Bud Freeman
- For other people with a similar name see Lawrence Friedman (disambiguation)
| Bud Freeman | |
|---|---|
.jpg) Bud Freeman, New York City, 1947 | |
| Background information | |
| Born |
April 13, 1906 Chicago, Illinois, U.S |
| Died |
March 15, 1991 (aged 84) Chicago |
| Genres | Jazz |
| Occupation(s) | Musician |
| Instruments | Tenor saxophone, clarinet, C melody saxophone |
| Years active | 1920s – 1980s |
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the big band era. His major recordings were "The Eel", "Tillie's Downtown Now", "Crazeology", "The Buzzard", and "After Awhile", composed with Benny Goodman.[1]
Biography
One of the original members of the Austin High School Gang which began in 1922, Freeman played the C melody saxophone alongside his other band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later. Influenced by artists like the New Orleans Rhythm Kings and Louis Armstrong from the South, they would begin to formulate their own style, becoming part of the emerging Chicago Style of jazz.
In 1927, he moved to New York, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, among others. One of his most notable performances was a solo on Eddie Condon's 1933 recording, The Eel, which then became Freeman's nickname (for his long snake-like improvisations). Freeman played with Tommy Dorsey's Orchestra (1936–1938) as well as for a short time Benny Goodman's band in 1938 before forming his own band, the Summa Cum Laude Orchestra (1939–1940). Freeman joined the US Army during World War II, and headed a US Army band in the Aleutian Islands.
Following the war, Freeman returned to New York and led his own groups, yet still kept a close tie to the freewheeling bands of Eddie Condon as well as working in 'mainstream' groups with the likes of Buck Clayton, Ruby Braff, Vic Dickenson and Jo Jones. He wrote (along with Leon Pober) the ballad "Zen Is When", recorded by the Dave Brubeck Quartet on Jazz Impressions of Japan (1964). He was a member of the World's Greatest Jazz Band in 1969 and 1970, and occasionally thereafter. In 1974, he moved to England where he made numerous recordings and performances, as he did also in Europe.
Later in the decade Freeman spent some time on the Isle of Man during part of which he was the guest of well known Manx jazz musician and broadcaster, Jim Caine. Recounted as a keen devotee of the game Scrabble, as well as a fervent Anglophile, this resulted in Freeman having a nickname bestowed on him by the Caine family, becoming known as the "Anglo Saxophonist."
In addition to this, Freeman presented one of his coats to a son of Jim Caine. Still in the posession of the Caine family, the garment is referred to with affection as the "Bud Coat."
Returning to Chicago in 1980, he continued to work into his eighties.
He also released two memoirs You Don't Look Like a Musician (1974) and If You Know of a Better Life, Please Tell Me (1976), and wrote an autobiography with Robert Wolf, Crazeology (1989).
In 1992, Bud Freeman was inducted into the Big Band and Jazz Hall of Fame. He was featured in Studs Terkel's book, "Working", published in 1972.
Freeman's music still features regularly on various dance band shows. Freeman has also been the subject of a dedicated edition of Sweet & Swing on Manx Radio.[2]
Discography
- Chicago/Austin High School Jazz in Hi-Fi (1957)
- Something to Remember You By (1962)
- Something Tender (United Artists Jazz) (1962)
- California Session (1982)
- The Real Bud Freeman (1984)
With George Wein
- George Wein & the Newport All-Stars (Impulse!, 1962)