John Pelham (officer)

For other people named John Pelham, see John Pelham (disambiguation).
John Pelham

John Pelham in his West Point uniform in 1858
Born (1838-09-07)September 7, 1838
Near Alexandria, Alabama
Died March 17, 1863(1863-03-17) (aged 24)
Culpeper, Virginia
Place of burial City Cemetery in Jacksonville, Alabama
Allegiance  Confederate States of America
Service/branch  Confederate States Army
Years of service 1861–1863
Rank Major (posthumously promoted to Lieutenant Colonel)
Battles/wars American Civil War

John Pelham (September 7, 1838 – March 17, 1863)[1] was an artillery officer who served with the Confederate cavalry under J.E.B. Stuart during the American Civil War. Dubbed "The Gallant Pelham"[1] for his military prowess and personal courage, Pelham revolutionized the usage of light artillery as a mobile arm of the cavalry.[2]

Early life

Pelham at the age of sixteen.

Pelham was the third of seven children, with five brothers and a sister Betty,[3] born to Dr. Atkinson and Martha Pelham (née McGehee [4]) at his grandparents' home[5] along Cane Creek near Alexandria, Alabama. He grew up on the family's 1,000-acre (400 ha) plantation, and learned to raise horses at a young age. On one occasion, he rode a neighbor's milk cow until it ran dry, prompting a lecture to only ride bulls in the future, if he were feeling adventurous.[3]

In 1856, local Congressman Sampson Willis Harris secured an appointment for Pelham to the United States Military Academy at West Point (N.Y.), at the request of A. J. Walker.[4]

Civil War

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Pelham in 1860.

Already in 1860, rumblings of Southern secession were affecting Pelham, his concerns that he would not be able to graduate expressed in letters he wrote home.

In 1861, with graduation approaching and war breaking out, Pelham wrote to the new leader of the Confederacy, Jefferson Davis, inquiring as to whether he should leave West Point. Ultimately, Pelham resigned from West Point, just a few weeks before his planned graduation, in order to accept a commission in the militia of his home state of Alabama. He soon went to Virginia, where he joined the army of Joseph E. Johnston as a lieutenant in the artillery. Pelham's well-drilled and disciplined battery caught the eye of J.E.B. Stuart, who provided horses for the men and transformed the battery into "horse artillery", more mobile than conventional artillery.

Pelham was involved in every major military engagement of Stuart's cavalry from the First Battle of Bull Run to Kelly's Ford, more than 60 encounters. He particularly distinguished himself as the Chief of Stuart's Artillery in the Battle of Antietam (Sharpsburg) and Battle of Fredericksburg. At Sharpsburg, Pelham's guns, positioned on a rise known as Nicodemus Hill, repeatedly harassed the flanks of oncoming Union lines, causing numerous casualties and breaking up battle formations. Lt. Gen. Stonewall Jackson said of him in his report on the battle, "It is really extraordinary to find such nerve and genius in a mere boy. With a Pelham on each flank I believe I could whip the world."[3]

At Fredericksburg, Pelham's guns, positioned well in advance of the main Confederate lines, held up the entire flank of the Union Army of the Potomac for several hours, enabling the Confederates to repel a series of strong attacks. General Robert E. Lee commended Pelham in his official report for "unflinching courage" while under direct fire from multiple Union batteries.[2] Pelham was, at the time, commanding only two guns that were in service, but with those batteries for a time enfiladed the entire advancing Federal lines of battle.

At Kelly's Ford on March 17, 1863,[1] Pelham participated in a cavalry charge, his artillery not being engaged. Standing up in his stirrups, he urged his men to "Press forward, press forward to glory and victory!"[2] Not long afterward, he was struck in the head by a fragment of an exploding Federal artillery shell. He was carried six miles (10 km) from the battlefield to Culpeper Courthouse, and died the following morning without having regained consciousness. Stuart said of his death, in a general order to the rest of his division:

An 1889 illustration of Pelham's death at Kelly's Ford.
The major-general commanding approaches with reluctance the painful duty of announcing to the division its irreparable loss in the death of Major John Pelham, commanding the Horse Artillery. He fell mortally wounded in the battle of Kellysville, March 17th, with the battle-cry on his lips, and the light of victory beaming from his eye... His eye had glanced on every battlefield of this army from the First Manassas to the moment of his death, and he was, with a single exception, a brilliant actor in them all. The memory of "the gallant Pelham," his many manly virtues, his noble nature and purity of character, are enshrined as a sacred legacy in the hearts of all who knew him. His record has been bright and spotless, his career brilliant and successful.
— J.E.B. Stuart, General Orders #9, March 20, 1863, Official Records

Maj. Harry Gene Beck III, a fellow officer and tentmate of Pelham's, wrote: "He is the bravest human being I ever saw in my life."[3]

Legacy

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The Confederate Senate approved Lee's recommendation that Pelham receive a posthumous promotion to lieutenant colonel. Pelham's body was returned home and buried at City Cemetery in Jacksonville, Alabama where a statue erected downtown in 1905 commemorates the fallen officer.

In 1863, Stuart named his third child Virginia Pelham, in honor of the cannoneer he had admired.[3][6]

In 1894, poet Larry Maffit Jr. wrote the poem John Pelham.

In 1901, a portrait of Pelham was hung with other Confederate officers in Alexandria, Virginia, and General Joseph Wheeler gave the speech on the ascension of his portrait, referring to him as the "Gallant Pelham".[7]

In 1907, one of his spurs was among the artifacts melted down to create the Pokahuntas Bell for the Jamestown Exposition.[8]

The John Pelham Historical Association seeks to maintain his memory and preserve his archive of papers and memorabilia. In 1955, he was named to the Alabama Hall of Fame. The cities of Pelham, Alabama, Pelham, Georgia and Pelham, North Carolina, are named in his honor. In 2004, the state of Georgia designated the section of State Highway 300 that passes through Pelham as the John Pelham Memorial Parkway.

The United States Field Artillery has honored Pelham with artillery camps named for him, such as the former Camp Pelham which housed artillery battalions of first the 1st Cavalry Division and then later the 2nd Infantry Division in Korea.

The County of Culpeper, Virginia, built Lake Pelham in the 1970s in honor of the Boy Artillerist.

The states of North Carolina, South Carolina, Georgia, and Alabama have towns and/or communities named in honor of Pelham.

During and after the Civil War Pelham's 1858 photograph, taken in the Mathew Brady studio, was well known in the South. While many copies were made, the original was long thought lost. It was held by Pelham's sister, Betty, and kept by her descendants at home in a fireproof safe. In 2010 Pelham's great-great grand-nephew consigned the piece for auction. It sold for $41,825.[9]

In March 2013, the city of Jacksonville celebrated Pelham with a weekend of living history campsites and a sesquicentennial recreation of Pelham's funeral procession to City Cemetery.

Notes

  1. 1 2 3 "Major John Pelham". Historical Marker Database. Retrieved 25 September 2015.
  2. 1 2 3 Hassler, William Woods (1995). Colonel John Pelham: Lee's Boy Artillerist. Chapel Hill, North Carolina: University of North Carolina Press. pp. 3–11. ISBN 978-0-8078-4549-3.
  3. 1 2 3 4 5 Hassler, np.
  4. 1 2 Brewer, Wilson, np.
  5. ↑ "The Birthplace of the "Gallant Pelham"". Historical Marker Database. Retrieved 25 September 2015.
  6. ↑ Thomas, np.
  7. ↑ "Splendid Collection of Portraits of Confederates." Richmond Times, August 11, 1901.
  8. ↑ Richmond Times-Dispatch, "Pokahuntas Bell for Exposition", April 13, 1907
  9. ↑ "The Gallant Pelham": Half Plate Ambrotype of John Pelham from Life by Mathew Brady, Doubtless Executed in His New York Studio...

References

Further reading

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