Cleopatra (1963 film)

Cleopatra

Original theatrical release poster
Directed by Joseph L. Mankiewicz
Produced by Walter Wanger
Screenplay by Joseph L. Mankiewicz
Ranald MacDougall
Sidney Buchman
Based on The Life and Times of Cleopatra
by C.M. Franzero
Histories
by Plutarch, Suetonius, and Appian
Starring Elizabeth Taylor
Richard Burton
Rex Harrison
Roddy McDowall
Martin Landau
Hume Cronyn
George Cole
Music by Alex North
Cinematography Leon Shamroy
Edited by Dorothy Spencer
Distributed by 20th Century-Fox
Release dates
  • June 12, 1963 (1963-06-12) (New York, premiere)
  • July 31, 1963 (1963-07-31) (United Kingdom)
Running time
 248 minutes[1]
Country United States[2]
Language English
Budget $31.1 million[3]
Box office $57.8 million (US)[4]

Cleopatra is a 1963 American epic historical drama film chronicling the struggles of Cleopatra VII, the young Queen of Egypt, to resist the imperial ambitions of Rome. It was directed by Joseph L. Mankiewicz and shot in the 70 mm Todd-AO format, with a screenplay adapted by Mankiewicz, Ranald MacDougall and Sidney Buchman from a book by Carlo Maria Franzero. The film stars Elizabeth Taylor, Richard Burton, Rex Harrison, Roddy McDowall, and Martin Landau.

Cleopatra achieved notoriety during its production for its massive cost overruns and production troubles, which included changes in director and cast, a change of filming locale, sets that had to be constructed twice, lack of a firm shooting script, and personal scandal around co-stars Taylor and Burton. It was the most expensive film ever made up to that point and almost bankrupted 20th Century-Fox.

It was the highest-grossing film of 1963, earning US$26 million ($57.7 million total; equivalent to $446.74 million in 2016), yet made a loss due to its production and marketing costs of $44 million (equivalent to $340.67 million in 2016), making it the only film ever to be the highest-grossing film of the year yet to run at a loss.[5] Cleopatra later won four Academy Awards, and was nominated for five more, including Best Picture (which it lost to Tom Jones).

Plot

After the Battle of Pharsalus in 48 BC, where Julius Caesar (Rex Harrison) has defeated Pompey the Great in a brutal civil war for control of the Roman Republic, Pompey flees to Egypt, hoping to enlist the support of the young Pharaoh Ptolemy XIII (Richard O'Sullivan) and his sister Cleopatra (Elizabeth Taylor). Caesar follows him to Egypt, under the pretext of being named the executor of the will of their father, Ptolemy XII. Much to his dismay, Caesar is given Pompey's head as a gift, as the highly manipulated pharaoh was convinced by his chief eunuch Pothinus (Gregoire Aslan) that this act would endear him to Caesar.

As Caesar stays in one of the palaces, a slave named Apollodorus (Cesare Danova) brings him a gift. When the suspicious Caesar unrolls the rug, he finds Cleopatra herself concealed within. He is intrigued with her beauty and warm personality, and she convinces him to restore her throne from her younger brother.

Soon after, Cleopatra warns Caesar that her brother has surrounded the palace with his soldiers and that he is vastly outnumbered. Counterattacking, he orders the Egyptian fleet burned so he can gain control of the harbor. The fire spreads to the city, destroying the famous Library of Alexandria. Cleopatra angrily confronts Caesar, but he refuses to pull troops away from the fight with Ptolemy's forces to quell the fire. In the middle of their spat, Caesar forcefully kisses her.

The Romans hold, and the armies of Mithridates arrive on Egyptian soil, causing Ptolemy's offensive to collapse. The following day, Caesar is in effective control of the kingdom. He sentences Pothinus to death for arranging an assassination attempt on Cleopatra, and banishes Ptolemy to the eastern desert, where he and his outnumbered army would face certain death against Mithridates. Cleopatra is crowned Queen of Egypt. She begins to develop megalomaniacal dreams of ruling the world with Caesar, who in turn desires to become king of Rome. They marry, and when their son Caesarion is born, Caesar accepts him publicly, which becomes the talk of Rome and the Senate.

After he is made dictator for life, Caesar sends for Cleopatra. She arrives in Rome in a lavish procession and wins the adulation of the Roman people. The Senate grows increasingly discontented amid rumors that Caesar wishes to be made king, which is anathema to the Romans. On the Ides of March in 44 BC, the Senate is preparing to vote on whether to award Caesar additional powers. They assassinate Caesar and split up the empire: Lepidus receives Africa, Octavian Spain and Gaul, while Mark Antony (Richard Burton) will take control of the eastern provinces. However, the rivalry between Octavian and Antony is becoming apparent. Cleopatra is angered after Caesar's will recognizes his adopted son Octavian (Roddy McDowall) instead of Caesarion as his official heir, and angrily returns to Egypt.

While planning a campaign against Parthia in the east, Antony realizes he needs money and supplies, and cannot get enough from anywhere but Egypt. After refusing several times to leave Egypt, Cleopatra gives in and meets him in Tarsus. Antony becomes drunk during a lavish feast. Cleopatra sneaks away, leaving a slave dressed as her, but Antony discovers the trick and confronts the queen. The war is decided at the naval Battle of Actium on September 2, 31 BC where Octavian's fleet, under the command of Agrippa, defeats the Antony-Egyptian fleet. Cleopatra assumes he is dead and orders the Egyptian forces home. Antony follows, leaving his fleet leaderless and soon defeated. Several months later, Cleopatra manages to convince Antony to retake command of his troops and fight Octavian's advancing army. However, Antony's soldiers have lost faith in him and abandon him during the night; Rufio (Martin Landau), the last man loyal to Antony, kills himself. Antony tries to goad Octavian into single combat, but is finally forced to flee into the city.

Octavian and his army march into Alexandria with Caesarion's dead body in a wagon. Octavian has taken Caesarion's ring, which his mother gave him earlier as a parting gift when she sent him to safety.

When Antony returns to the palace, Apollodorus, not believing that Antony is worthy of his queen, convinces him that she is dead, whereupon Antony falls on his own sword. Apollodorus then confesses that he misled Antony and assists him to the tomb where Cleopatra and two servants have taken refuge. Antony dies of his wounds soon after.

Octavian seizes the palace and discovers the dead body of Apollodorus, who had poisoned himself. Octavian receives word that Antony is dead and Cleopatra is holed up in a tomb. Octavian sees her and after some verbal sparring offers her his word that he will spare her, return her possessions, and allow her to rule Egypt as a Roman province in return for her agreeing to accompany him to Rome. She observes Caesarion's ring on Octavian's hand and inquires after her son. When Octavian denies any knowledge of his whereabouts and pledges to allow him to rule Egypt in his mother's absence, Cleopatra knows her son is dead and that Octavian's word is without value. She agrees to Octavian's terms, including a pledge not to harm herself, sworn on the life of her dead son. After Octavian departs, she orders her servants in coded language to assist with her suicide.

She sends her servant Charmion to give Octavian a letter. In the letter she asks to be buried with Antony. Octavian realizes that she is going to kill herself and he and his guards burst into Cleopatra's chamber and find her dressed in gold, and dead, along with her servant Eiras, while an asp crawls along the floor.

Charmion is found kneeling next to the altar on which Cleopatra is lying, and Agrippa asks of her: "Was this well done of your lady?" She replies: "Extremely well. As befitting the last of so many noble rulers." She then falls dead as Agrippa watches.

Cast

Taylor as Cleopatra.

Production

The eventual production costs of Cleopatra almost bankrupted 20th Century Fox. Originally budgeted at $2 million,[6] the film ended up costing $31 million, making it the most expensive film ever made at the time.[3] This was partly because the film's elaborate, complicated sets, costumes and props had to be constructed twice, first during an abandoned shoot in London and once more when the production relocated to Rome.

Veteran Hollywood producer Walter Wanger was hired by 20th Century Fox executives to shepherd a remake of the silent 1917-hit Cleopatra into production. Though the studio originally sought a relatively cheap production of $2 million, Wanger envisioned a much more opulent epic. After he was able to negotiate a higher budget of $7 million, screenwriter Nigel Balchin was hired to pen the script. Dale Wasserman would later rewrite Balchin's material, though neither of them ended up receiving screen credit. Filming began in London in 1960 under Rouben Mamoulian. Mankiewicz was brought into the production after Mamoulian's departure. Leon Shamroy replaced Jack Hildyard as cinematographer. Mankiewicz inherited a film which was already $5 million over budget and had no usable footage to show for it. This was in part because the actors originally chosen to play Julius Caesar (Peter Finch) and Mark Antony (Stephen Boyd) left owing to other commitments. Mankiewicz was later fired during the editing phase, only to be rehired when no one else could piece the film together (since Mankiewicz was hired so late in the production, he was rewriting the screenplay during principal photography; there was never a finished shooting script as such).

Elizabeth Taylor was awarded a record-setting contract of $1 million. This amount eventually swelled to $7 million because of the delays of the production (equivalent to $54,200,000 in 2015).[7] Taylor became very ill during the early filming and was rushed to hospital, where a tracheotomy had to be performed to save her life. The resulting scar can be seen in some shots. All of this resulted in the film being shut down. The production was moved to Rome after six months as the English weather proved detrimental to her recovery, as well as being responsible for the constant deterioration of the costly sets and exotic plants required for the production. (The English sets were used for the British comedy Carry On Cleo.) During filming, Taylor met Richard Burton and the two began an adulterous affair, which made headlines worldwide since both were married to others. Moral outrage over the scandal brought bad publicity to an already troubled production.

The cut of the film which Mankiewicz screened for the studio was six hours long. This was cut to four hours for its initial premiere, but the studio demanded (over the objections of Mankiewicz) that the film be cut once more, this time to just barely over three hours to allow theaters to increase the number of showings per day. As a result, certain details are left out of the film, such as Rufio's death and the recurring theme of Cleopatra's interaction with the gods of Egypt.[8] Mankiewicz unsuccessfully attempted to convince the studio to split the film in two in order to preserve the original cut. These were to be released separately as Caesar and Cleopatra followed by Antony and Cleopatra. The studio wanted to capitalize on the publicity of the intense press coverage the Taylor-Burton romance was generating, and felt that pushing Antony and Cleopatra to a later release date was too risky. The film has been released to home video formats in its 248-minute premiere version, and efforts are under way to locate the missing footage (some of which has been recovered).

Soundtrack

The music of Cleopatra was scored by Alex North. It was released several times, first as an original album, and later versions were extended. The most popular of these was the Deluxe Edition or 2001 Varèse Sarabande album.

Reception and impact

The film earned Elizabeth Taylor a Guinness World Record title, "Most costume changes in a film"; Taylor made 65 costume changes. This record was beaten in 1996 in the film Evita by Madonna with 85 costume changes.

Critics remain divided about the film; Rotten Tomatoes reports 55% of 33 critics reviewed it positively.[9] A New York Times review called it "one of the great epic films of our day,"[10] while Judith Crist dubbed it "a monumental mouse."[11] Newsweek stated: "At six hours, Cleopatra might have been a movie. But for now, it's a series of coming attractions for something that will never come."[10] A reviewer for Time said, "As drama and as cinema, Cleopatra is riddled with flaws. It lacks style both in image and in action."[9] American film critic Emanuel Levy said, "Much maligned for various reasons, [...] Cleopatra may be the most expensive movie ever made, but certainly not the worst, just a verbose, muddled affair that is not even entertaining as a star vehicle for Taylor and Burton."[9]

Even Elizabeth Taylor found it wanting. She had said, "They had cut out the heart, the essence, the motivations, the very core, and tacked on all those battle scenes. It should have been about three large people, but it lacked reality and passion. I found it vulgar."[12]

Positive reactions came from such publications as American entertainment-trade magazine Variety, who wrote, "Cleopatra is not only a supercolossal eye-filler (the unprecedented budget shows in the physical opulence throughout), but it is also a remarkably literate cinematic recreation of an historic epoch."[9] Billy Mowbray for the website of British digital channel Film4 remarked that the film is "A giant of a movie that is sometimes lumbering, but ever watchable thanks to its uninhibited ambition, size and glamour."[9]

The film was shown as part of the Cannes Classics section of the 2013 Cannes Film Festival, to commemorate its 50th Anniversary.[13]

References in other works

The French comic book Asterix and Cleopatra, published first in serial form the same year the film was released, parodies the film. In particular, the cover of the comic book mocks the film's massive casts and sets by claiming it is the "Greatest story ever drawn" and that "14 litres of India ink, 30 brushes, 62 soft pencils, 1 hard pencil, 27 rubbers, 1984 sheets of paper, 16 typewriter ribbons, 2 typewriters, 366 pints of beer went into its creation!" Cleopatra herself is drawn to look somewhat like Elizabeth Taylor.

The Italian comedy film Totò e Cleopatra ("Totò and Cleopatra", 1963), directed by Fernando Cerchio, is a parody of the original classic, featuring Italian comedy star Totò as Mark Antony and French actress Magali Noël as Cleopatra. Although a farce from beginning to end and completely deviating from both the plot of the original and historical events, the film does effectively satirize some of Cleopatra's elements, such as the lavish and costly production and the tormented nature of Antony and Cleopatra's relationship.

Awards and nominations

The film won four Academy Awards and was nominated for five more:[14][15]

Award Category Nominee Result
1963 Academy Awards Best Picture Walter Wanger Nominated
Best Actor in a Leading Role Rex Harrison Nominated
Best Cinematography, Color Leon Shamroy Won
Best Art Direction - Set Decoration, Color Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman A. Blumenthal, Elven Webb, Maurice Pelling, and Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, and Ray Moyer Won
Best Costume Design, Color Irene Sharaff, Vittorio Nino Novarese, and Renié Won
Best Sound Mixing James Corcoran (Twentieth Century Fox Sound Department) and Fred Hynes (Todd-AO Sound Department) Nominated
Best Film Editing Dorothy Spencer Nominated
Best Special Effects Emil Kosa, Jr. Won
Best Music, Score - Substantially Original Alex North Nominated
1963 Golden Globes Best Motion Picture - Drama — Nominated
Best Motion Picture Actor - Drama Rex Harrison Nominated
Best Supporting Actor - Motion Picture Roddy McDowall Nominated
Best Director - Motion Picture Joseph L. Mankiewicz Nominated

50th Anniversary restored version

Schawn Belston serving as senior vice president of library and technical services for 20th Century Fox was put in charge of creating a restored version of the film for the company. After a two-year process in 2013 he was able to restore a four-hour, eight minute version. One of Belston's finds for this version was the original camera negative which was shot on 65mm. (Any longer version would have only existed to show 1963's studio boss Darryl Zanuck which has yet to be found.) Fading and damage to the negative was corrected digitally with an eye on preserving detail and authenticity while avoiding digital manipulation.[16]

Belston's team also had the original magnetic print masters which they used to restore the sound. They removed the clicks and hisses, then with the aid of the trained ears of musicians reconfigured the track for 5.1 surround sound.[16]

On May 21, 2013, the restored film was shown at a special screening at Cannes. The film was later released as a 50th anniversary version available on DVD and Blu-ray. Unfortunately Fox had long ago destroyed all of the trims and outs from negatives to save costs years before, preventing the release of traditional outtakes. The home media packages did include commentary tracks and two short films "The Cleopatra Papers" and a 1963 film about the elaborate sets "The Fourth Star of Cleopatra".[16]

See also

References

  1. ↑ "CLEOPATRA (PG)". British Board of Film Classification. 1963-05-30. Retrieved 2013-05-21.
  2. ↑ "Catalog of Feature Films: Cleopatra". American Film Institute. Retrieved 2016-03-20.
  3. 1 2 Hall, Sheldon; Neale, Stephen (2010). Epics, spectacles, and blockbusters: a Hollywood history. Wayne State University Press. p. 166. ISBN 978-0-8143-3008-1. With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States.
  4. ↑ "Cleopatra (1963)". Box Office Mojo. Retrieved March 27, 2013.
  5. ↑ John Patterson "Cleopatra, the film that killed off big-budget epics", The Guardian, 15 July 2013
  6. ↑ Null, Christopher. "Cleopatra (1963) Review". Contactmusic.com.
  7. ↑ Federal Reserve Bank of Minneapolis Community Development Project. "Consumer Price Index (estimate) 1800–". Federal Reserve Bank of Minneapolis. Retrieved October 21, 2016.
  8. ↑ Cleopatra from Johnny Web
  9. 1 2 3 4 5 "Cleopatra". Rotten Tomatoes. Retrieved January 13, 2012.
  10. 1 2 Burns, Kevin; Zacky, Brent. "Cleopatra: The Film That Changed Hollywood." American Movie Classics. 3 April 2001. Television.
  11. ↑ "1963: Movies as Art". Columbia Journalism School.
  12. ↑ Rice, E. Lacey. "Cleopatra (1963)". Turner Classic Movies.
  13. ↑ Rosser, Michael; Wiseman, Andreas (29 April 2013). "Cannes Classics 2013 line-up unveiled". Screen Daily. Retrieved 2016-03-20.
  14. ↑ "The 36th Academy Awards (1964) Nominees and Winners". oscars.org. Retrieved 2011-08-23.
  15. ↑ "Cleopatra (1963)". The New York Times. Retrieved 2016-03-20.
  16. 1 2 3 Atkinson, Nathalie (May 21, 2013). "Queen of the Nile: Inside 20th Century Fox's restoration of Cleopatra". National Post.
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