First Lady (film)

First Lady
Directed by Stanley Logan
Produced by Harry Joe Brown (uncredited associate producer)
Written by George S. Kaufman (play)
Katharine Dayton (play)
Rowland Leigh
Starring Kay Francis
Preston Foster
Anita Louise
Walter Connolly
Verree Teasdale
Cinematography Sidney Hickox
Production
company
Distributed by Warner Bros.
Release dates
  • December 4, 1937 (1937-12-04)
Running time
 83 minutes
Country United States
Language English
Budget $485,000[1]
Box office $424,000[1]

First Lady is a 1937 film about behind-the-scenes political maneuverings in Washington, D.C. directed by Stanley Logan and starring Kay Francis, Preston Foster, Anita Louise, Walter Connolly and Verree Teasdale. Francis and Teasdale portray bitter rivals in their pursuit of the titular role of First Lady. The picture is based on the play of the same name by George S. Kaufman and Katharine Dayton.

Plot

The granddaughter of a President of the United States, Lucy Chase Wayne (Kay Francis) discreetly campaigns to gain the presidential nomination for her beloved husband, Secretary of State Stephen Wayne (Preston Foster). She tries to gain the support of rising Senator Gordon Keane (Victor Jory), a victory that would be doubly sweet inasmuch as he is the protégé of her despised arch-rival, Irene Hibbard (Verree Teasdale).

Lucy becomes concerned when rumors reach her that Irene intends to divorce her boring Supreme Court Justice spouse, Carter (Walter Connolly), marry Keane, and try to get him elected President. She concocts a scheme to deceive Irene into believing that Carter will be her party's candidate in the upcoming election (when she knows that he has no chance whatsoever) and force Irene to abort her own plans. Lucy convinces Lavinia Mae Creevey (Louise Fazenda), the narrow-minded, provincial leader of an organization of five million women, to back Carter. To Lucy's horror, newspaper magnate Ellsworth T. Banning (Grant Mitchell) adds his support, and Carter is indeed offered the nomination.

Lucy learns that Prince Boris Gregoravitch (Gregory Gaye), Irene's ex-husband, is in Washington for negotiations. Learning something interesting from the prince, she has her husband invite the foreign envoy to the dinner in which Carter is to announce his acceptance of the nomination. Gregoravitch is delighted to see Irene and gives her some "good" news. On behalf of his country, he has reached an agreement with the United States in which both sides will recognize each other's laws. Once the treaty is signed, he and Irene will be considered divorced by the American legal system. Until then however, Irene is technically a bigamist. Lucy blackmails Irene into getting Carter to decline the nomination, leaving the way free for her husband.

Cast

From the trailer
From the trailer

See also

Reception

Frank S. Nugent of The New York Times wrote that the film had "a number of superb minor performances," but "was still a talkative piece which only crosses the threshold of one drawing room to pull up before the fireplace of another. But the talk is good, if small; and if small, at least it stings."[2] Variety called it "amusing, if somewhat chatty" with an "excellent cast, good direction and tasteful production".[3] Harrison's Reports found the film "extremely well acted" and "good entertainment for high-class audiences", but thought that some of the subtle comedy "may go over the head of the ordinary picture-goer."[4] John Mosher of The New Yorker called the film "lively" and was "delighted" by several of the performances.[5]

According to Warner Bros records the film only earned $322,000 in the US and Canada and $102,000 elsewhere.[1]

References

  1. 1 2 3 First Lady at Kay Francis Films accessed 16 March 2014
  2. ↑ The New York Times Film Reviews, Volume 2: 1932-1938. The New York Times & Arno Press. 1970. p. 1454.
  3. ↑ "Film Reviews". Variety. New York: Variety, Inc. September 1, 1937. p. 22.
  4. ↑ "First Lady". Harrison's Reports. New York: Harrison's Reports, Inc.: 194 December 4, 1937.
  5. ↑ Mosher, John (December 25, 1937). "The Current Cinema". The New Yorker. New York: F-R Publishing Corp. p. 49.
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