Kevin J. Madigan

Kevin J. Madigan is a historian of Christianity at Harvard University, where he has taught for over fifteen years. A member of the Faculty of Divinity, he has also served on Harvard's Committee on the Study of Religion,^[1] the Medieval Studies Committee,^[2] and the Center for Jewish Studies.^[3] Since 2009, Madigan has been Winn Professor of Ecclesiastical History in Harvard Divinity School, an appointment offered by then-Dean of HDS, William Graham, and officially approved by Harvard President Drew Gilpin Faust.^[4] He has been married for thirty years to Stephanie A. Paulsell, Swarzt Professor of the Practice of Christian Studies at HDS.^[5] They have one child, Amanda P. Madigan.

Education

Ph.D, University of Chicago Divinity School, 1992, M.A., University of Chicago Divinity School, 1985, M.A., University of Virginia (English Language and Literature), 1984, B.A., magna cum laude, College of the Holy Cross (English Language and Literature), 1982

Areas of specialization and early career

Madigan trained in medieval Christianity at the University of Chicago under Bernard McGinn. While at Chicago, Madigan took courses with Professor Jon D. Levenson, with whom, after Madigan joined the Harvard faculty, he would collaborate in publication and in the editing of the journal Harvard Theological Review. After taking his doctorate, Madigan also trained at the Summer Institute on the Holocaust and Jewish Civilization, then held annually under the direction of Peter Hayes ^[6] and sponsored by Chicago's Holocaust Educational Foundation.^[7] The following summer, he studied under the then-dean of American Holocaust scholars, the late Raul Hilberg^[8] at the United States Holocaust Memorial Museum in Washington.^[9][10] In 1994, Madigan took his first "ladder" job as Assistant Professor of Church History at Catholic Theological Union (CTU) in Chicago; he would be tenured there in the Spring of 1999. While on the faculty of CTU, Madigan came under the influence of distinguished scholars, such as Robert Schreiter, Zachary Hayes, Donald Senior, John Pawlikowski and Carolyn Osiek. He would collaborate in publications with several of these colleagues even after leaving Chicago for Cambridge in the Summer of 1999.

Publications

With Professor Senior, he collaborated on the introductory material to Oxford University Press' Catholic Study Bible, writing an essay on the reception and interpretation of the Bible in the Catholic Church, c. 200–2000 CE,^[11] and with Professor Osiek he would, after leaving CTU, soon collaborate on a book on women and ordained office in Early Christianity.^[12] While Osiek handled the Greek texts, Madigan translated and commented on all extant Latin texts, including inscriptions, c. 100–66. The same year Ordained Women appeared, Antisemitism: An Encyclopedia of Prejudice and Persecution, edited by Richard Levy, and of which Madigan was associate editor, was published. Finally, with Pawlikowski, he published his first article on the Holocaust, based on the eleven volumes of the Actes and Documents du Saint Siège relatifs à la Seconde Guerre Mondiale ed P. Blet et al.^[13] A later version of this article, revised for popular consumption, would be published in 2001, entitled "What the Vatican Knew about the Holocaust, and When."^[14] The article inaugurated a long and fruitful relationship between Madigan and Commentary, for which he would publish articles in 2010 on Popes Pius XI and XII,^[15] in 2010 on the use made by "Nazis on the Run" of the Vatican's Pontifical Aid Commission",^[16] and in 2014 on the Vatican's relationship with the government of Benito Mussolini.^[17] This, in fact, was a review-essay of David Kertzer's Pulitzer Prize-winning "double-biography of Mussolini and Pope Pius XI.^[18] Madigan would later publish a review defending the distinguished Brown University historian, author of the brilliant and critically acclaimed The Kidnapping of Edgardo Mortara, (about to be made into a movie by Stephen Spielberg)^[19] in the New York Review of Books after a book-length critique of Kertzer's study The Popes against the Jews: The Vatican's Role in the Rise of Modern Antisemitism,^[20] a volume that had been translated into nine languages, had been published.^[21]

Madigan's Chicago dissertation, on the influence of Joachim of Fiore and of controversies surrounding the "Spiritual Franciscans" on commentaries on the Gospel of Matthew in the high Middle Ages, especially that written by Peter Olivi (1248–98), was published in revised form in 2003.^[22] Madigan talks about his first book in a published interview with an HDS journalist.^[23] His first articles were on biblical interpretation, scholastic thought and Christology in the High Middle Ages. Later gathered together and augmented by several other essays, they would form the core of a book, entitled "The Passions of Christ in the High Middle Ages: An Essay on Christological Development (Oxford University Press, 2007) on the intertwined issues of biblical exegesis, scholastic thought, and the issue of dogmatic "continuity" in Christian tradition.^[24]

In the years 2009–2011, Madigan began to collaborate in several respects with his former teacher, close friend and HDS colleague, Jon D. Levenson, a fruitful collaboration that continues to this day. After publishing his award winning book Resurrection and the Restoration of Israel, Levenson, at the request of his editor at Yale University Press, co-authored with Madigan a book on the Jewish roots and Christian appropriation of the idea of resurrection in Second Temple Judaism.^[25] In 2010, the two would take over as co-editors of Harvard Theological Review, as their dear friend and colleague, François Bovon, grew more and more ill before his death in 2013.

In 2015, Madigan published Medieval Christianity: A New History,^[26] also published by Yale University Press. It has received generally positive reviews. Francis Oakley wrote in Commonweal that "Madigan's book can be said to convey a picture of medieval Christianity that is no less lively for being well-informed and carefully balanced. It can be recommended without reservation to any interested reader." Rachel Fulton Brown wrote that it is "a masterful yet accessible introduction to the principal institutional, intellectual, and social developments of medieval Christianity, including the papacy and religious orders, particularly valuable for its attention to the place of Jews, Muslims, heretics, and women in these developments, as well as the problem of educating the laity." Madigan finished the book after serving as Associate Dean for Academic Affairs and Faculty for two years at HDS, working with and for his colleague in history, Dean David Hempton. Madigan is now working on a book, based on the rich resources of the Vatican, Jesuit, and Central State Archives in Rome, on the relationship between Protestants and Catholics during the Fascist period in Italy.

Film reviews

Madigan has published a number of film reviews, usually on movies that treat themes that he, too, is interested in: the history of antisemitism, the Holocaust, the Second World War, the history of Christian thought, Christian defiance of evil in war, and the joy, motivations, and power of teaching. He has reviewed Michael Radford's filmic presentation of The Merchant of Venice, concentrating on the performance history of the play in Nazi Germany.^[27] His ongoing admiration for religiously motivated heroism in times of great risk, as well as his fondness for a well-told story of inspiration that is also based on fact, led him to compose an appreciative review of Marc Rothemund's Sophie Scholl: The Final Days. He paired this review with Sebastian Dehnhardt's heartbreaking Stalingrad, where we see Hitler's fanatical will is not enough to overcome poor planning, low supplies, weather, hubris or a determined Red Army. Here we see the influence on Madigan of his favorite writer on war, the late Paul Fussell.^[28] The subject of will came up again in a review of the filmic transformation of Philip Dick's noirish short story The Adjustment Bureau. Here Madigan, in contemplating the philo-theological issues of free will and determinism expressed in the film, launches his reflections with the following limerick:

From there, Madigan argues that the film presses neither a hard determinism nor a soft freedom, but a via media between these two extreme positions.

Teaching

Madigan's pedagogical reflections have centered on the perils, promises and purposes—even the possibilities—of teaching the Holocaust. This was the subject of an article entitled, "Putting a Face on the Six Million," which addresses the issue of when numbers become abstract statistics and even piles of corpses lose their power to move. "The talk, later published as an article,^[29] was covered by Harvard journalists, one of whom published an essay in the Harvard Gazette, the official news outlet of Harvard University as an article entitled, "When the Intellectual and Spiritual Intersect: HDS Professor Talks Candidly about How He Was Inspired to teach the Holocaust."^[30] The article concludes by quoting Madigan's concluding expression of eschatological ho pe: "I imagine the victims' physical and emotional wounds healed; the loss of their brothers, sisters, mothers, and fathers restored; their deaths swallowed up forever by the God who keeps his promises, who loves, and who has never forgotten his people. … I imagine the joy and gladness of these innocents with every tear wiped away forever."

References

External links

• "Kevin J. Madigan". Harvard Divinity School. Retrieved 12 January 2016.