Goofer dust
Goofer dust is a traditional hexing material and practice of the African American tradition of hoodoo from the South Eastern region of the United States of America.
Description
It can generally refer to any powder used to cast a spell, especially if harmful in nature, but specifically refers to a concoction of natural ingredients that can be used to cause harm, trouble or even kill an enemy. Some historical sources, such as some of the interviews conducted by Harry M. Hyatt indicate goofer dust can be synonymous with graveyard dirt.
Use
In practice, it was often used to create illness in victims, such as swelling of the legs or blindness. Recipes for making it vary, but primarily include graveyard dirt and snakeskin. Other ingredients may include ash, powdered sulfur, salt, powdered bones, powdered insect chitin, dried manure, herbs, spices and "anvil dust" — the fine black iron detritus found around a blacksmith's anvil. The result usually varies in color from "a fine yellowish-grey" to deep "black dust" depending on the formula, and it may be mixed with local dirt to conceal its deployment.
It is sometimes used in love spells of a coercive nature, the severity of which range from the goofer dust being used to provoke helpful spirits to coax the target into love,[1] to the more extreme "love me or die" spells. Rarely, it has been used in gambling spells.
Uncommonly, Goofer Dust has been used as a protection spell. By using graveyard dirt from a loved one of the practitioner, along with salt and pepper and other ingredients, the normally offensive functions of Goofer Dust become protective functions.
Etymology
The word goofer comes from the Kikongo word "kufwa," which means "to die." Among older hoodoo practitioners, this derivation is very clear, because "goofer" is not only used as an adjective modifying "dust" but also a verb ("He goofered that man") and a noun ("She put a goofer on him"). As late as the 1930s, goofering was a regional synonym for hoodooing, and in North Carolina at least, the meaning of the term was broadened beyond spells of damage, illness, and death to include love spells cast with dominating intent.
A euphemistic word for goofering is "poisoning," which in this context does not refer to a physical poison but to a physical agent that, through magical means, brings about an "unnatural illness" or the death of the victim. Even more euphemistic is the special use of the verb "hurt," which is often defined as "to poison," with the tacit understanding that "to poison" really means "to goofer." The more general verbs "fix" (meaning to prepare a spell) and "trick" (meaning to cast a spell) are also applied to goofering.
In popular culture
In the 1954 Cold War classic Night People (film), Col. Steve Van Dyke (Gregory Peck) spiked a bottle of Absinthe with a packet of goofer dust.
The X-Files, in Episode 14 of season 7 (Theef), referenced the use of goofer dust by the vengeful father of a woman who died due to poor hospital care.
Goofer dust was referenced to protect against hellhounds in the television show Supernatural (U.S. TV series), Season two, episode eight "Crossroad Blues". Season 8, episode 14 - Trial and Error.
King Diamond during the song "Sarah's Night" on the "Voodoo" album sings that the character Salem uses graveyard dust (referred to as goofer dust) to send the spirits of dead people into Sarah's head .
Goofer dust is also referenced in the more popular series of short films "Scary or Die" in which a grandfather with a family history of dabbling in voodoo and the occult blows "Golfer dust" or as she describes to the watcher, "The ash of her loved ones; in which she says that the grandfather told her that if she felt love in her heart it would "Never die" and therefore hexs her to come back as the undead.
Goofer dust is used in the Willie Mabon blues song "I Don't Know". It also used in the song "I Got My Mojo Workin"
In Treemonisha by Scott Joplin, Zodzetrick refers to himself as the goofer dus' man and 'King of Goofer Dus' Land'.
References
- ↑ Haskins, James. Voodoo and Hoodoo: The Craft as Revealed by Traditional Practitioners (Scarborough House, 1978), p. 208
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