List of large sensor interchangeable-lens video cameras
List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.
Digital video cameras
Brand | Camera | Sensor size | Lens Mount | Recording media[1] | Codec | Maximum video resolution | ISO range | Dynamic range (at native/peak ISO) | Shutter type | Anamorphic shooting | Internal filters | Frame rate(s−1) |
---|---|---|---|---|---|---|---|---|---|---|---|---|
AJA Video Systems | Cion[2] |
22.5 x 11.9 mm | Arri PL | AJA Video Systems Pak Media, HD-SDI recorder, Thunderbolt recorder | 12-bit 4:4:4 ProRes (internal recording) AJA RAW (Thunderbolt recorders) |
4096 x 2160 | 320 - 1000 | 12 stops (per manufacturer)[3] 8.2 stops (usable)[4] |
Global[5] | None | Optical low pass, IR | 23.98 - 120 |
Arri | Alexa[6] Alexa Plus |
23.76 x 13.37 mm | Arri PL | SxS card, T-link recorder (optional XR module upgrade)[7] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 1620 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade)[8] |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8)[9] | Rolling | None by default, 2x and 1.33x desqueeze with license[10] | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license)[11] |
Arri | Alexa Plus 4:3[12] Alexa M |
23.76 x 17.82 mm | Arri PL | SxS card, T-link recorder (optional XR module upgrade)[7] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 2160 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade)[8] |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze[10] | Optical low pass, IR, UV | 0.75 - 120[11] |
Arri | Alexa Studio | 23.76 x 17.82 mm | Arri PL | SxS card, T-link recorder (optional XR module upgrade)[7] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 1620 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade)[8] |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze[10] | Optical low pass, IR, UV, ND 0.6-1.3[13] | 0.75 - 120[11] |
Arri | Alexa HD Alexa HD Plus[14] |
23.76 x 13.37 mm | Arri PL | SxS card | 12-bit 4444 ProRes, 10-bit DNxHD (with license) | 1920 x 1080 | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | None by default, 2x and 1.33x desqueeze with license[10] | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license)[11] |
Arri | Alexa Mini[15] | 28.17 x 18.13 mm | Arri PL, EF, B4 (interchangeable) | CFast 2.0 card, SDI-6G recorders | 12-bit 4444 ProRes XQ, ARRIRAW | 2880 x 2160 (ARRIRAW) 3164 x 1778 (ProRes) 3840 x 2160 (In-camera upscaled ProRes)[16] |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 | 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders) |
Arri | Alexa SXT[17] Alexa SXT Plus |
28.17 x 18.13 mm[18] | Arri PL | SXR drive | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze[19] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[20] | 0,75 - 120 |
Arri | Alexa SXT Studio[21] | 28.17 x 18.13 mm[18] | Arri PL | SXR drive | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze[22] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[20] | 0,75 - 120 |
Arri | Alexa XT[14] Alexa XT Plus Alexa XT M |
28.17 x 18.13 mm[18] | Arri PL | XR drive (optional SXR module upgrade, excluding Alexa XT M)[23] | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW)[18] 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze[24] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[20] | 0,75 - 120 |
Arri | Alexa XT Studio[14] |
28.17 x 18.13 mm[18] | Arri PL | XR drive (optional SXR module upgrade) | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW)[18] 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze[25] | Optical low pass, IR, UV, ND 0.6-1.3[26] | 0,75 - 120 |
Arri | Alexa XT B+W Monochrome[27] | 28.17 x 18.13 mm[18] | Arri PL | XR drive (optional SXR module upgrade) | ProRes XQ, DNxHD (XR drive only), ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW)[18] 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (2000 native) | 15 stops[27] | Rolling | 2x and 1.33x desqueeze[28] | Omits bayer filters, internal ND filter module with filters sold separately[20] | 0,75 - 120 |
Arri | Alexa 65[29] | 54.12 x 25.58 mm | Arri XPL | XR drive | ARRIRAW | 6560 x 3102 | 160 - 3200 (800 native) | 14 stops | Rolling | 0,75 - 27 (60 fps upcoming) | ||
Arri | Amira[30] |
23.76 x 13.37 mm | Arri PL, B4, EF (interchangeable) | CFast 2.0 card | ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[31] | 1920 x 1080 (default) 2048 x 1152 (with 2K license) 3840 x 2160 (in-camera upscaling with license)[32] |
160 - 3200 (800 native) | 14.5 stops (Log C)[33] 13.1 stops (usable)[4] |
Rolling | None | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 | 0,75 - 100 (default), 200 and 4K 60 with license |
Arri | D-20 D-21 |
24.9 x 18.15 mm | Arri PL | HD-SDI recorder, T-link recorder | Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) | 1920 x 1080 (HD-SDI recorders) 2880 x 2160 (ARRIRAW recorders) |
50 - 320 (D-20) 100 - 800 (D-21, 200 native)[34] |
11 stops (Log C data mode, +6, -5)[35] | Mechanical | 2x desqueeze | Optical low pass, IR | 1 - 60 |
Blackmagic | Cinema Camera[36] |
15.81 x 8.88 mm CMOS | Canon EF, MFT, Arri PL (non-interchangeable) | 2.5" SSD | 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW | 1920 x 1080 (ProRes/DNxHD) 2432 x 1366 (CinemaDNG RAW) |
200 - 1600 (800 native) | 13 stops (BMD Film, +6, -7)[37][38] | Rolling | None | None | 23.98, 24, 25, 29.97, 30 |
Blackmagic | Micro Cinema Camera | 12.48 x 7.02 mm CMOS | MFT | SD card | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 1920 x 1080 | 200 - 1600 (800 native) | 13 stops (rolling shutter mode) | Global with rolling shutter mode | None | None | 23.98 - 60 (rolling shutter), 23.98 - 30 (global shutter) |
Blackmagic | Pocket Cinema Camera[36] |
12.48 x 7.02 mm CMOS | MFT | SD card | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 1920 x 1080 | 200 - 1600 (800 native) | 13 stops (BMD Film, +6, -7)[37][39] | Rolling | None | None | 23.98, 24, 25, 29.97, 30 |
Blackmagic | Production Camera 4K[36] |
21.12 x 11.88 mm CMOS | Canon EF, MFT, Arri PL (non-interchangeable) | 2.5" SSD | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 800 (400 native)[40] | 12 stops (BMD Film, per manufacturer)[41] 8.2 stops (usable)[4] |
Global | None | None | 23.98, 24, 25, 29.97, 30 |
Blackmagic | Ursa 4K[42] |
21.12 x 11.88 mm CMOS | Canon EF, Arri PL, B4 (interchangeable) | CFast 2.0 card | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 1600 (400 native)[43] | 12 stops (BMD Film)[37] | Global[44] | None | None | 23.98, 24, 25, 29.97, 30, 50, 60 |
Blackmagic | Ursa 4.6K | 25.34 x 14.25 mm& CMOS | Canon EF, Arri PL, B4 (interchangeable) | CFast 2.0 card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | None | 23.98 - 120 |
Blackmagic | Ursa Mini 4K[45] | 21.12 x 11.88 mm | Canon EF, Arri PL | CFast 2.0 card | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 1600 (400 native)[46] | 12 stops (BMD Film) | Global[47] | None | None | 23.98, 24, 25, 29.97, 30, 50, 60 |
Blackmagic | Ursa Mini 4.6K | 25.34 x 14.25 mm | Canon EF, Arri PL | CFast 2.0 card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | None | 23.98 - 60 |
Canon | C100 |
24.6 x 13.8 mm | Canon EF | SD card, HDMI recorder | 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) | 1920 x 1080 | 320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[48] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Canon | C100 Mark II |
24.6 x 13.8 mm | Canon EF | SD card, HDMI recorder | 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) | 1920 x 1080 | 320 to 102,400 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[48] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-60 |
Canon | C300[49] |
24.6 x 13.8 mm | Canon EF, Arri PL (non-interchangeable) | CF card, HDMI/HD-SDI recorder | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) | 1920 x 1080 | 320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[50] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Canon | C300 Mark II[49] |
24.6 x 13.8 mm | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, HDMI/HD-SDI recorder | 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit 4:4:4 signal (HD-SDI recorders) | 4096 x 2160 | 320 to 102,400 (800 native) | 15 stops (Canon Log 2, -8.7, +6.3)[51] | Rolling | None | Optical low pass, IR, ND 0.6 - 3 | 1-30 (4K) 1-120 (2K) |
Canon | C500[49] |
26.2 x 13.8 mm | Canon EF, Arri PL (non-interchangeable) | CF card, HDMI/HD-SDI recorder | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) | 1920 x 1080 (internal recording) 4096 x 2160 (HD-SDI recorders) |
320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[52] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Dalsa | Origin II[49] |
34 x 17.2 mm | Arri PL | 1920 x 1080 | 30 | |||||||
Digital Bolex | D16 | 12.85 x 9.64 mm CCD | C-mount, EF, MFT, PL | CF card, internal flash storage (non-removable) | 12-bit 4:4:4 CinemaDNG RAW | 2048 x 1152 | 100 - 800 (200 native)[53] | 12 stops[54] | Global | None | Optical low pass | 23.98-90 |
Digital Bolex | D16 Monochrome | 12.85 x 9.64 mm CCD | C-mount, EF, MFT, PL | CF card, internal flash storage (non-removable) | CinemaDNG RAW | 2048 x 1152 | 13 stops[55] | Global | None | Omits bayer filters | 23.98-90 | |
Kinefinity | Kinemax | 24 x 18 mm | EF, PL, B4, F-mount (interchangeable) | 2.5" SSD | 12-bit Kineraw, Cineform, CinemaDNG RAW | 5760 × 3240 (Kineraw) 4096 × 2160 (CinemaDNG RAW) 2880 × 1620 (Cineform) |
80 - 20480 (800 native) | 14 stops (6K), 16 stops (3K) | Rolling | 4:3 sensor windowing and 2x desqueeze | Optical low pass | 23.98 - 30 (6K), 23.98 - 100 (4K), 23.98 - 144 (2K) |
Kinefinity | Kinemini | 24 x 18 mm | EF, PL, B4, F-mount (interchangeable) | 2.5" SSD | 12-bit Kineraw, Cineform, CinemaDNG RAW | 4096 × 2160 (Kineraw and CinemaDNG RAW) 2048 × 1080 (Cineform) |
80 - 20480 (800 native) | 12 stops (4K), 13 stops (2K) | Rolling | 4:3 sensor windowing and 2x desqueeze | Optical low pass | 23.98 - 30 (4K), 23.98 - 96 (1080p) |
Panasonic | AF-100, AF-101[56] |
17.8 x 10 mm | Micro Four Thirds | AVCHD | 1920 x 1080 | 10.2 stops (-5.9, +4.3)[57] | ND 0.6, 1.2, 1.8 | 12-60 | ||||
Panasonic | AJ-HPX3700[58] |
2/3" CCD x 3 | 2/3 inch bayonet mount[59] | H.264, AVC-Intra 100 | 1920 x 1080 | 24, 1-60 | ||||||
Panasonic | AJ-HPX2000[60] | 2/3" CCD x 3 | 2/3 inch bayonet mount | DVCPRO HD 137 Mbit/s | 1920 x 1080 | 60 (interlaced) | ||||||
Panasonic | AJ-HPX3100GJ[61] | 2/3" CCD x 3 | 2/3 inch bayonet mount | AVC-Intra 100, DVCPRO HD 68 Mbit/s | 1920 x 1080 | 30 (60) | ||||||
Panavision | Millennium DXL[62] | 40.96 x 21.60mm | Panavision PV mount | Mini RedMag SSD | 16-bit Redcode RAW, ProRes, DNxHD | 8192 x 4320 | 15 stops | 2x and 1.33x desqueeze | 23.98 - 60 (8K) | |||
Panavision | Genesis[63] | 24.89 x 16.86mm | Panavision PV mount | HD-SDI recorder, SSR-1 recorder, HDCAM recorder | 10-bit 4:4:4 signal (HD-SDI recorders) | 1920 x 1080 | 400 - 1600 (400 native) | 8 stops[64] | Global | None[65] | 30 (1-60) | |
Panavision | HD900F[66] | 2/3" CCD | Panavision PV mount | HDCAM | 1920 x 1080 | 30 (24) | ||||||
P+S Technik | PS-CAM x35[67] |
21.1 x 11.9 mm | PS-IMS | CineForm RAW | 1920 x 1080 | 60p, (24-450p) | ||||||
P+S Technik | SI-2K[68] |
10.24 x 5.76 mm | PS-IMS | CineForm RAW | 2048 x 1152 | 24p (1080p12-25), 24p (1080p12-85) | ||||||
P+S Technik | WEISSCAM HS-1[69] |
15 x 12 mm | Arri PL, Panavision, Nikon, Canon EF, BNC-R | CineForm RAW | 1280 x 1024 | 25p (1024p24-650), 25p (576p24-1150) | ||||||
P+S Technik | WEISSCAM HS-2 MKII[70] |
22.18 x 22.18 mm | PS-IMS | CineForm RAW | 1980 x 1080 | 9.5 stops (-6, +3.5)[57] | 25p (1080p24-2000) | |||||
RED | Epic Dragon[49] |
30.7 x 15.8 mm | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade)[71] | 16-bit .r3d | 6144 x 3160 | 80 – 12800 (250 native)[72] | 14.8 stops (RedLogFilm, -8.3, +6.5)[73][74][75] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Combination optical low pass/IR (interchangeable with low-light optimized version),[78] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
RED | Epic Dragon Monochrome[79] | 30.7 x 15.8 mm | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | .r3d | 6144 x 3160 | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) | ||
RED | Epic Mysterium-X[49] |
27.7 x 14.6 mm | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 5120 x 2700 | 80 – 12800 (800 native) | 12.5 stops (-7, +5.5)[75] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-120 (5K) 1-180 (3K) 1-225 (2K) |
RED | Epic Mysterium-X Monochrome[80] | 27.7 x 14.6 mm | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | .r3d | 5120 x 2700 | 80 – 12800 (2000 native) | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-120 (5K) 1-180 (3K) 1-225 (2K) | |
RED | One[81] |
24.4 x 13.7 mm | PL, EF, F-mount (interchangeable) | CF card, Red Hard Drive (optional RedMag SSD module upgrade)[82] | 12-bit .r3d | 4096 x 2304 | 100 - 2000 (320 native) | 11.3 stops[83] | Rolling | 1.22:1 sensor windowing and 2x desqueeze | 1-30 (120) | |
RED | One Mysterium-X[49] |
24.2 x 12.5 mm | PL, EF, F-mount (interchangeable) | CF card, Red Hard Drive (optional RedMag SSD module upgrade)[82] | 12-bit .r3d | 4480 x 2304 | 100 - 6400 (800 native) | 11.9 stops (-7, +5)[57] | Rolling | 1.22:1 sensor windowing and 2x desqueeze | 1-30 (120) | |
RED | Raven[84] | 23.04 x 10.8 mm | EF (non-interchangeable) | Mini RedMag SSD | 16-bit .r3d, 10-bit 422 ProRes | 4608 × 2160 (r3d) 2048 × 1080 (ProRes) |
250 native | 14.8 stops (RedLogFilm, -8.3, +6.5)[73][74][75] | Rolling | None | Combination optical low pass/IR | 1-120 (4K) 1-160 (3K) 1-240 (2K) |
RED | Scarlet Mysterium-X | 27.7 x 14.6 mm | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 5120 x 2700 (Maximum 12 fps) 4096 x 2160 |
80 – 12800 (800 native) | 11.9 stops (-7, +5)[57] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | None | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-12 (5K) 1-30 (4K) 1-48 (3K) 1-60 (1080p) 1-120 (1K) |
RED | Scarlet Dragon | 30.7 x 15.8 mm | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 6144 x 3160 (Maximum 12 fps) 5120 x 2700 |
80 – 12800 (250 native)[72] | 14.8 stops (RedLogFilm, -8.3, +6.5)[73][74][75] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-12 (6K) 1-48 (5K) 1-60 (4K) 1-80 (3K) 1-120 (2K) |
RED | Scarlet-Weapon Dragon | 25.6 x 13.5 mm | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 10-bit 4:2:2 ProRes HQ | 5120 × 2700 (r3d) 2048 × 1080 (ProRes) |
250 native[72] | 14.8 stops (RedLogFilm, -8.3, +6.5)[73][74][75] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Combination optical low pass/IR (interchangeable with low-light optimized version),[86] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-60 (5K) 1-120 (4.5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
RED | Weapon Dragon 6K | 30.7 x 15.8 mm | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ | 6144 x 3160 (r3d) 2048 x 1152 (ProRes) |
250 native[72] | 14.8 stops (RedLogFilm, -8.3, +6.5)[73][74][75] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Combination optical low pass/IR (interchangeable with low-light optimized version),[87] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
RED | Weapon Dragon 8K | 40.96mm x 21.6mm | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ | 8192 x 4320 (r3d) 2048 x 1152 (ProRes) |
250 native[72] | 14.8 stops (RedLogFilm, -8.3, +6.5)[73][74][75] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[76] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[77] | Combination optical low pass/IR (interchangeable with low-light optimized version),[88] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1 - 75 (8K) |
Sony | F35[89] |
21.6 x 13.3 mm | Arri PL | 1920 x 1080 | 400 native[90] | 11.3 stops (-5, +6.3)[57] | Global | 1-60 | ||||
Sony | F65[91] |
24.7 x 13.1 mm | Arri PL | SR Memory Recorder | 8182 x 2160 | 800 native | 14 stops (-7, +7)[91][92] | Mechanical | 2x and 1.3x desqueeze[93] | Optical low pass, ND 0.9, 1.2, 1.5, 1.8 | 1-60 | |
Sony | F55[91] |
24 x 12.7 mm | Sony FZ, Arri PL | SxS card, AXS-R5 Recorder | 4096 x 2160 | 1250 native | 14 stops[91] | Global | 1.3x and 2x desqueeze[94] | Optical low pass (interchangeable), ND 0.9, 1.8 | 1-60 | |
Sony | NEX-FS100[95] |
21.6 x 13.3 mm | E-mount | MPEG4 AVCHD 28 Mbit/s | 1920 x 1080 | 800 native | 11.5 stops (-6.5, +5)[96] | None | 1, 2, 4, 8, 15, 30, 60 | |||
Sony | NEX-FS700[95] |
23.6 x 13.3 mm | E-mount | SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder | MPEG4 AVCHD | 4096 x 2160 | 500 native[97] | 12 stops (-7, +5)[98] | Rolling | ND 0.6, 1.2, 1.8 | 1-240 | |
Sony | NEX-VG10[99] | 23.4 x 15.6 mm | E-mount | AVCHD 24 Mbit/s | 1920 x 1080 | 60i, 30 | ||||||
Sony | NEX-VG20[100] | 23.4 x 15.6 mm | E-mount | AVCHD 2.0 24 Mbit/s | 1920 x 1080 | 60, 30, 24 | ||||||
Sony | NEX-VG30 | 23.4 x 15.6 mm | E-mount | AVCHD 2.0 24 Mbit/s | 1920 x 1080 | 60, 30, 24 | ||||||
Sony | NEX-VG900[101] | 35.8 x 23.9 mm | E-mount | AVCHD 2.0 28 Mbit/s | 1920 x 1080 | 60, 24 | ||||||
Sony | PMW-F3K, PMW-F3L[102] |
21.6 x 13.3 mm | E-mount, PL-mount | MPEG2 35 Mbit/s | 2448 x 1377 | 11.2 stops (-7, +4.3)[57] | Rolling | ND 0.9, 1.8 | 1, 2, 4, 8, 15, 30, 60 | |||
Sony | PMW-F5 | 24 x 12.7 mm | E-mount, PL-mount | MPEG2 35 Mbit/s | 1920 x 1080 (default) 4096 x 2160 (with 4K license[103] or altering internal preferences)[104] |
2000 native | 14 stops[91] | Rolling | 1.3x and 2x desqueeze[94] | Optical low pass (interchangeable), ND 0.9, 1.8 | 1, 2, 4, 8, 15, 30, 60 | |
Sony | Sony PXW-FS5 | 24 x 12.7 mm | E-mount | SD card | XAVC Long, AVCHD | 3840 x 2160 | 3200 native | 14 stops[91] | Rolling | ND 0.6, 1.2, 1.8, 2.1 | ||
Sony | Sony PXW-FS7 | 24 x 12.7 mm | E-mount | XQD card, HD-SDI and HDMI 2.0 recorder | XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[105]) | 4096 x 2160 | 2000 native | 14 stops[91] | Rolling | ND 0.6, 1.2, 1.8 | 23.98 - 60 (4K), 23.98 - 180 (1080p) | |
Vision Research, Inc | Phantom 65[106] | 52.1 x 30.5 mm | Arri PL (standard), Nikon F / Mamiya 645 (optional) | Cine RAW 2341 Mbit/s | 4096 x 2440 | 141, (1080p320) | ||||||
Vision Research | Phantom Flex[107] | 52.1 x 30.5 mm | Arri PL (standard), Nikon F / Mamiya 645 (optional) | Cine RAW 3181 Mbit/s | 2560 x 1600 | 9.9 stops (-5.4, +4.5)[57] | 1455 (1080p2570) |
Still cameras with video mode
Brand | Camera | Sensor size | Lens Mount | Recording media | Maximum video resolution | Native ISO | Dynamic range (native/peak ISO) | Shutter type | Frame rate(s−1) | Codec |
---|---|---|---|---|---|---|---|---|---|---|
Canon | 1D Mark IV[108] |
27.9 x 18.6 mm | Canon EF | 1920 x 1080 | 11.2 stops (-7, +4.3)[57] | Rolling | 23.976, 25, 29.97 (50, 59.94) | H.264 | ||
Canon | 1D X[108] |
36 x 24 mm | Canon EF | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | MPEG4 | |||
Canon | 1D C |
36 x 24 mm | Canon EF | 4096 x 2160 | 11.7 stops[109] | Rolling | 24, 25, 30 (50, 60) | MPEG4 | ||
Canon | 5D Mark II[108] |
36 x 24 mm | Canon EF | CF card | 1920 x 1080 | 160[110] | 11.2 stops (-7, +4.2)[57] | Rolling | 24, 25, 30 | H.264 |
Canon | 5D Mark III[111] | 36 x 24 mm | Canon EF | CF card, SD card, HDMI recorder | 1920 x 1080 | 160[112] | 11.2 stops 11.6 stops (sensor Raw)[113] |
Rolling | 24, 25, 30 | H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording) |
Canon | 6D[114] |
35.8 x 23.9mm | Canon EF | 1920 x 1080 | 160[115] | Rolling | 24, 25, 30 (50,60) | H.264 90 Mbit/s | ||
Canon | 7D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | CF card | 1920 x 1080 | 160[116] | 11 stops (-5.5, +5.4)[57] | Rolling | 24, 25, 30 (50,60) | H.264 |
Canon | 7D Mark II[108] |
22.3 x 14.9 mm | Canon EF/EF-S | CF card, SD card | 1920 x 1080 | 160[117] | Rolling | 24, 25, 30 (50,60) | H.264 | |
Canon | 60D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | 1920 x 1080 | 160[118] | Rolling | 24, 25, 30 | H.264 | ||
Canon | 550D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | |||
Canon | 600D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | |||
Canon | 650D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | |||
Canon | 700D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | |||
Canon | 750D[108] |
22.3 x 14.9 mm | Canon EF/EF-S | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | |||
Nikon | D3100[108][119] | 23.1 x 15.4 mm | Nikon F | 1920 x 1080 | Rolling | 24 (24, 25, 30) | MPEG4 | |||
Nikon | D3200[108][120] | 23.2 x 15.4 mm | Nikon F | 1920 x 1080 | Rolling | 24, 25, 30 | MPEG4 | |||
Nikon | D4[121] |
36.0 x 23.9 mm | Nikon F | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | H.264/MPEG4 24 Mbit/s | |||
Nikon | D5100[108] |
23.6 x 15.7 mm | Nikon F | 1920 x 1080 | Rolling | 24, 25, 30 | MPEG4 | |||
Nikon | D7000[108] |
23.6 x 15.7 mm | Nikon F | 1920 x 1080 | 10.2 stops (-6.7, +3.6)[57] | Rolling | 24 (24, 25, 30) | MPEG4 | ||
Nikon | D750[122] |
35.9 x 24 mm | Nikon F | SD card, 8-bit uncompressed 4:2:2 via HDMI | 1920 x 1080 | Rolling | 24, 25, 30, 50, 60 | H.264/MPEG4, ~38 Mbit/s | ||
Nikon | D800[123] |
35.9 x 24 mm | Nikon F | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | H.264/MPEG4 24 Mbit/s | |||
Panasonic | DMC-G3[108] |
17.3 x 13 mm | Micro Four Thirds | 1920 x 1080 | 60 (60, 30) | AVCHD | ||||
Panasonic | DMC-GF2[108] |
17.3 x 13 mm | Micro Four Thirds | 1920 x 1080 | 60 (60, 30) | AVCHD | ||||
Panasonic | DMC-GF3[108] |
17.3 x 13 mm | Micro Four Thirds | 1920 x 1080 | 60 (60, 30) | AVCHD | ||||
Panasonic | DMC-GH1[108] |
18.89 x 14.48 mm | Micro Four Thirds | 1920 x 1080 | 30 | AVCHD | ||||
Panasonic | DMC-GH2[108] |
18.89 x 14.48 mm | Micro Four Thirds | 1920 x 1080 | 24, 60 (30) | AVCHD 22 Mbit/s | ||||
Panasonic | DMC-GH3[108] |
17.3 x 13 mm | Micro Four Thirds | 1920 x 1080 | 24, 60 (30) | H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s | ||||
Panasonic | DMC-GH4[108] |
17.3 x 13 mm | Micro Four Thirds | 4096 x 2160 | 11 stops[124] | 24, 60 (30) | H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s | |||
Pentax | K-01[125] |
23.4 x 15.6 mm | Pentax K | 1920 x 1080 | 30p, 25p | M-JPEG 95 Mbit/s | ||||
Pentax | K-30[126] |
23.7 x 15.7 mm | Pentax K | 1920 x 1080 | 30p (25p, 24p) | H264 | ||||
Pentax | K-5[127] |
23.4 x 15.6 mm | Pentax K | 1920 x 1080 | 30p, 25p | M-JPEG 95 Mbit/s | ||||
Samsung | NX20 | 23.5 x 15.7 mm | Samsung NX | 1920 x 1080 | 30 | H.264 | ||||
Sony | DSLR-A560[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | DSLR-A580[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | NEX-5[108] |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | 60 (30) | AVCHD | ||||
Sony | NEX-5N[108] |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | 60 (30) | AVCHD | ||||
Sony | NEX-7[108] |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | 60 (30) | MPEG4 | ||||
Sony | SLT-A33[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A35[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A37[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | ? | ||||
Sony | SLT-A55[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A57[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) (NTSC countries) 50, 25 (PAL countries) |
AVCHD/MPEG4 | ||||
Sony | SLT-A65[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A77[108] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) (NTSC countries) 50, 25 (PAL countries) |
AVCHD | ||||
Sony | SLT-A99[108] |
35.8 x 23.8 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | AVCHD | ||||
Sony | a7S | 35.8 x 23.9 mm | Sony E-mount | SD card, Sony Memory Stick, 4K HDMI recorder | 1920 x 1080 (internal recording) 3840 x 2160 (4K HDMI recorders) |
3200[128] | 14.1 stops[109] | Rolling | 60, 29.97 (30) | AVCHD |
Sony | a7S II | 35.8 x 23.9 mm | Sony E-mount | SD card, Sony Memory Stick | 3840 x 2160 | 50-409,600 (3200 native)[129] | Rolling | 23.98 - 30 (4K), 23.98 - 120 (1080p) | XAVC S, AVCHD, MP4 | |
References
- ↑ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
- ↑ https://www.aja.com/en/products/cion
- ↑ https://www.aja.com/en/products/cion#techspecs
- 1 2 3 http://nofilmschool.com/2015/03/cinema5d-aja-cion-review
- ↑ http://nofilmschool.com/2014/04/aja-4k-global-shutter-cion-hfr-camera/
- ↑ http://wideopencamera.com/cameras/arri-makes-a-baby-alexa-alexahd/
- 1 2 3 http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/
- 1 2 3 http://www.broadcastnow.co.uk/techfacils/arri-adds-uhd-recording-to-amira/5083389.article
- ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/
- 1 2 3 4 http://blog.abelcine.com/2011/08/10/alexas-anamorphic-de-squeeze-explained-2/
- 1 2 3 4 http://www.arrimedia.com/news/view/23/alexa-high-speed
- ↑ http://blog.abelcine.com/2013/10/02/go-anamorphic-with-the-arri-alexa-plus-43/
- ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-xt-studio/subsection/technical_data/
- 1 2 3 "ARRI ALEXA Model comparison". ARRI. Retrieved 2011-11-03.
- ↑ http://www.arri.com/alexamini/
- ↑ http://nofilmschool.com/2015/02/arri-alexa-mini-smaller-package-price-cost-release-date
- ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt
- 1 2 3 4 5 6 7 8 http://www.arri.com/camera/alexa/cameras/camera_details/alexa-xt/subsection/xt_features/
- ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
- 1 2 3 4 http://www.fdtimes.com/2013/04/03/arri-alexa-internal-filter-module/
- ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt
- ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
- ↑ http://www.newsshooter.com/2015/03/18/codex-working-hand-in-hand-with-arri-to-deliver-better-workflow-for-the-alexa-sxt/
- ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
- ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
- ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-xt-studio/subsection/technical_data/
- 1 2 http://www.arri-rental.com/camera/digital-cinematography/arri-alexa-xt-b-w-new/
- ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
- ↑ http://arrirentalgroup.com/alexa65/
- ↑ "ARRI Amira Model comparison". ARRI. Retrieved 2013-06-03.
- ↑ http://www.arri.com/camera/amira/camera_details/amira/subsection/technical_data/
- ↑ http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
- ↑ http://nofilmschool.com/2014/08/dynamic-range-new-550-sony-a5100
- ↑ http://www.arri.com/camera/alexa/cameras/camera_details/5/subsection/overview/
- ↑ http://www.arricsc.com/pdf/d21_manual.pdf
- 1 2 3 "Blackmagic Production Camera 4K". Blackmagic. Retrieved 2013-04-13.
- 1 2 3 http://www.blackmagicdesign.com/products/blackmagicursa/techspecs/
- ↑ https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/
- ↑ https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/
- ↑ http://www.eoshd.com/content/12204/4k-is-here-blackmagic-production-camera-review
- ↑ http://www.blackmagicdesign.com/products/blackmagicproductioncamera4k/techspecs/
- ↑ "Blackmagic Ursa". Blackmagic. Retrieved 2013-04-13.
- ↑ http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf
- ↑ http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307
- ↑ https://www.blackmagicdesign.com/products/blackmagicursamini
- ↑ http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf
- ↑ http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307
- 1 2 http://www.bhphotovideo.com/explora/announcements/canon-expands-their-eos-line-new-eos-c100-video-production-camera
- 1 2 3 4 5 6 7 "Canon digital learning center, Cinema EOS". canon.com. Retrieved 2011-11-04.
- ↑ http://www.learn.usa.canon.com/resources/misc/cinemaEOS_faq.shtml
- ↑ http://www.cinema5d.com/canon-announces-eos-c300-mark-ii-4k-camera/
- ↑ http://www.bhphotovideo.com/explora/canon/news/canon-goes-4k-two-ways-eos-1d-c-and-eos-c500-cameras-introduced-nab
- ↑ http://www.eoshd.com/content/12292/digital-bolex-d16-review-part-1
- ↑ http://www.gizmag.com/digital-bolex-d16-cinema-camera/30239/
- ↑ https://www.digitalbolex.com/help-desk/tech-specs-digital-bolex/
- ↑ "Panasonic Pro AG-AF100 specifications". panasonic. Retrieved 2011-11-03.
- 1 2 3 4 5 6 7 8 9 10 11 https://vimeo.com/24334733
- ↑ Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera, P2HD VariCam Cinematography Camcorder - Panasonic Professional Video Cameras
- ↑ Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
- ↑ Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
- ↑ Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
- ↑
- ↑ GENESIS, Panavision
- ↑ http://www.studiodaily.com/2007/04/444-genesis-workflow-made-easy/
- ↑ http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf
- ↑ HD900F, Panavision
- ↑ "PS-CAM x35". P+S Technik. 2011-10-30. Retrieved 2012-06-05.
- ↑ "User Manual: SI-2K Digital Cinema Camera System" (PDF). P+S Technik. 2010-09-01. Retrieved 2012-06-05.
- ↑ "WEISSCAM HS-1: Free your creativity with this compact, flexible and mobile digital highspeed system". P+S Technik. 2010-09-01. Retrieved 2012-06-05.
- ↑ "WEISSCAM HS-2 MKII". P+S Technik. 2010-09-01. Retrieved 2012-06-05.
- ↑ http://www.red.com/store/products/red-mini-mag-side-ssd-module
- 1 2 3 4 5 http://www.dxomark.com/Reviews/RED-Epic-Dragon-review-First-camera-to-break-the-100-point-DxOMark-sensor-score-barrier/In-Depth-Analysis
- 1 2 3 4 5 6 http://www.thephoblographer.com/2014/03/03/dxomark-tests-red-epic-dragon-confirms-sensors-image-quality-indeed-epic/#.U5u6SpRdVYh
- 1 2 3 4 5 6 http://nofilmschool.com/2013/08/first-footage-red-epic-dragon-mx-6k-2000-iso-sensor-price-cost/
- 1 2 3 4 5 6 7 https://vimeo.com/99241145
- 1 2 3 4 5 6 7 8 9 http://nofilmschool.com/2013/09/red-goes-global-shutter-new-motion-mount-epicscarlet-plus-new-dragon-footage/
- 1 2 3 4 5 6 7 8 http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_%20Guide_REV-C.pdf
- ↑ http://www.red.com/store/products/dsmc-low-light-optimized-olpf
- ↑ http://www.red.com/store/products/epic-dragon-monochrome-side-ssd-module-nikon
- ↑ http://www.red.com/store/products/epic-x-monochrome-brain-only
- ↑ "RED Digital Cinema". red.com. Retrieved 2011-11-03.
- 1 2 http://www.red.com/store/products/red-one-ssd-side-module-2
- ↑ http://www.digital-intermediate.co.uk/examples/redcamera/redcamera.htm
- ↑ RED RAVEN Camera is Official. 25 September 2015.
- ↑ http://www.red.com/store/products/dsmc-low-light-optimized-olpf
- ↑ http://www.red.com/store/products/dsmc-low-light-optimized-olpf
- ↑ http://www.red.com/store/products/dsmc-low-light-optimized-olpf
- ↑ http://www.red.com/store/products/dsmc-low-light-optimized-olpf
- ↑ "Pro Sony pdf product information" (PDF). sony.co.uk. Retrieved 2011-11-03.
- ↑ http://www.fdtimes.com/2009/12/03/bones-lightmeters-lonsdale-sony-f35/
- 1 2 3 4 5 6 7 http://pro.sony.com/bbsc/ssr/show-highend/resource.solutions.bbsccms-assets-show-highend-F65.shtml?PID=I:35mm_F65:F65%23/camera#/f65t1_18
- ↑ http://www.hollywoodcamera.com/sony-f65-cinealta-4k/
- ↑ https://pro.sony.com/bbsccms/assets/files/show/highend/pdf/F65_Camera_2013_X1A.pdf
- 1 2 http://www.alisterchapman.com/2013/07/26/pmw-f5-and-f55-firmware-v1-2-now-available-anamorphic-wifi-cam-and-reel-id-and-hdcam-sr/
- 1 2 "Pro Sony product page". sony.com. Retrieved 2011-11-03.
- ↑ https://www.youtube.com/watch?v=TkPYfZZcmwc
- ↑ http://pro.sony.com/bbsccms/assets/files/show/highend/pdf/NEX-FS700_Camera_2013_X1A.pdf
- ↑ https://www.youtube.com/watch?v=JSLn_nrNMEU
- ↑ "Sony store product page". sony.com. Retrieved 2011-11-03.
- ↑ "Sony store product page". sony.com. Retrieved 2011-11-03.
- ↑ "Sony NEX-VG900 Full Frame camera topic". Retrieved September 12, 2012.
- ↑ "Pro Sony product page". sony.co.uk. Retrieved 2011-11-03.
- ↑ http://www.newsshooter.com/2014/12/20/sony-releases-more-details-about-the-f5-4k-internal-recording-option/
- ↑ http://nofilmschool.com/2014/08/sony-f5-camera-4k-xavc-software-hack-f55
- ↑ http://nofilmschool.com/2015/02/sony-fs7-firmware-2-0-prores-dci-4k-audio
- ↑ Phantom 65 Camera, Vision Research
- ↑ The Phantom Flex Camera Digital High-Speed Camera, Vision Research
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 "Digital Cameras: Digital Photography Reviews". dpreview. Retrieved 2011-11-03.
- 1 2 http://www.cinema5d.com/dynamic-range-sony-a7s-vs-arri-amira-canon-c300-5d-mark-iii-1dc-panasonic-gh4/
- ↑ http://nofilmschool.com/dslr/iso-noise/
- ↑ "Canon EOS 5D mark III — Specifications". Retrieved 3 March 2012.
- ↑ http://nofilmschool.com/dslr/iso-noise/
- ↑ http://www.imaging-resource.com/news/2014/01/22/magic-lantern-squeezes-1-2-stop-of-dynamic-range-from-canon-5d-mk.-iii
- ↑ "Canon EOS 6D — Specifications". Retrieved 1 June 2014.
- ↑ http://nofilmschool.com/dslr/iso-noise/
- ↑ http://nofilmschool.com/dslr/iso-noise/
- ↑ http://nofilmschool.com/dslr/iso-noise/
- ↑ http://nofilmschool.com/dslr/iso-noise/
- ↑ Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
- ↑ "Nikon D3200: Tech Specs". Nikon Inc. Retrieved 2012-08-02.
- ↑ "Digital SLR camera Nikon D4s". Nikon Corporation. Retrieved 2012-01-26.
- ↑ "Nikon D750 specifications". dpreview.com. Retrieved 2015-03-08.
- ↑ "Digital SLR camera Nikon D4s". Nikon. Retrieved 2012-02-27.
- ↑ http://nofilmschool.com/2014/03/panasonic-gh4-10-bit-4k-on-board-hdmi-dynamic-range/
- ↑ "PENTAX - K-01 Black". PENTAX RICOH IMAGING AMERICAS CORPORATION. 2012-02-02. Retrieved 2012-04-18.
- ↑ "Pentax K-30 16MP weather-sealed mid-level DSLR previewed". dpreview. 2012-05-21. Retrieved 2012-06-05.
- ↑ "Pentax K-5 In-Depth Review". dpreview. 2010-12-01. Retrieved 2012-06-05.
- ↑ http://nofilmschool.com/2014/07/sony-a7s-dynamic-range-arri-alexa-amira/
- ↑ http://nofilmschool.com/2015/09/sony-a7s-ii-mirrorless-internal-4k-1080p-120fps
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