James Austin (photographer)
| James Austin | |
|---|---|
 Photograph by Pauline Austin | |
| Born |
4 June 1940 Melbourne, Australia |
| Residence | France |
| Alma mater | Lycée Lakanal, Paris; Manchester Grammar School; Jesus College, Cambridge; Courtauld Institute,[1] |
| Occupation | Fine-art and architectural photographer |
| Spouse(s) | Pauline Jeannette (née Aten)[1] |
James Austin (born 4 June 1940) is an Australian fine-art and architectural photographer.
Biography
James Lucien Ashurst Austin was born in Melbourne, Australia, the eldest son of Lloyd James Austin (1915–1994) and of Jeanne-Françoise (née Guérin).[2] He is the older brother of the late Colin Austin (1941–2010), the scholar of ancient Greek.[3] After studying architecture and fine art at Jesus College, Cambridge, he continued his education at the Courtauld Institute, London.[4]
He then travelled widely in France and Italy as a freelance photographer building up a library of photographs now in use worldwide in art history archives and numerous publications. Among his early clients were the Bollingen Foundation in New York and Sir Nikolaus Pevsner, for whom he provided photographs for twenty volumes of the Buildings of England series.[1][5] He was Ben Nicholson’s personal photographer for the last ten years of the painter’s life.[1]
by Susan Weber Soros and Catherine Arbuthnott
Book jacket photograph by James Austin
He went back to work at the Courtauld Institute for twelve years, travelling extensively around Europe to photograph historic architecture and sculpture for the Conway Library at the Courtauld.[6] On his retirement he transferred his collection of negatives of architectural and sculptural subjects to the Conway Library.
He returned to freelance work in 1985, when he was commissioned to take all the photographs for the catalogue of the Robert and Lisa Sainsbury Collection. His career broadened to encompass the photography of fine art. He worked for the National Trust, English Heritage, the Crafts Council, the Tate Gallery, Kettle's Yard in Cambridge and numerous other institutions, architects, artists, craftsmen and collectors.[1][4] He continued working for the Sainsbury collection – on several exhibition catalogues and photographing new acquisitions – right up to his retirement in April 2004, keeping a studio and darkroom at Wysing Arts Centre from 1997 until then.
In his review of the book Antique Woodworking Tools in which James Austin published more than 1,500 photographs, Mark Bridge wrote in Antiques Trade Gazette: "[James Austin] has managed to capture the elusive qualities of balance, texture and patina which make the finest tools a pleasure to handle, frequently lifting them into the realm of folk art".[7]
Exhibition
Wingfield Barns Arts Centre, Eye, Suffolk: solo exhibition of specially commissioned photographs, summer 2002
Honours
James Austin was a Fellow of the British Institute of Professional Photography (BIPP) from 1977 to 1991.
Bibliography
Book jacket showing an array of Norris planes
Photograph by James Austin
Books for which James Austin did all, most or many of the photographs:
- Prior, Katherine, with many photographs by James Austin (2012). In Good Hands: 250 Years of Craftsmanship at Swaine Adeney Brigg. Cambridge: John Adamson. ISBN 978-1-898565-09-3
- Russell, David R. with Robert Lesage and photographs by James Austin, cataloguing assisted by Peter Hackett (2010). Antique Woodworking Tools: Their Craftsmanship from the Earliest Times to the Twentieth Century Cambridge: John Adamson ISBN 978-1-898565-05-5
- Soros, Susan Weber, and Catherine Arbuthnott (2003). Thomas Jeckyll: Architect and Designer, 1827–1881. New Haven, CT and London: Yale University Press ISBN 978-0-300-09922-5 (Winner of the 2004 Henry Russell Hitchcock Award sponsored by the Victorian Society in America and winner of the 2005 Philip Johnson Award given by the Society of Architectural Historians)
- Frankel, Cyril (2000). Modern Pots: Hans Coper, Lucie Rie and Their Contemporaries: The Lisa Sainsbury Collection. London and New York: Thames and Hudson ISBN 978-0-500-97595-4
- Gillow, John, and Bryan Sentence (1999). World Textiles. London: Thames and Hudson ISBN 978-0-500-28247-2 Boston, MA: Bullfinch ISBN 978-0-8212-2621-6
- Grimstone, A.V. (1997). Pembroke College, Cambridge: A Celebration. Cambridge: Pembroke College No ISBN
- Hooper, Steven (ed.), with photography by James Austin (1997). Robert and Lisa Sainsbury Collection (3 vols.). New Haven and London: Yale University Press ISBN 978-0-300-03952-8
- Ray, Nicholas (1994). Cambridge Architecture: A Concise Guide. Cambridge: Cambridge University Press Paperback ISBN 978-0-521-45855-9
- Mâle, Émile (1978, 1983, 1986). Studies in Religious Iconography: Religious Art in France (3 vols.) Princeton, NJ: Princeton University Press ISBN 978-0-691-09913-2
Notes
- 1 2 3 4 5 Debrett's People of Today. London: Debrett's Ltd. 1991. ISBN 978-1-870520-04-1.
- ↑ Professor Lloyd Austin's obituary in the Independent.
- ↑ Colin Austin's obituary in the Guardian.
- 1 2 Jacket blurb: Russell, David R. (2010). Antique Woodworking Tools. Cambridge: John Adamson. ISBN 978-1-898565-05-5.
- ↑ The revised second edition of the Lincolnshire volume featured Austin's colour photographs on the cover; in his acknowledgements Nicholas Antram, the book's editor, singled out James Austin "for the professionalism and understanding with which he executed commissions undertaken for this volume" (Pevsner, Nikolaus, and John Harris [1989]. Lincolnshire London: Penguin ISBN 978-0-14-071027-4, Preface, p. 19).
- ↑ James Austin's photographs for the Courtauld on line.
- ↑ Mark Bridge, "The young apprentice cabinetmaker who became a connoisseur", Antiques Trade Gazette, 22 October 2011, p. 19.
External links
- The photographic collection at the National Gallery of Art, Washington DC, includes 8,000 photographs by James Austin of Greek and French Gothic architecture
- Princeton University, Department of Art and Archaeology: James Austin Collection
- James Austin's private work on Flickr
- Antique Woodworking Tools site