Duncan Druce

Robert Duncan Druce (23 May 1939 – 13 October 2015) was an English composer, string player and musicologist, noted for his breadth of musical interests ranging from contemporary music to baroque and early music, as well as music of India.[1]

Education and academic life

Druce was born in Cheshire in 1939,[2] the son of the former Katy Chesters and of Robert Druce, a bacteriologist.[1] In 1957, he entered King's College, Cambridge, which later awarded him a double first in music. Subsequently, he completed a Masters at the University of Leeds and, in 1984 embarked upon a second Masters degree, at the University of York, choosing this time the music of southern India as the topic of his thesis. In 1991, Druce stood down from his long-standing post as Senior Lecturer at Leeds University's Bretton Hall Campus, in order to continue to work as a performer and composer. Druce lectured in composition part-time at the University of Huddersfield until his death.[3]

Druce married Clare Spalding in 1964. The couple had two daughters, Alison and Emily. His widow, daughters, four grandchildren and a great-grandson, and his sister Cathy all survive him.[1]

Performing career

When working as a music producer for the BBC in the late 1960s, Duncan Druce became a notable and much in demand violin and viola player of contemporary music.[1] He was an original member of Harrison Birtwistle's Pierrot Players, noted for his rendition of the violin/viola part in Schoenberg's Pierrot Lunaire. Druce also performed with the ensembles 'Music Theatre Ensemble' and 'Fires of London' during this period.

Contrastingly, Druce was also one of the most respected figures in the performance of Early Music.[1] One of the few living British champions of the viola d'amore, he was a member of Christopher Hogwood's Academy of Ancient Music, was an original member of the Yorkshire Baroque Soloists and continued to play with groups such as the Pennine Chamber Ensemble. Druce continued to perform regularly, either on one of his baroque violins, violas or his viola d'amore in recitals across the country until his death.

Compositions

Mozart Requiem

In 1984, Druce finished a new completion of Wolfgang Amadeus Mozart's Requiem, which was performed at The Proms in 1991. This completion (which is published by Novello and includes a new edition of the original and most famous Süssmayr completion) is still widely performed today. In his preface to the score, Druce explains:

'Whilst the work as a whole has proved to be one of Mozart's best loved and most admired, it has been clear ever since [Süssmayr's completion] was first published that it sometimes lacks the perfection of detail, smooth craftmanship, the imaginative relationship of subsidiary material to the whole that is so characteristic of Mozart's other mature masterpieces. Süssmayr's orchestration [...] may not often get in the way of Mozart's vision, but rarely enhances it.[4]'

Other Mozart works which Druce completed include Quintet Movement for clarinet and strings K.516c (commissioned by Alan Hacker), and Concerto movement for horn and orchestra in E, K.494a.

References

  1. 1 2 3 4 5 Stephen Plaistow (2015-11-26). "Duncan Druce obituary". The Guardian. Retrieved 2015-11-26.
  2. ↑ Stephen Plaistow (2015-10-16). "Duncan Druce, composer - obituary". Telegraph. Retrieved 2015-11-26.
  3. ↑ "Duncan Druce, composer, performer and Gramophone critic, has died". Gramophone. 2015-10-14. Retrieved 2015-11-26.
  4. ↑ Druce, D., Preface to 'Mozart: Requiem' (Novello 1993)
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