Germanisches Nationalmuseum, Nuremberg	30	The painting is covered by a layer of yellowed varnish and shows darkened retouches	Q18655609
Self-portrait Lit from the Left	1629	Oil on panel	15.5 x 12.7	Alte Pinakothek, Munich	31		Q21370789
Self-portrait	c. 1630	Oil on panel	22.2 x 16.6	Metropolitan Museum of Art, New York	32		Q19905287
Self-portrait with Beret and Gathered Shirt (‘stilus mediocris’)	1630	Oil on copper	15 x 12.2	Nationalmuseum, Stockholm	33		Q18600931
Bust of an Old Woman at Prayer (‘stilus gravis’)	c. 1630	Oil on copper	15.5 x 12.2	Residenzgalerie, Salzburg	34		Q21523408
Laughing Soldier (‘stilus humilis’)	c. 1630	Oil on copper	15.3 x 12.2	Mauritshuis, The Hague	35		Q17275997
Bust of an Old Man	1630	Oil on panel	18.2 x 17.4	Private collection	36	Reduced to an oval form, subsequently made into a rectangle by additions	Q21595893
Samson Betrayed by Delilah	c. 1628-1630	Oil on panel	61.3 x 50.1	Gemäldegalerie, Berlin	37		Q16599636
David Playing the Harp for King Saul	c. 1630	Oil on panel	62 x 50	Städel, Frankfurt am Main	38	The painting is poorly preserved in the thinner areas	Q9202853
Jeremiah Lamenting the Destruction of Jerusalem	1630	Oil on panel	58.3 x 46.6	Rijksmuseum Amsterdam	39		Q740212
St. Peter in Prison	1631	Oil on panel	59.1 x 47.8	Israel Museum, Jerusalem	40		Q3947822
Andromeda	c. 1630	Oil on panel	34.5 x 25	Mauritshuis, The Hague	41	The painting has been cropped on all sides	Q1130734
The Good Samaritan	1630	Oil on panel	24.2 x 19.8	Wallace Collection, London	42		Q21558277
Bust of an Old Man Wearing a Fur Cap	1629	Oil on panel	22.2 x 17.7	Tyrolean State Museum, Innsbruck	43		Q21449986
Oil Study of an Old Man	1630	Oil on panel	24.3 x 20.3	Agnes Etherington Art Centre, Kingston	44		Q21416535
Oil Study of an Old Man	c. 1630	Oil on panel	19.5 x 16	Statens Museum for Kunst, Copenhagen	45		Q20397433
Bust of an Old Man	c. 1630	Oil on panel	46.9 x 38.8	Mauritshuis, The Hague	46		Q17275984
Simeon in the Temple	1631	Oil on panel	60.9 x 47.9	Mauritshuis, The Hague	47		Q17275824
The Raising of Lazarus	c. 1630-1632	Oil on panel	96.2 x 81.5	Los Angeles County Museum of Art	48	The panel was originally taller	Q7759351
The Abduction of Proserpina	c. 1631	Oil on panel	84.8 x 79.7	Gemäldegalerie, Berlin	49	The panel, which was originally taller, must have been cropped at top and bottom. An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original sky	Q3930502
The Rape of Europa	1632	Oil on panel	62.2 x 77	J. Paul Getty Museum, Los Angeles	50		Q1243299
An Old Woman Reading, probably the Prophetess Anna	1631	Oil on panel	59.8 x 47.7	Rijksmuseum Amsterdam	51		Q11827829
Christ on the Cross	1631	Oil, transferred from panel to canvas and then stuck on to panel	99.9 x 72.6	Parish Church, Le Mas d'Agenais	52		Q19850660
The Artist in an Oriental Costume, with a Poodle at his Feet	1631	Oil on panel	66.5 x 52	Petit Palais, Paris	53	The dog added in late 1632 or early 1633	Q21558298
Minerva in her Study	c. 1631	Oil on panel	60.5 x 49	Gemäldegalerie, Berlin	54		Q18688698
Bust of an Old Man with a Cap and Gold Chain	c. 1631	Oil on panel	59.9 x 51.1	Private collection	55		Q21450677
A Man Wearing a Gorget and Plumed Cap	c. 1631	Oil on panel	66 x 50.8	J. Paul Getty Museum, Los Angeles	56		Q20184501
Bust of a Young Man Wearing a Plumed Cap	1631 - c. 1635	Oil on canvas	80.3 x 64.8	Toledo Museum of Art	57		Q21505461
Half-figure of a Man Wearing a Gorget and Plumed Hat	1631	Oil on panel	83.5 x 75.6	Art Institute of Chicago	58	The painting was originally 7 cm taller	Q14911808
Portrait of Nicolaes Ruts	1631	Oil on panel	116 x 87	Frick Collection, New York	59		Q3937637
Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh	1631	Oil on canvas	104.4 x 91.8	Hermitage Museum, Saint Petersburg	60	The painting originally seems to have been 9 cm taller	Q21450886
A Lady and Gentleman in Black	1632	Oil on canvas	131.5 x 109	Stolen from the Isabella Stewart Gardner Museum, Boston	61	The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reduced	Q18161363
Portrait of a Man	1632	Oil on panel	90.8 x 68.57	Kunsthistorisches Museum, Vienna	62a	Companion piece to 62b	Q21468826
Portrait of a Woman	1632	Oil on panel	90 x 68	Kunsthistorisches Museum, Vienna	62b	Rembrandt and (mainly) workshop. Companion piece to 62a	Q21468829
Portrait of a Man	1632	Oil on canvas	112 x 89	Metropolitan Museum of Art, New York	63a	Companion piece to 63b	Q20167032
Portrait of a Woman	1632	Oil on canvas	112.5 x 88.8	Metropolitan Museum of Art, New York	63b	Rembrandt and (mainly) workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself	Q20167179
Portrait of a Man Trimming his Quill	1632	Oil on canvas	101.5 x 81.5	Schloss Wilhelmshöhe, Kassel	64a	Companion piece to 64b	Q21406289
Portrait of a Woman Seated	1632	Oil on canvas	92 x 71	Academy of Fine Arts Vienna	64b	Rembrandt (and workshop?) Companion piece to 64a. The painting was cropped on all sides	Q21406458
Portrait of Princess Amalia van Solms	1632	Oil on canvas	69.5 x 54.4	Musée Jacquemart-André, Paris	65b	Companion piece to 65a: G. van Honthorst, Portrait of Prince Frederik Hendrik of Orange, 1631. The Hague, Huis ten Bosch (Dutch Royal Collection). The two paintings must originally have had identical surrounds. At a later stage 65b was cropped on all sides. The face has suffered from surface wear	Q21401888
Self-portrait as a Burger	1632	Oil on panel	64.4 x 47.6	Burrell Collection, Glasgow	66		Q21418987
Portrait of Maurits Huygens	1632	Oil on panel	31.1 x 24.5	Hamburger Kunsthalle	67		Q18642311
Portrait of Jacques de Gheyn III	1632	Oil on panel	29.9 x 24.9	Dulwich Picture Gallery, London	68		Q17343012
Self-portrait	1632	Oil on panel	21.8 x 16.3	Private collection	69		Q21596800
Portrait of Joris de Caullery	1632	Oil, canvas on panel	102.5 x 83.8	Fine Arts Museums of San Francisco	70		Q20198794
Portrait of a Young Man	1632	Oil on panel	63 x 46	Suermondt-Ludwig-Museum, Aachen	71		Q21509305
Portrait of Marten Looten	1632	Oil on panel	92.8 x 74.9	Los Angeles County Museum of Art	72		Q20887903
Portrait of a 40-year-old Man	1632	Oil on panel	75.6 x 52.1	Metropolitan Museum of Art, New York	73		Q19905235
Portrait of a 39-year-old Woman	1632	Oil on panel	74.5 x 55	Nivaagaards Malerisamling	74	The hand and the booklet were added by another painter	Q21596897
Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh	1632	Oil on panel	73.5 x 55	Private collection	75		Q21501685
The Anatomy Lesson of Dr. Tulp	1632	Oil on canvas	169.5 x 216.5	Mauritshuis, The Hague	76		Q661378
Portraits of Jean Pellicorne and his Son Casper	1632	Oil on canvas	155 x 123	Wallace Collection, London	77a	Rembrandt and (almost entirely) workshop. Companion piece to 77b	Q21470289
Portraits of Susanna van Collen and her Daughter Anna	1632	Oil on canvas	153 x 121	Wallace Collection, London	77b	Rembrandt and (in the main parts) workshop. Companion piece to 77a	Q21470281
Bust of a Young Woman	1632	Oil on panel	60.6 x 45	Private collection	78		Q18225002
Bust of a Young Woman in a Cap	1632	Oil on canvas mounted on panel	60.6 x 45	Private collection	79	Originally rectangular and larger on all sides	Q21467840
Half-figure of a Young Woman in Profile with a Fan	1632	Oil on canvas	72.5 x 54.8	Nationalmuseum, Stockholm	80	Reduced on all sides	Q18601047
Bearded Old Man	1632	Oil on panel	66.5 x 51	Fogg Museum, Cambridge	81		Q21541684
Study of an Old Man with a Gold Chain	1632	Oil on panel	59 x 46.5	Schloss Wilhelmshöhe, Kassel	82		Q21406264
The Apostle Peter	1632	Oil on canvas	81.3 x 66.2	Nationalmuseum, Stockholm	83		Q18573359
Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’)	1632	Oil on panel	152.7 x 111.1	Metropolitan Museum of Art, New York	84		Q3877599
A Scholar Near a Window (a study in ‘kamerlicht’)	1631	Oil on panel	60.8 x 47.3	Nationalmuseum, Stockholm	85		Q21416454
Interior with a Window and a Winding Staircase (a study in ‘kamerlicht’)	1632	Oil on panel	28.2 x 34.4	Musée du Louvre, Paris	86	The painting is covered with such a heavy layer of yellowed varnish that a figure of a woman on the stairs can scarcely be distinguished	Q3381192
Portrait of a Man	1638	Oil on panel	63.5 x 47.3	Herzog Anton Ulrich Museum, Braunschweig	87a	Companion piece to 87b	Q21421084
Portrait of a Woman	1638	Oil on panel	63 x 48	Herzog Anton Ulrich Museum, Braunschweig	87b	Companion piece to 87a	Q21421143
Portrait of a Man Rising from his Chair	1633	Oil on canvas	124 x 98.5	Taft Museum of Art, Cincinnati	88a	Rembrandt and (perhaps) workshop. Companion piece to 88b	Q17064836
Portrait of a Young Woman with a Fan	1633	Oil on canvas	126.2 x 100.5	Metropolitan Museum of Art, New York	88b	Companion piece to 88a	Q19911644
Portrait of Jan Rijcksen and his Wife Griet Jans	1633	Oil on canvas	111 x 166	Royal Collection	89		Q21448559
Portrait of Johannes Wtenbogaert	1633	Oil on canvas	123 x 105	Rijksmuseum Amsterdam	90	Rembrandt and workshop. The hands seem to be painted by a member of the workshop	Q17341268
Portrait of Man	1633	Oil on canvas	128.5 x 100.5	Schloss Wilhelmshöhe, Kassel	91	Rembrandt and/or workshop? Originally this portrait was probably full size	Q18602834
Portrait of a Man Wearing a Red Doublet	1633	Oil on panel	63.5 x 50.5	Private collection	92		Q21515060
Portrait of a Young Woman	1633	Oil on panel	63.5 x 47.5	Museum of Fine Arts, Houston	93		Q21468651
Bust of Saskia Smiling	1633	Oil on panel	52.5 x 44	Staatliche Kunstsammlungen Dresden	94		Q21476815
Half-length Portrait of Saskia van Uylenburgh	c. 1633-1642	Oil on panel	99.5 x 78.8	Schloss Wilhelmshöhe, Kassel	95	An 18th-century document provides evidence that the painting originally measured c. 128 x 104.5 cm and was rounded above	Q3937660
Self-portrait with Gold Chain	1633	Oil on panel	61 x 48.1	Musée du Louvre, Paris	96		Q21406865
Self-portrait with Beret and Gold Chain	1633	Oil on panel	70.4 x 54	Musée du Louvre, Paris	97		Q21406872
Bust of Young Woman	1633	Oil on panel	65 x 48	Rijksmuseum Amsterdam	98		Q17336120
Man in Oriental Costume	c. 1633-1634	Oil on canvas	98 x 74	National Gallery of Art, Washington	99	Rembrandt and pupil(?). This work was probably larger on all sides	Q20177141
A Young Woman (Esther? Judith?) at her Toilet	1633	Oil on canvas	110.5 x 94.3	National Gallery of Canada, Ottawa	100		Q21451682
Bellona	1633	Oil on canvas	127 x 97.5	Metropolitan Museum of Art, New York	101		Q19911626
Daniel Refuses to Worship the Idol Baal	1633	Oil on panel	23.4 x 30.1	J. Paul Getty Museum, Los Angeles	102		Q20178156
A Bust of an Old Man	1633	Grisaille, paper on panel	10.6 x 7.2	Private collection	103		Q21519504
Bust of a Man in Oriental Dress	1633	Oil on panel	85.8 x 63.8	Alte Pinakothek, Munich	104		Q21369078
Christ in the Storm on the Sea of Galilee	1633	Oil on canvas	160 x 128	Stolen from the Isabella Stewart Gardner Museum, Boston	105		Q2246489
The Raising of the Cross	1633	Oil on canvas	95.7 x 72.2	Alte Pinakothek, Munich	106	Part of the Passion series for Frederik Hendrik	Q21372308
The Descent from the Cross	1632/1633	Oil on panel	89.6 x 65	Alte Pinakothek, Munich	107	Part of the Passion series for Frederik Hendrik	Q568100
Joseph Telling his Dreams	1634	Grisaille, paper stuck on card	55.8 x 39.7	Rijksmuseum Amsterdam	108	Made in preparation for an unfinished printed Passion series	Q17334391
The Adoration of the Magi	1633	Grisaille, paper stuck on card(?)	44.8 x 39.1	Hermitage Museum, Saint Petersburg	109	Made in preparation for an unfinished printed Passion series	Q21597595
John the Baptist Preaching	c. 1633/1634	Grisaille, canvas (enlarged) stuck on panel	62.7 x 81.1	Gemäldegalerie, Berlin	110		Q21453215
Christ and his Disciples in Gethsemane	1634	Drawing on paper. Pen and brown ink with brown and other washes and red and black chalk	35.7 x 48.8	Teylers Museum, Haarlem	111	Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series	Q21598836
Ecce Homo	1634	Grisaille, paper on canvas	54.5 x 44.5	National Gallery, London	112	Grisaille in preparation for an unfinished printed Passion series	Q21455838
The Lamentation	c. 1633/1634	Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm	31.9 x 26.7	National Gallery, London	113	Grisaille may be fragment of the planned Passion series	Q21467280
The Entombment	1633/1634	Grisaille, panel	32.1 x 40.3	Hunterian Museum and Art Gallery, Glasgow	114	Grisaille may be fragment of the planned Passion series	Q18433275
Portrait of a Young Bachelor	1634	Oil on panel	70 x 52	Hermitage Museum, Saint Petersburg	115	The painting is covered by a layer of yellowed varnish	Q21504269
Portrait of an 83-year Old Woman (possibly Aechje Claesdr, mother of Dirck Jansz Pesser)	1634	Oil on panel	68.7 x 53.8	National Gallery, London	116		Q21469157
Portrait of Dirck Jansz Pesser	1634	Oil on panel	71 x 53	Los Angeles County Museum of Art	117a	Companion piece to 117b	Q20881403
Portret of van Haesje Jacobsdr van Cleyburgh	1634	Oil on panel	71 x 53	Rijksmuseum Amsterdam	117b	Companion piece to 117a	Q17341036
Portrait of a Man in a Broad-brimmed Hat	1634	Oil on panel	70 x 53	Museum of Fine Arts, Boston	118a	Rembrandt and mainly workshop. Companion piece to 118b	Q20557864
Portrait of a Woman	1634	Oil on panel	69.5 x 53	Museum of Fine Arts, Boston	118b	Companion piece to 118a	Q20557788
Portrait of a 41-year-old Man, possibly Pieter Sijen	1633	Oil on panel	69.3 x 54.8	Norton Simon Museum, Pasadena	119a	Companion piece to 119b	Q21467975
Portrait of a 40-year-old Woman, possibly Marretje Cornelisdr van Grotewal	1634	Oil on panel	69 x 55	Speed Art Museum, Louisville	119b	Companion piece to 119a	Q21467968
Portrait of Maerten Soolmans	1634	Oil on canvas	207 x 132.5	Joint ownership by Rijksmuseum and The Louvre	120a	Companion piece to 120b	Q19421105
Portrait of Oopjen Coppit	1634	Oil on canvas	207 x 132	Joint ownership between The Louvre and Rijksmuseum	120b	Companion piece to 120a	Q19421160
Portrait of Reverend Johannes Elison	1634	Oil on canvas	173 x 123	Museum of Fine Arts, Boston	121a	Companion piece to 121b	Q20557629
Portrait of Maria Bockenolle	1634	Oil on canvas	174.5 x 123	Museum of Fine Arts, Boston	121b	Companion piece to 121a	Q20557706
Oval Self-portrait with Shaded Eyes	1634	Oil on panel	70.8 x 55.2	Wynn Collection, Las Vegas	122		Q21519550
Self-portrait in a Cap and Fur-trimmed Cloak	1634	Oil on panel	58.3 x 47.5	Gemäldegalerie, Berlin	123	The painting is covered by a layer of yellowed varnish	Q18688868
Cupid Blowing a Soap Bubble	1634	Oil on canvas	75 x 92.62	Liechtenstein Museum, Vienna	124		Q21598760
Flora	1634	Oil on canvas	125 x 101	Hermitage Museum, Saint Petersburg	125		Q2225699
The Descent from the Cross	1634	Oil on canvas	159.3 x 116.4	Hermitage Museum, Saint Petersburg	126		Q16954398
The Incredulity of Thomas	1634	Oil on panel	53 x 50	Pushkin Museum, Moscow	127		Q11791846
Sophonisba Receiving the Poisoned Cup	1634	Oil on canvas	142 x 153	Museo del Prado, Madrid	128		Q2479220
A Scholar, Seated at a Table with Books	1634	Oil on canvas	145 x 134	National Gallery in Prague	129		Q21467323
Diana Bathing with her Nymphs, with the Stories of Actaeon and Callisto	1634	Oil on panel	73.5 x 93.5	Museum Wasserburg, Anholt	130		Q153788
The Flight into Egypt	1634	Oil on panel	52 x 40.1	Private collection	130A		Q20087572
The Holy Family	1634	Oil on canvas	195 x 132	Alte Pinakothek, Munich	131	The painting was originally probably wider than it is today	Q3944456
Portrait of Philips Lucasz	1635	Oil on panel	79.5 x 58.9	National Gallery, London	132a	Rembrandt and workshop. Companion piece to 132b	Q21470339
Portrait of Petronella Buys	1635	Oil on panel	78.8 x 65.3	Whereabouts unknown	132b	Rembrandt and workshop. Companion piece to 132a	Q21470328
Portrait of a Man in a Slouched Hat and Bandoleer	1635	Oil on canvas	78.5 x 65.7	Kawamura Memorial DIC Museum of Art, Sakura	133a	Rembrandt and/or workshop. Companion piece to 133b. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Originally rectangular and possibly also larger below	Q21475075
Portrait of a Young Woman	1635	Oil on panel	78 x 65	Cleveland Museum of Art	133b	Rembrandt and mainly workshop. Companion piece to 133a. The painting has suffered severely from overcleaning. Originally rectangular and possibly also larger below	Q21475059
Self-portrait wearing a white feathered bonnet	1635	Oil on canvas	90.5 x 71.8	Buckland Abbey	134	Rembrandt (and workshop?)	Q9011253
Self-portrait as the Prodigal Son in the Tavern	1635	Oil on canvas	161 x 131	Staatliche Kunstsammlungen Dresden	135	The reconstruction of the stretcher on the basis of the X-ray shows just how much the painting was reduced in size. The paint surface of the lower part of the remaining fragment suffered badly, such that it had to be repainted	Q1111394
Abraham's Sacrifice	1635	Oil on canvas	193.5 x 132.8	Hermitage Museum, Saint Petersburg	136	The painting is covered by a layer of yellowed varnish	Q10749451
The Rape of Ganymede	1635	Oil on canvas	177 x 130	Staatliche Kunstsammlungen Dresden	137		Q3930497
Flora	1635	Oil on canvas	123.5 x 97.5	National Gallery, London	138		Q3950662
Minerva	1635	Oil on canvas	137 x 116	Gallery Otto Naumann, New York	139		Q18655576
Samson Threatening his Father-in-law	c. 1635	Oil on canvas	159 x 131	Gemäldegalerie, Berlin	140		Q16599633
Bust of a Man in Oriental Dress	1635	Oil on panel	72 x 54.5	Rijksmuseum Amsterdam	141		Q17334207
Bust of a Bearded Old man in Fanciful Costume	1635	Oil on panel	72.5 x 62.1	Royal Collection	142		Q21469853
Belshazzar’s Feast	1635	Oil on canvas	167.6 x 209.2	National Gallery, London	143	On the basis of the pattern of cusping, it may be concluded that the painting was tilted to the left by later hands and cut to shape accordingly. This is also apparent from the edge of the table and the stream of wine poured from the jug by the woman on the right	Q1167932
Susanna Bathing	1636	Oil on panel	47.2 x 38.6	Mauritshuis, The Hague	144		Q9392174
The Ascension	1636	Oil on canvas	93 x 68.7	Alte Pinakothek, Munich	145	Part of the Passion series for Frederik Hendrik	Q21382018
Self-portrait Transformed into a ‘tronie’	c. 1633-1636	Oil on panel	56 x 47	Gemäldegalerie, Berlin	146		Q21409384
The Standard-Bearer	1636	Oil on canvas	118.8 x 96.8	Collection of Elie de Rothschild, Paris	147		Q21467444
The Blinding of Samson	1636	Oil on canvas	205 x 272	Städel, Frankfurt am Main	148		Q1211651
Danae	c. 1636 - c. 1643	Oil on canvas	185 x 203	Hermitage Museum, Saint Petersburg	149	The painting was very badly damaged in 1985	Q2294441
The Angel Raphael Leaving Tobit and his Family	1637	Oil on panel	66 x 52	Musée du Louvre, Paris	150		Q9158957
The Parable of the Labourers in the Vineyard	1637	Oil on panel	31 x 42	Hermitage Museum, Saint Petersburg	151	The paint of the figures to the right have suffered from blanching	Q11826546
River Landscape with Ruins	c. 1637 - c. 1645	Oil on panel	67 x 87.5	Schloss Wilhelmshöhe, Kassel	152	The mill together with its immediate surroundings was originally placed in a flat Dutch landscape. Rembrandt transformed it into classical mountainous landscape around 1645	Q20900612
The Concord of the State	1637	Oil on panel	74.6 x 101	Museum Boijmans Van Beuningen, Rotterdam	153	Grisaille serving as a design for a political print which was never realized	Q3686309
Self-portrait	1637	Oil on panel	64 x 49	Wallace Collection, London	154	The painting originally was larger (c. 75 x 55 cm) and rectangular. The upper corners of the background are digitally reconstructed	Q19844638
Man in Russian Costume	1637	Oil on panel	96.7 x 66.1	National Gallery of Art, Washington	155		Q9351747
Portrait of the Preacher Eleazar Swalmius	1637	Oil on canvas	132 x 109	Royal Museum of Fine Arts Antwerp	156		Q21499511
Bust of a Man with Plumed Cap	1637	Oil on panel	62.5 x 47	Mauritshuis, The Hague	157		Q17275827
The Risen Christ Appearing to Mary Magdalene	1638	Oil on panel	61 x 49.5	Royal Collection	158		Q21448755
Landscape with the Good Samaritan	1638	Oil on panel	46.5 x 66	Czartoryski Museum, Kraków	159		Q11747764
The Wedding of Samson	1638	Oil on canvas	126 x 175	Staatliche Kunstsammlungen Dresden	160		Q16614604
Woman with a Mirror	1638	Oil on panel	23.9 x 32.5	Hermitage Museum, Saint Petersburg	161		Q16580563
The Entombment	1635-1639	Oil on canvas	92.6 x 68.9	Alte Pinakothek, Munich	162	Part of the Passion series for Frederik Hendrik	Q9393528
The Resurrection	1639	Oil on canvas	92.9 x 67	Alte Pinakothek, Munich	163	Part of the Passion series for Frederik Hendrik	Q21383336
King Uzziah Stricken with Leprosy	c. 1639/1640	Oil on panel	102.8 x 78.8	Chatsworth House	164	Covered with a disturbing layer of yellowed varnish. The dark patches in Uzziah’s face are probably painted indications of his leprosy	Q11708247
Two Dead Peacocks and a Girl	1639	Oil on canvas	145 x 135.5	Rijksmuseum Amsterdam	165		Q3633621
A Dead Bittern	1639	Oil on panel	120.7 x 88.3	Staatliche Kunstsammlungen Dresden	166	The painting is covered by a layer of yellowed varnish	Q21475539
Portrait of a Man Holding a Hat	c. 1640	Oil on panel	81.4 x 71.4	Hammer Museum, Los Angeles	167	The panel has been trimmed on all sides. It belonged to a batch of equally large poplar panels, which makes it possible to speculate about the original size of the painting	Q21567649
Portrait of a Man Standing, possibly Andries de Graeff	1639	Oil on canvas	200 x 124.2	Schloss Wilhelmshöhe, Kassel	168		Q21406310
Portrait of Aletta Adriaensdr	1639	Oil on panel	64.7 x 55.3	Museum Boijmans Van Beuningen, Rotterdam	169	The heavily damaged fingers were reconstructed during a restoration in the 1960s	Q19928010
Self-portrait	1640	Oil on panel	80.5 x 62.8	Musée du Louvre, Paris	170	Rembrandt and workshop? Adaption of an earlier self-portrait	Q18226124
Bust of Young Woman	c. 1640	Oil on panel	60.5 x 49	National Gallery of Art, Washington	171		Q20177135
Self-portrait	c. 1639	Oil on panel	63 x 50.1	Norton Simon Museum, Pasadena	172		Q21481383
The Holy Family with St Anne	1640	Oil on panel	40.6 x 34	Musée du Louvre, Paris	173	The painting is covered by a layer of yellowed varnish	Q21479790
The Visitation	1640	Oil on panel	56.5 x 47.8	Detroit Institute of Arts	174		Q21479751
Landscape with a Stone Bridge	c. 1638/1640	Oil on canvas	29.5 x 42.5	Rijksmuseum Amsterdam	175		Q4211284
Mountain Landscape with Approaching Storm	1640	Oil on panel	52 x 72	Herzog Anton Ulrich Museum, Braunschweig	176		Q16913186
Portrait of Herman Doomer	1640	Oil on panel	75.2 x 55.3	Metropolitan Museum of Art, New York	177a	Companion piece to 177b	Q18760265
Portrait of Baertje Martens	1640	Oil on panel	75.1 x 55.9	Hermitage Museum, Saint Petersburg	177b	Companion piece to 177a	Q19365078
Self-portrait	c. 1640	Oil on panel	72.2 x 58.3	Thyssen-Bornemisza Museum, Madrid	178	The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself	Q18688852
Self-Portrait at the Age of 34	1640	Oil on canvas	93 x 80	National Gallery, London	179		Q3630751
Portrait of a Woman, possibly Anna Wijmer	1641	Oil on panel	99.5 x 81.5	Six Foundation, Amsterdam	180		Q21481569
Saskia as a Flora	1641	Oil on panel	98.5 x 82.5	Staatliche Kunstsammlungen Dresden	181	The paint is covered by a disturbing yellowed layer of varnish	Q16599937
Oil Study of a Woman Lit Obliquely from Behind	1640	Oil on panel	46.5 x 37.5	Private collection	182		Q21597679
Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten	1641	Oil on canvas	176 x 210	Gemäldegalerie, Berlin	183		Q3937500
Portrait of Maria Trip	1641(?)	Oil on canvas	107 x 82	Rijksmuseum Amsterdam	184b	Rembrandt and the painter of 184a. Companion piece to 184a: Rembrandt workshop, Portrait of a man (Balthasar Coymans?). 1641 (?). Private collection	Q4373336
A Scholar at a Writing Desk	1641	Oil on panel	104 x 76	Royal Castle, Warsaw	185		Q9364415
Girl in Fanciful Costume in a Picture Frame	1641	Oil on panel	104 x 76	Royal Castle, Warsaw	186		Q11695670
Portrait of Nicolas van Bambeeck in a Picture Frame	1641	Oil on canvas	108.8 x 83.3	Royal Museums of Fine Arts of Belgium, Brussels	187a	Companion piece to 187b	Q21449656
Portrait of Agatha Bas in a Picture Frame	1641	Oil on canvas	104 x 82	Royal Collection	187b	Companion piece to 187a	Q3937450
David’s Parting from Jonathan	1642	Oil on panel	73 x 61	Hermitage Museum, Saint Petersburg	188		Q5800462
Self-Portrait	1642	Oil on panel	69.9 x 58.4	Royal Collection	189	The costume and the hand are largely overpainted by a much later hand	Q21448628
The Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburch (Night Watch)	1642	Oil on canvas	363 x 438	Rijksmuseum Amsterdam	190	Actually: ‘The painting in the great hall of the Kloveniers Doelen in which the young Lord of Purmerland [Frans Banninck Cocq] as Captain, gives the order to his Lieutenant, the Lord of Vlaerdingen [Willem van Ruytenburgh] to march off his Company of Citizens’, as the painting is called in the family album of Frans Banninck Cocq. The painting has been cropped on all four sides	Q219831
Portrait of a Man with a Hawk	1643	Oil on canvas	114 x 97.3	Private collection	191a	Rembrandt and workshop. Companion piece to 191b	Q21500921
Portrait of a Woman with a Fan	1643	Oil on canvas	114.5 x 98	Private collection	191b	Rembrandt and (mainly) workshop. Companion piece to 191a	Q21500923
An Old Man in Rich Costume (Boaz?)	1643	Oil on panel	72.5 x 58.5	Woburn Abbey	192	Possibly companion piece to 193. The series of curved cracks in the panel and paintlayer are typical for paintings on mahogany panels	Q16913143
Bust of a Woman (Ruth?)	1643	Oil on panel	72 x 59	Gemäldegalerie, Berlin	193	Possibly companion piece to 192. The darker parts of the costume were originally lighter and more colourful	Q16913142
Sarah Waiting for Tobias	1643	Oil on canvas	81.2 x 67.9	National Gallery of Scotland, Edinburgh	194		Q3766161
Portrait of a Man with a Steel Gorget	1644	Oil on canvas	94.3 x 77.8	Metropolitan Museum of Art, New York	195	Cropped along the bottom edge	Q19911900
Christ and the Woman Taken in Adultery	1644	Oil on panel	83.8 x 65.4	National Gallery, London	196		Q570163
A Weeping Woman	c. 1644	Oil on panel	21.3 x 16.8	Detroit Institute of Arts	197	Oil sketch in preparation for 196	Q18746675
The Holy Family with Angels	1645	Oil on canvas	117 x 91	Hermitage Museum, Saint Petersburg	198	Strips of canvas of considerable width are missing on the side and top edges	Q3944474
Self-portrait with Beret and Red Cloak	c. 1645/1648	Oil on panel	73.5 x 59.6	Staatliche Kunsthalle Karlsruhe	199	The size of this painting has been altered several times, as has its format (from rectangular to oval to rectangular to oval again)	Q21409402
Girl Leaning on a Stone Window Sill	1645	Oil on canvas	81.6 x 66	Dulwich Picture Gallery, London	200		Q11824948
Tobit and Anna	1645	Oil on panel	20 x 27	Gemäldegalerie, Berlin	201		Q21480254
Joseph's Dream in the Stable at Bethlehem	1645	Oil on panel	20.7 x 27.8	Gemäldegalerie, Berlin	202		Q16600465
Old Man with Fur Coat	1645	Oil on panel	110 x 82	Gemäldegalerie, Berlin	203	The painting was probably cropped on all sides. It may well have had the same size as 204	Q21485733
Old Man with a Stick	1645	Oil on canvas	128 x 112	Museu Calouste Gulbenkian, Lisbon	204		Q21484378
Landscape with a Castle	1645	Oil on panel	44.5 x 70	Musée du Louvre, Paris	205	Unfinished	Q18397036
The Mill	c. 1645	Oil on canvas	87.6 x 105.6	National Gallery of Art, Washington	206	In the painting in its present state the mill is tilted forward	Q3224802
Winter Landscape	1646	Oil on panel	17 x 23	Schloss Wilhelmshöhe, Kassel	207		Q21406281
Abraham Serving the Three Angels	1646	Oil on panel	16 x 21	Private Collection	208		Q9138433
The Holy Family with Painted Frame and Curtain	1646	Oil on panel	46.8 x 68.4	Schloss Wilhelmshöhe, Kassel	209	Rembrandt or pupil. The painting is covered by a layer of yellowed varnish	Q21406322
The Prophetess Anna in the Temple	1650 or c. 1646	Oil on panel	40.5 x 31.5	National Gallery of Scotland, Edinburgh	210	The painting is covered by a layer of yellowed varnish	Q21503254
The Nativity	1646	Oil on canvas	92 x 71	Alte Pinakothek, Munich	211a	Part of the Passion series for Frederik Hendrik. 211b. Studio copy after a lost Circumcision (which was part of the Passion series for Frederik Hendrik), in or after 1646. Braunschweig, Herzog Anton Ulrich Museum	Q11821341
Saul and David	c. 1645 and c. 1652	Oil on canvas	130 x 164.5	Mauritshuis, The Hague	212	The painting originally was considerable larger. A vertical strip, wide c. 20 cm is missing to the left of David’s harp. Along the bottom the painting was c. 18 cm larger. The top right square piece of canvas above David was replaced by a fragment of a seventeenth century painting and overpainted	Q9074913
Susanna and the Elders	c. 1638-1647	Oil on panel	76.6 x 92.8	Gemäldegalerie, Berlin	213	The painting is covered by a layer of yellowed varnish	Q16913597
Nocturnal Landscape with the Holy Family	1647	Oil on panel	33.8 x 47.8	National Gallery of Ireland, Dublin	214		Q21451906
Preparatory Oil Sketch for the Etched Portrait of Dr Ephraim Bueno	c. 1647	Oil on panel	19 x 15	Rijksmuseum Amsterdam	215		Q17335740
Portrait of a Man Reading by Candlelight	1648	Oil on canvas	66.5 x 58	Clark Art Institute, Williamstown	216		Q21598351
Oil Study of Christ	c. 1648	Oil on panel	25 x 20	Gemäldegalerie, Berlin	217a	Rembrandt or pupil. Companion piece to 217b	Q1304358
Oil Study of Christ	1648	Oil on panel	25.5 x 20.1	Private collection	217b	Rembrandt or pupil. Companion piece to 217a	Q21518246
The Supper at Emmaus	1648	Oil on panel	68 x 65	Musée du Louvre, Paris	218	The panel, whose grain runs horizontally, may have extended further on the left where there could have been a window	Q1241088
Christ Appearing to Mary Magdalene, ‘Noli me tangere’	1650 or slightly later	Oil on canvas	65 x 79	Herzog Anton Ulrich Museum, Braunschweig	219	The painting is in an extremely bad condition and shows disturbing blanching in places	Q21487137
Girl at a Window	1651	Oil on canvas	78 x 63	Nationalmuseum, Stockholm	220		Q18089111
An Old Man in an Armchair	1652	Oil on canvas	111 x 88	National Gallery, London	221		Q21526842
An Old Man in Fanciful Costume	1651	Oil on canvas	78.5 x 67.5	Chatsworth House	222	The painting was originally taller. It is covered by a disturbing layer of yellowed varnish	Q21502401
Hendrickje with Fur Wrap	c. 1652	Oil on canvas	103.3 x 86.5	National Gallery, London	223		Q21500197
The So-called Large Vienna Self-portrait with Beret	1652	Oil on canvas	112.1 x 81	Kunsthistorisches Museum, Vienna	224	The painting has been cropped both at top left and bottom. It is covered by a disturbing layer of yellowed varnish	Q7448288
Portrait of a Man	c. 1651	Oil on canvas	92.5 x 73.5	Faringdon Collection, Oxfordshire	225		Q21485255
Portrait of Nicolaes Bruyningh	1652	Oil on canvas	106.8 x 91.5	Schloss Wilhelmshöhe, Kassel	226	The painting is covered by a layer of yellowed varnish	Q21402239
Half-figure of a Bearded Man with Beret	c. 1653	Oil on canvas	78 x 66.5	National Gallery, London	227		Q21597686
Aristotle with a Bust of Homer	1653	Oil on canvas	141.8 x 134.4	Metropolitan Museum of Art, New York	228	The painting was larger at both top and bottom. The original proportions of the canvas were 4:3	Q2404992
A Woman Wading in a Pool (Callisto in the Wilderness)	1654	Oil on panel	61.8 x 47	National Gallery, London	229		Q3766162
Oil Study of an Old Man with a Red Hat	c. 1654	Oil on canvas	52.4 x 37	Gemäldegalerie, Berlin	230	The painting is covered by a disturbing layer of darkened varnish	Q21518570
Bathsheba at her Toilet	1654	Oil on canvas	142 x 142	Musée du Louvre, Paris	231	The canvas was originally considerably higher and wider at the left. Strips are missing from the bottom and right. In the process of changing the format of the painting the remaining part with the figures was slightly tilted to the left	Q32496
Woman at an Open Half-door	c. 1654	Oil on canvas	88.5 x 67	Gemäldegalerie, Berlin	232	The painting is covered by a disturbing layer of yellowed varnish	Q16590326
Portrait of Jan Six	1654	Oil on canvas	112 x 102	Six Foundation, Amsterdam	233		Q3937582
The Standard-Bearer (Floris Soop)	1654	Oil on canvas	138 x 113	Metropolitan Museum of Art, New York	234		Q18649144
Self-portrait	1654	Oil on canvas	72 x 58.5	Schloss Wilhelmshöhe, Kassel	235a	Companion piece to 235b	Q19844627
Portrait of Hendrickje Stoffels	c. 1654	Oil on canvas	72 x 60	Musée du Louvre, Paris	235b	Companion piece to 235a	Q21418803
The Polish Rider	c. 1655	Oil on canvas	116.8 x 134.9	Frick Collection, New York	236	Partly unfinished, locally completed by later hand. At least 8-10 cm of the canvas are missing at the right. Along the bottom a strip of c. 10 cm was lost at some stage and subsequently replaced by a reconstruction painted by the restorer William Suhr	Q3663892
Joseph Accused by Potiphar’s Wife	1655	Oil on canvas	110 x 87	Gemäldegalerie, Berlin	237	With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt	Q16913576
Oil Sketch of an Old Man	c. 1655	Oil on panel	23 x 18	Private collection	238		Q21559229
Man in Armour	c. 1655	Oil on canvas	137.5 x 104.5	Kelvingrove Art Gallery and Museum, Glasgow	239	The canvas has been enlarged on all four sides	Q18759548
Slaughtered Ox	1655	Oil on panel	95.5 x 69	Musée du Louvre, Paris	240		Q3646498
Old Woman Reading (Study in Lighting Effects)	1655	Oil on canvas	79 x 65	Drumlanrig Castle, Thornhill	241		Q21418775
Titus at a Desk	1655(?)	Oil on canvas	77 x 63	Museum Boijmans Van Beuningen, Rotterdam	242		Q16612320
Unfinished Portrait of a Boy	c. 1656	Oil on canvas	65 x 56	Norton Simon Museum, Pasadena	243		Q21481447
Man with Beret and Tabard (a Falconer?)	1656	Oil on canvas	115 x 88.3	Toledo Museum of Art	244	The painting must originally have extended considerably further to the right	Q21519866
Jacob Blessing the Sons of Joseph	1656	Oil on canvas	175 x 210.5	Schloss Wilhelmshöhe, Kassel	245		Q1679544
The Anatomy Lesson of Dr. Jan Deyman	1656	Oil on canvas	100 x 134	Amsterdam Museum	246	Fragment that survived a fire. Blisters and traces of other fire-damage are still visible along the upper edge and in the hands of the dissector, Dr Deyman	Q2252345
Young Man Seated at a Table	c. 1656	Oil on canvas	109.9 x 89.5	National Gallery of Art, Washington	247		Q20177567
Portrait of a Gentleman with a Pair of Gloves	c. 1656	Oil on canvas	99.5 x 82.5	National Gallery of Art, Washington	248a	Companion piece to 248b. The painting (and its companion piece) seems to be a fragment of a full-size portrait	Q20177419
Portrait of a Lady with an Ostrich Feather Fan	c. 1656	Oil on canvas	99.5 x 83	National Gallery of Art, Washington	248b	Companion piece to 248a	Q20177427
Portrait of a Man, possibly Arnout Tholincx	1656	Oil on canvas	76 x 63	Musée Jacquemart-André, Paris	249		Q21401849
Portrait of poet Jeremias de Decker	1656	Oil on panel	71 x 56	Hermitage Museum, Saint Petersburg	250		Q17561117
Venus and Cupid	c. 1657	Oil on canvas	110 x 88	Musée du Louvre, Paris	251	Possibly part of a tripartite series with 252 and 253. The canvas has been cropped on all sides	Q21499498
Juno	c. 1657-1665	Oil on canvas	127 x 106	Hammer Museum, Los Angeles	252	Possibly part of a tripartite series with 251 and 253	Q21500872
Pallas Athene	c. 1657	Oil on canvas	118 x 91	Museu Calouste Gulbenkian, Lisbon	253	Rembrandt and pupil. Possibly part of a tripartite series with 251 and 252. The canvas has been reduced at the left and bottom	Q3610098
The Apostle Paul at his Writing Desk	1657	Oil on canvas	129 x 102	National Gallery of Art, Washington	254	Rembrandt and workshop	Q20177450
The Apostle Bartholomew	1657	Oil on canvas	122.7 x 99.5	Timken Museum of Art, San Diego	255		Q21520257
The So-called Small Vienna Self-portrait	c. 1657	Oil on panel	48.9 x 40.2	Kunsthistorisches Museum, Vienna	256	Serious overcleaning and related overpaintings are evident in the shaded part of the face and in the costume. The painting appears to be a fragment of a considerably larger self-portrait	Q21503301
Portrait of Titus van Rijn	1657	Oil on canvas	67.3 x 55.2	Wallace Collection, London	257	The figure may have been placed before a larger, rather lively background	Q21402035
Portrait of Catharina Hooghsaet	1657	Oil on canvas	123.5 x 95	Penrhyn Castle, Gwynedd	258		Q16913601
Portrait of an Unknown Scholar (also known as ‘The Auctioneer’)	1658	Oil on canvas	108 x 85	Metropolitan Museum of Art, New York	259		Q19905155
Preparatory Oil Sketch for the Etched Portrait of Lieven Willemsz van Coppenol	In or before 1658	Oil on panel	35.6 x 28	Metropolitan Museum of Art, New York	260	See etching B283	Q19905364
Portrait of a Man with Arms Akimbo	1658	Oil on canvas	107.4 x 87	Agnes Etherington Art Centre, Kingston	261		Q1986539
The Risen Christ	c. 1658	Oil on canvas	81 x 64	Alte Pinakothek, Munich	262	The painting was not originally oval	Q21477542
Portrait of Dirck van Os	c. 1658	Oil on canvas	113.5 x 88.7	Joslyn Art Museum, Omaha	263		Q17064881
Self-portrait	1658	Oil on canvas	131 x 102	Frick Collection, New York	264		Q3630750
Philemon and Baucis	1658	Oil, transferred from panel to gauze and then stuck on a new panel	54.5 x 68.5	National Gallery of Art, Washington	265		Q20177472
Tobit and Anna	1659	Oil on canvas	41.8 x 54.6	Museum Boijmans Van Beuningen, Rotterdam	266		Q19925707
Moses Smashes the Stone Tablets with the Covenant	1659	Oil on canvas	168.5 x 136.5	Gemäldegalerie, Berlin	267	Unfinished	Q325267
Jacob Wrestling with the Angel	c. 1659	Oil on canvas	137 x 116	Gemäldegalerie, Berlin	268	The painting must have been cropped on all sides. A piece of the same canvas bearing Rembrandt’s signature is stuck on the lower right corner. Many of the contours have been strengthened by a later hand	Q9370562
Posthumous Portrait of Saskia van Uylenburgh as Flora	c. 1660	Oil on canvas	100 x 91.8	Metropolitan Museum of Art, New York	269	Rembrandt (and workshop?)	Q3784800
Portrait of a Man as the Apostle Paul	1659	Oil on canvas	102 x 85.5	National Gallery, London	270		Q21519561
Oil Sketch for 272	c. 1659	Oil on canvas	68.5 x 55.5	Statens Museum for Kunst, Copenhagen	271		Q19973906
‘Portrait Historié’ of an Unknown Gentleman as St Bavo	c. 1659	Oil on canvas	98.5 x 79	Gothenburg Museum of Art	272		Q21501589
Self-portrait	1657/1659	Oil on canvas	50 x 42.5	National Gallery of Scotland, Edinburgh	273		Q21520005
Self Portrait with Beret and Turned-Up Collar	1659	Oil on canvas	84.4 x 66	National Gallery of Art, Washington	274		Q2872723
Self-portrait	c. 1659	Oil on canvas	30.7 x 24.3	Musée Granet, Aix-en-Provence	275	Unfinished	Q21597702
Lighting Study with an Old Man as a Model	1659	Oil on panel	38.1 x 26.8	Daniel and Linda Bader Collection, Milwaukee	276		Q21523399
Lighting Study with Hendrickje Stoffels in a Silk Gown as a Model	c. 1659	Oil on panel	72.5 x 51.5	Städel, Frankfurt am Main	277	A narrow strip is missing along the left side, a consequence of woodworm attack. The painting is covered with a yellowed varnish	Q21515049
Hendrickje Stoffels	c. 1660	Oil on canvas	78.4 x 68.9	Metropolitan Museum of Art, New York	278	The painting is in a badly overcleaned and abraded condition	Q19911539
Titus van Rijn as St Francis	c. 1660	Oil on canvas	79.5 x 67.5	Rijksmuseum Amsterdam	279		Q768333
A Smiling Young Man (Titus)	1660	Oil on canvas	81.5 x 78.5	Baltimore Museum of Art	280		Q21550057
Self-portrait at an Easel	1660	Oil on canvas	110.9 x 90.6	Musée du Louvre, Paris	281		Q5712851
Rembrandt: Self Portrait	1660	Oil on canvas	81 x 67.6	Metropolitan Museum of Art, New York	282		Q7311573
Assuerus, Haman, and Esther	Between c. 1655 and 1665	Oil on canvas	71.5 x 93	Pushkin Museum, Moscow	283		Q2589202
The Denial of Peter	1660	Oil on canvas	154 x 169	Rijksmuseum Amsterdam	284	The canvas was reduced on the right. W286 was painted on part of the trimmed piece	Q3874247
Lighting Study of an Old Man in Profile	c. 1661	Oil on panel	24.8 x 19.1	Agnes Etherington Art Centre, Kingston	285	Probably painted in preparation for 286	Q21523379
The Circumcision in the Stable	1661	Oil on canvas	56.5 x 75	National Gallery of Art, Washington	286		Q20177576
The Virgin of Sorrow	1661	Oil on canvas	107 x 81	Musée départemental d'Art ancien et contemporain, Epinal	287		Q21523425
Titus Posing for a Study of an Angel	c. 1661	Oil on panel	40.6 x 34.9	Detroit Institute of Arts	288	Possibly painted in preparation for 289	Q21551494
St. Matthew and the Angel	1661	Oil on canvas	96 x 81	Musée du Louvre, Paris	289	Part of a series with 290-294	Q9396869
The Apostle Bartholomew	1661	Oil on canvas	87.5 x 75	J. Paul Getty Museum, Los Angeles	290	Part of a series with 289, 291-294	Q20178712
The Apostle Simon	1661	Oil on canvas	98.5 x 79	Kunsthaus Zürich	291	Part of a series with 289, 290 and 292-294	Q21523455
The Apostle James the Greater	1661	Oil on canvas	92.1 x 74.9	Whereabouts unknown	292	Part of a series with 289-291 and 293, 294	Q21520205
The Apostle James the Less, or Christ with a Staff	1661	Oil on canvas	94.5 x 81.5	Metropolitan Museum of Art, New York	293	Part of a series with 289-292 and 294	Q19911565
Self-portrait as the Apostle Paul	1661	Oil on canvas	93.2 x 79.1	Rijksmuseum Amsterdam	294	Part of a series with 289-293	Q2267759
Two Moors	1661	Oil on canvas	77.8 x 64.5	Mauritshuis, The Hague	295	The paint surface is severely worn. The painting has been cropped to the right and bottom	Q17276026
The Small Margaretha de Geer	1661	Oil on canvas	73.5 x 60.7	National Gallery, London	296	Sketch for 297b	Q21502392
Portrait of Jacob Trip	c. 1661	Oil on canvas	130.5 x 97	National Gallery, London	297a	Companion piece to 297b	Q21500675
Portrait of Margaretha de Geer	c. 1661	Oil on canvas	130.5 x 97	National Gallery, London	297b	Companion piece to 297a	Q21500701
The Conspiracy of the Batavians under Claudius Civilis	c. 1661-1662	Oil on canvas	196 x 309	Nationalmuseum, Stockholm	298	Fragment	Q2234397
Portrait of the Syndics of the Amsterdam Clothmakers’ Guild, known as the ‘Staalmeesters’	1662	Oil on canvas	191.5 x 279	Rijksmuseum Amsterdam	299		Q1170480
Portrait of a Young Man	c. 1662	Oil on canvas	80 x 64.7	Nelson-Atkins Museum of Art, Kansas City	300		Q21520403
Homer Dictating his Verses	1663	Oil on canvas	108 x 82.4	Mauritshuis, The Hague	301	Made as part of a tripartite series with W228 and a lost Alexander the Great. In the right lower corner part of the manuscript, fingertips with pen and rim of the inkwell of a scribe	Q11710021
Self-portrait as the Laughing Zeuxis while Painting an Old Woman	1663	Oil on canvas	82.5 x 65	Wallraf-Richartz Museum, Cologne	302	Cropped on all four sides; the upper left and right corners are later additions	Q2267594
Equestrian Portrait of Frederick Rihel	1663	Oil on canvas	294.5 x 241	National Gallery, London	303	Rembrandt and workshop. The horse is painted by a different painter, possibly Titus van Rijn	Q21499502
Bust of a Bearded Young Man with a Skullcap	1663	Oil on canvas	65.8 x 57.5	Kimbell Art Museum, Fort Worth	304		Q21526169
Portrait of a Woman with a Lapdog	c. 1665	Oil on canvas	81 x 64	Art Gallery of Ontario, Toronto	305	The originally more differentiated background is overpainted with black	Q18225459
Old Man in an Armchair, possibly a portrait of Jan Amos Comenius	c. 1665	Oil on canvas	104 x 86	Uffizi, Florence	306	Covered with remnants of darkened varnish	Q21469930
Titus Reading (study in direct and reflected light)	c. 1660/1665	Oil on canvas	70.5 x 64	Kunsthistorisches Museum, Vienna	307		Q21491919
Portrait of Gerard de Lairesse	1665	Oil on canvas	112 x 87	Metropolitan Museum of Art, New York	308		Q20183551
Portrait of Jan Boursse, Sitting by a Stove	c. 1666	Oil on panel	47 x 40.5	Museum Oskar Reinhart ‘Am Römerholz’, Winterthur	309	Probably painted in preparation of an unrealized etched portrait. The painting has suffered heavily from overcleaning and wear and is covered with a thick layer of yellowed varnish	Q21528774
A Presumed Sketch for the Male Sitter in the ‘Jewish Bride’	mid-1660s	Oil on panel	38.4 x 31.1	Metropolitan Museum of Art, New York	310		Q19905221
Portrait of a Man with a Magnifying Glass, possibly Pieter Haaringh	1665	Oil on canvas	91.4 x 74.3	Metropolitan Museum of Art, New York	311a	Companion piece to 311b	Q19904868
Portrait of a Woman with a Carnation, possibly Lysbet Jansdr Delft	1665	Oil on canvas	92.1 x 74.6	Metropolitan Museum of Art, New York	311b	Companion piece to 311a	Q19911714
‘Portrait Historié’ of a Couple as Isaac and Rebecca (known as ‘The Jewish Bride’)	c. 1665	Oil on canvas	121.5 x 166.5	Rijksmuseum Amsterdam	312	Originally the painting was larger	Q766782
Family Portrait	c. 1665	Oil on canvas	126 x 167	Herzog Anton Ulrich Museum, Braunschweig	313		Q3937684
Lucretia	1666	Oil on canvas	111 x 95	Minneapolis Institute of Arts	314	Both hands have been (clumsily) overpainted by a later painter	Q16913570
Portrait of a White-haired Man	1667	Oil on canvas	108.9 x 92.7	National Gallery of Victoria, Melbourne	315		Q20422149
Portrait of an Elderly Man Seated, possibly Pieter de la Tombe	1667	Oil on canvas	81.9 x 67.7	Mauritshuis, The Hague	316		Q17276280
Portrait of Titus van Rijn	1668	Oil on canvas	72 x 56	Musée du Louvre, Paris	317	Companion piece to 318?	Q20651198
Portrait of a Young Woman, possibly Magdalena van Loo	1668	Oil on canvas	56 x 47	Montreal Museum of Fine Arts	318	Companion piece to 317? Cropped on all four sides	Q18522895
Self Portrait with Two Circles	c. 1665/1669	Oil on canvas	114.3 x 94	Kenwood House, London	319	Unfinished	Q2872725
The Return of the Prodigal Son	c. 1660/1665	Oil on canvas	262 x 206	Hermitage Museum, Saint Petersburg	320	Rembrandt and other hand(s). A 10 cm wide strip has been added or replaced along the right edge	Q512755
Self-Portrait at the Age of 63	1669	Oil on canvas	86 x 70.5	National Gallery, London	321		Q3630743
Self-portrait with Beret	1669	Oil on canvas	71 x 54	Uffizi, Florence	322	Strips of c. 15 cm may have been removed on all four sides as early as the seventeenth century to accommodate the painting in an assemblage of self-portraits owned by the Medici family. The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings	Q18226128
Self-portrait	1669	Oil on canvas	63.5 x 57.8	Mauritshuis, The Hague	323	A strip of c. 10 cm is missing from the bottom	Q17276109
Simeon’s Song of Praise	1669	Oil on canvas	98.5 x 79.5	Nationalmuseum, Stockholm	324	This painting remained unfinished in his studio after Rembrandt’s death. The woman (Mary?) was probably added later by another hand. Still later, the painting was so crudely treated that it is now a ruin	Q9344513

Sources

Wikimedia Commons has media related to A Corpus of Rembrandt Paintings VI.

A Corpus of Rembrandt Paintings I (1625–1631). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1982. ISBN 978-90-247-2614-1.
A Corpus of Rembrandt Paintings II (1631-1634). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1986. ISBN 978-90-247-3339-2.
A Corpus of Rembrandt Paintings III (1635-1642). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J., van de Wetering, E. (Ed.). 1990. ISBN 978-90-247-3781-9
A Corpus of Rembrandt Paintings IV (Self-Portraits). van de Wetering, Ernst (Ed.). Springer. 2005. ISBN 978-1-4020-3280-6.
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0.
A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited - A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.

Rembrandt

List of works: drawings, prints/etchings, and paintings (including self-portraits)

Paintings	The Raising of Lazarus The Senses (1624–25) The Stoning of Saint Stephen (1625) History Painting (1626) Balaam and the Ass (1626) The Baptism of the Eunuch (1626) The Artist in his Studio (1628) Self-Portrait (1629) Andromeda Chained to the Rocks (1631) The Anatomy Lesson of Dr. Nicolaes Tulp (1631) Old Man with a Gold Chain (c. 1631) Jacob de Gheyn III (1632) Philosopher in Meditation (1632) The Abduction of Europa (1632) Portrait of a Man Rising from His Chair (1633) The Storm on the Sea of Galilee (1633) ² Descent from the Cross (1633) Joseph and Potiphar's Wife (1634) Diana Bathing with her Nymphs with Actaeon and Callisto (1634) Flora (1634) Artemisia (1634) Pendant portraits of Maerten Soolmans and Oopjen Coppit (1634) Descent from the Cross (1634) Self-Portrait Wearing a White Feathered Bonnet (1635) Belshazzar's Feast (1635) The Prodigal Son in the Brothel (c. 1635) The Abduction of Ganymede (1635) Danaë (1636) The Blinding of Samson (1636) A Polish Nobleman (1637) The Stone Bridge (1637) Portrait of Maria Trip (1639) The Night Watch (1642) Boaz and Ruth (1643) The Woman Taken in Adultery (1644) The Mill (1645–48) The Holy Family with Angels (1645) Susanna and the Elders (1647) Head of Christ (1648) The Kitchen Maid (1651) Descent from the Cross (1650–52) Self-Portrait (1652) Aristotle with a Bust of Homer (1653) Bathsheba at Her Bath (1654) Virgin and Child with a Cat (1654) Portrait of Jan Six (1654) The Polish Rider (1655) ¹ The Anatomy Lesson of Dr. Deijman (1656) Portrait of Catharina Hooghsaet (1657) Portrait of a Foreign Admiral (1658) Self-Portrait (1658) Moses Breaking the Tablets of the Law (1659) Self-Portrait with Beret and Turned-Up Collar (1659) Self-Portrait (1660) Ahasuerus and Haman at the Feast of Esther (1660) The Denial of Saint Peter (1660) Titus as a Monk (1660) The Conspiracy of Claudius Civilis (1661) St. Matthew and the Angel (1661) Self-Portrait as the Apostle Paul (1662) Portrait of Dirck van Os (circa 1662) Self-Portrait as Zeuxis Laughing (1662) Syndics of the Drapers' Guild (1662) The Jewish Bride (1664) Lucretia (1664) Self-Portrait with Two Circles (1665–69) The Return of the Prodigal Son (1662–69) Lucretia (1666)

Drawings and prints (etchings)	Goldweigher's Field Hundred Guilder Print Joseph and Potiphar's Wife The Three Crosses Virgin and Child with a Cat

Catalogs raisonné	1908 1935 1968 1986 2014

Other	Dutch Golden Age painting (Dutch Masters) Dutch School (painting) Rembrandt lighting Tronie Naturalism (art) Old master print Flemish Baroque painting Caravaggisti Chiaroscuro

Scholarship	Rembrandt Research Project Samuel van Hoogstraten Joachim von Sandrart Arnold Houbraken Otto Benesch Cornelis Hofstede de Groot Julius Held Nigel Konstam Simon Schama Gary Schwartz Seymour Slive Wilhelm Valentiner Ernst van de Wetering Wilhelm von Bode

Related	Saskia van Uylenburgh (wife) Titus van Rijn (son) Geertje Dircx Hendrickje Stoffels Jacob Isaacsz. van Swanenburg Pieter Lastman Jan Lievens Constantijn Huygens Hendrick van Uylenburgh Jan Six Pupils and followers

Public collections	Rembrandt House Museum Rijksmuseum Amsterdam Mauritshuis Kupferstichkabinett Berlin British Museum Metropolitan Museum of Art Frick Collection

Exhibitions	Rembrandt: ein Genie auf der Suche / Rembrandt: The Quest of a Genius Rembrandt in Southern California Rembrandt: The Late Works (National Gallery London)

Wikimedia	Rembrandt at Wikiquote Rembrandt at Wikimedia Commons

Cultural depictions and portrayals	Rembrandt (1936 film) Rembrandt (1940 film) Rembrandt (1942 film) Rembrandt: A Self-Portrait (1954 documentary film) The Anatomy Lesson (1995 novel) Rembrandt's Whore (2003 novel) Stealing Rembrandt (2003 film) Nightwatching (2007 film) Rembrandt's J'Accuse (2008 documentary) I Am Rembrandt's Daughter (2008 novel) The Rembrandt Affair (2010 novel) The Anatomy Lesson (2014 novel) Rembrandt's Mirror (2015 novel)

Recognitions	Rembrandtplein Rembrandt (crater) Rembrandt (train)

¹ Contested ² Long-lost

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List of paintings by Rembrandt

See also

Sources