Joannes Meyssens
Joannes Meyssens | |
---|---|
Joannes Meyssens, engraving by his son Cornelis after a self-portrait. | |
Born |
Joannes 17 May 1612 Brussels |
Died |
18 September 1670 58) Antwerp | (aged
Nationality | Flemish |
Known for | Painting, Engraving, Printing |
Movement | Baroque |
Joannes, Jan Meyssens or Jean Meyssens (1612–1670), was a Flemish Baroque painter, engraver, and printer.
Life
He was born in Brussels, but moved to Antwerp at an early age, where he became master of the Guild of St. Luke in 1640. He married Anna Jacobs (died 1678).[1] Joannes Meyssens' son Cornelis became also an engraver.[2]
Work
He had a successful business collaborating with contemporary painters and engravers, and is most notable today for his book of prints called Image de divers hommes d'esprit sublime qui par leur art et science devront vivre eternellement et des quels la lovange et renommée faict estonner le monde, A Anvers mis en lumiere par Iean Meyssens peinctre et vendeur de lart au Cammestraet l'an .M.DC.XLIX, published in 1649.[3] This book, with the engraved portraits of many famous men, including many painters, was used again and again as a source for art historians, most notably in Cornelis de Bie's, Het Gulden Cabinet (Antwerp, 1662), who wrote this work at the instigation of Meyssens. In 1694 an English version was published in London with the title The True Effigies Of the most Eminent Painters, and other famous artists that have flourished in Europe.
The descriptions in French that Meyssens added under each engraving were used as biographical notes by later art historians such as Filippo Baldinucci, Joachim von Sandrart and Arnold Houbraken.
He influenced Theodoor van Merlen.[1]
References
- 1 2 Joannes Meyssens at the Netherlands Institute for Art History (Dutch)
- ↑ Cornelis Meyssens at the Netherlands Institute for Art History (Dutch)
- ↑ Record for this book in the Fitzwilliam Museum
Further reading
- Facsimile of the Image de divers hommes d'esprit sublime
- Filippo Baldinucci's Artists in biographies by Filippo Baldinucci, 1610–1670, p. 377 Google books
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