Celebration Rock

Celebration Rock
Studio album by Japandroids
Released 29 May 2012 (2012-05-29) (Canada)
5 June 2012 (2012-06-05) (Worldwide)
Recorded 2010-2011
Vancouver, Canada
Genre Indie rock, noise pop, garage punk, pop punk
Length 35:10
Label Polyvinyl Record Co.
Producer Japandroids
Japandroids chronology
No Singles
(2010)		 Celebration Rock
(2012)		 Near to the Wild Heart of Life
(2017)
Singles from Celebration Rock
  1. "The House That Heaven Built"
    Released: May 15, 2012

Celebration Rock is the second studio album by Canadian rock duo Japandroids, released June 5, 2012 by Polyvinyl Record Co. The album, recorded in Vancouver, blended classic rock influences such as Bruce Springsteen and Tom Petty with punk rock influences such as The Replacements and Hüsker Dü. The album received critical acclaim upon its release, appearing on numerous critics year-end best-of lists. Celebration Rock was named as a short-listed nominee for the 2012 Polaris Music Prize, and was also nominated for the Juno Award for Alternative Album of the Year.

The album was recognized as one of The 100 Best Albums of the Decade So Far by Pitchfork Media in August 2014.[1]

Background

Following the release of Post-Nothing, Japandroids toured extensively in support of the album, performing over 200 shows between June 2009 and October 2010. Following two New Year's shows December 31, 2010 and January 1, 2011 in Chicago, the band decided to discontinue touring in support of Post-Nothing, and return to Vancouver to begin working on a new album.[2]

After taking the bulk of 2011 off to work on new material, Japandroids revealed that they would tour North America with Bass Drum of Death throughout August/September playing primarily smaller, intimate venues in order to test out their new material prior to the recording of their second album.[3] During these shows, the band debuted several new songs including "Fire's Highway," "Adrenaline Nightshift," and "Evil's Sway."[4]

Following the tour, the band temporarily relocated from Vancouver to Nashville to continue writing.[5] The duo cited disillusion with Vancouver, as well as the difficulty of returning to a sedentary lifestyle following two years of continuous touring, as the primary motivations for the move.[6] Both "The House That Heaven Built" and "Continuous Thunder" were written during this period.

Recording

The album was recorded in Vancouver with Post-Nothing engineer Jesse Gander. The band has said they intended for the album to capture the spirit and energy of their live shows,[7] thus foregoing standard studio techniques such as double tracking and overdubbing, while consciously taking into account the perceived reaction of their audience to hearing the songs live in concert.[8] On recording the album, guitarist Brian King said "Technically speaking, the process for recording Celebration Rock was almost identical to that of our previous records: same studio, same engineer, same equipment, same techniques, etc. To me, the progression lies in the songwriting, the captured performances, and the mixing/production of the album, all of which are simply reflections of our shared knowledge and experience since recording Post-Nothing."[9]

In an interview with Pitchfork, drummer Dave Prowse cited Appetite for Destruction as a specific influence on the album's sequencing.[2] Rather than having a traditional ‘Side A’ and ‘Side B’ structure, Appetite For Destruction is split into ‘G’ and ‘R’ sides: the former 'Gun' side dealing with violence and debauchery (‘Welcome To The Jungle’, ‘Paradise City’), while the latter 'Roses' side focused on love and sex (‘Sweet Child o' Mine’, ‘Rocket Queen’). As King further explained, "We had this idea of the album having two sides, where [like Appetite For Destruction] ‘Side A’ is super-intense and ‘Side B’ is softer and poppier."[2]

Music

The music on Celebration Rock has been described as "one part classic rock, one part punk",[10] due to the blending of classic rock influences such as Bruce Springsteen and Tom Petty, with punk rock influences such as The Replacements and Hüsker Dü.[11][12][13][14] Critic Steven Hyden described Celebration Rock as "taking a mighty lunge at the pantheon of great rock records," commenting that the album "addresses the teenage wasteland with the bombastic mix of fury and empathy that derives from Who's Next; traffics in the same streetwise rock-patter drivel originating from Born to Run; has the drunkard’s sentimentality of Let It Be, and the tour-weary determinism of Appetite for Destruction. It’s a beefy, pop-conscious punk record in the mold of Nevermind, and it’s destined to become, like White Blood Cells, an important battle in the never-ending war to end bass playing as we know it."[15]

The band has repeatedly cited Live at Raji's by The Dream Syndicate as a major influence, stating that it was the record they had listened to the most during the writing and recording of Celebration Rock.[16] The song "The Nights of Wine and Roses" is an homage to The Dream Syndicate song "The Days of Wine and Roses".[16]

Lyrics

Lyrically, Celebration Rock has been described as a callback to classic rock conventions for its use of universal, mythic rock & roll language, including the use of contrasting themes such as good and evil, heaven and hell, life and death, young and old, etc. As Ian Cohen of Pitchfork noted, "Japandroids have gone from having almost none at all [lyrics] to packing their songs with an astonishing command of legend and literalism that all but dares you to feel something."[13] Regarding his use of language and themes, King stated:

Personally, I really like the concepts of good and evil, heaven and hell -- the extreme boundaries of how people can feel and how fast things can change. I like that language. I'm not talking about just some night you felt a certain way, I'm talking about the night you felt that way -- that one time. People have always alluded to those extremes as a way of characterizing the most intense feelings since blues and the early days of rock. A blues singer won't say, "We broke up." He'll say, "Satan stole my baby from me." You just pick it up.
— Brian King, Interview, Pitchfork Media[2]

King has cited the novel Under The Volcano by Malcolm Lowry as a primary influence, inspiring him to try using more descriptive and poetic language in his lyrics: "In retrospect, the only work I can see reflected in the lyrics of Celebration Rock is Under The Volcano by Malcolm Lowry, a book I read twice during 2010-2011."[9][17]

Release and Promotion

Celebration Rock Tour
World tour by Japandroids
Location North America
South America
Europe
Asia
Oceania
Start date March 8, 2012
São Paulo, Brazil
End date November 10, 2013
Buenos Aires, Argentina
Legs 13
No. of shows 228
North America (101)
South America (8)
Europe (89)
Asia (15)
Oceania (15)
Japandroids concert chronology

On March 26, 2012, Japandroids announced that their second album Celebration Rock would be released by Polyvinyl Record Co. on June 5, 2012,[18] preceded by a limited edition 7" of the album's first single "The House That Heaven Built" on May 15, 2012.[19] On May 27, 2012, Celebration Rock was streamed in its entirety on NPR Music.[20] On February 27, 2013, it was announced that "The House That Heaven Built" had temporarily been named the entrance theme for the Vancouver Canucks professional ice hockey team.[21]

Music Video

A video for "The House That Heaven Built", Japandroids' first and only music video, was released that summer to promote the single.[22] The black-and-white video, directed by Jim Larson and produced by Pitchfork.tv, documented one week in the life of Japandroids on tour using footage from the east coast portion of their spring 2012 US tour, including live footage from shows in Toronto, Montreal, Boston, New York City, Brooklyn, and Washington, D.C.[23]

Tour

Japandroids toured heavily in support of Celebration Rock, performing over 200 shows in more than 40 countries between March 2012 and November 2013.[24] The Celebration Rock Tour consisted of 13 individual legs across North and South America, Europe, Asia, and Oceania, including numerous festival appearances: Coachella, Bonnaroo, Sasquatch!, Pitchfork, Firefly, Governors Ball, Fun Fun Fun Fest, Free Press Summer Fest, and Metallica's festival Orion in the United States, Primavera Sound, Optimus Alive!, Paredes de Coura, Pitchfork (Paris), OFF, Latitude, Incubate and Longitude festivals in Europe, Vive Latino in Mexico, Fuji Rock Festival in Japan, and St. Jerome's Laneway Festival in Australia.[25]

Television

Reception

Professional ratings
Aggregate scores
SourceRating
Metacritic83/100[26]
Review scores
SourceRating
AllMusic[27]
The A.V. ClubA[28]
Chicago Tribune[29]
The Irish Times[30]
MSN MusicA−[31]
NME6/10[32]
Pitchfork Media8.8/10[33]
Q[34]
Rolling Stone[35]
Spin9/10[36]

Celebration Rock has earned critical acclaim. On Metacritic, the album currently has a score of 83 out of 100, based on 33 collected reviews.[26]

The A.V. Club's Kyle Ryan gave the album a grade of "A," writing "Maybe it’s because the songs were so hard won after that long dry spell that they sound especially lively, but Celebration Rock starts strong and stays there over the course of its eight songs and 35 minutes."[28] Ian Cohen of Pitchfork Media gave the album a Best New Music designation, writing that even though Celebration Rock was recorded the same exact way as Post-Nothing, Celebration Rock "[..] dwarf[s] its impressive predecessor." Cohen continued: "[I]n writing about something other than the experience of being Japandroids, the duo taps into a power greater than itself to address impossibly vast and elemental topics-- friendship, lust, revenge, art, self-actualization-- with songs every bit as big."[33] Megan Ritt of Consequence of Sound also thought Celebration Rock was better than Post-Nothing, writing "They’ve retained the energy that pulses below the surface of the best tracks on Post-Nothing and infused it with more focus. Where Post-Nothing melts into a hazy dream, Celebration Rock does exactly what it claims to do—it burns on and on like the best sort of party."[37]

Not all reviews were positive, however. NME's Alex Denney gave Celebration Rock a mixed review, writing "Japandroids know how to bring the ruckus. But elsewhere the power-chord pummelage gets a bit one-note — and The Gun Club cover only reminds us that journeymen like these have no business dancing with the bones of Jeffrey Lee Pierce."[32] Now's Carla Gillis criticized the album's repetitiveness, writing "[..] the band’s refusal ever to let up on volume, bombast, group-shouted vocals, fast-strummed chords or smashing drums makes Celebration Rock an exhausting sonic assault in need of variety."[38]

The album peaked at #37 on the Billboard 200.

Accolades

Celebration Rock was nominated for the Juno Award for Alternative Album of the Year.[39]

On June 14, 2012, the album was named as a long-listed nominee for the 2012 Polaris Music Prize.[40] On July 17, Celebration Rock was named as a shortlisted nominee, making it one of ten possible candidates to win $30,000 and the recognition as the best Canadian album of the year as voted by jury of Canadian journalists and broadcasters.[41] The album lost to Feist's 2012 album Metals.

Celebration Rock appeared on many critics year-end best-of lists:

Metacritic lists the album as #5 on its 2012 Music Critic's List, which collects and tallies the individual year-end Top Ten lists published by major music critics and publications.[61] In Canada, The Globe and Mail (Canada's newspaper of record) named Celebration Rock the best Canadian album of 2012,[43] while CBC declared it the best rock album of the year, later ranking it #91 on its list of The 100 Greatest Canadian Albums Ever.[44][62] The album was also well received internationally, with Rolling Stone listing it as one of The 10 Coolest Summer Albums of All Time, and Spin magazine calling it the third best album of 2012, later naming Japandroids 2012's Band of the Year.[63][64]

Track listing

Standard CD/LP version
No. TitleWriter(s) Length
1. "The Nights of Wine and Roses"  Japandroids 4:02
2. "Fire's Highway"  Japandroids 4:44
3. "Evil's Sway"  Japandroids 4:27
4. "For the Love of Ivy" (The Gun Club cover)Jeffrey Lee Pierce, Kid Congo Powers 4:13
5. "Adrenaline Nightshift"  Japandroids 4:26
6. "Younger Us"  Japandroids 3:33
7. "The House That Heaven Built"  Japandroids 4:49
8. "Continuous Thunder"  Japandroids 4:59

Singles

Personnel

Japandroids
Technical
Photography

Charts

Chart (2012) Peak
position
US Billboard 200 37[65]
US Billboard Independent Albums 7[65]
US Billboard Alternative Albums 9[65]
US Billboard Rock Albums 17[65]

References

  1. ↑ http://pitchfork.com/features/staff-lists/9465-the-top-100-albums-of-2010-2014/. Missing or empty |title= (help)
  2. 1 2 3 4 Dombal, Ryan Interviews: Japandroids. Pitchfork Media. 24 May 2012. Retrieved June 6, 2012.
  3. ↑ Polyvinyl Record Co. "Japandroids Announce North American Tour", Polyvinyl Record Co., June 7, 2011 accessed November 22, 2011.
  4. ↑ Adams, Gregory "Revved-up Japandroids return to action in Vancouver", The Georgia Straight, August 29, 2011 accessed November 22, 2011.
  5. ↑ Talbott, Chris "Canadian noise rockers Japandroids lived and worked among us". Nashville Scene. November 15, 2013 accessed January 22, 2014.
  6. ↑ Kane, Siobhán "Japandroids: It Can Start To Feel Like Work". Thumped. October 23, 2013 accessed January 22, 2014.
  7. ↑ Rytlewski, Evan "Japandroids: Bottling the Enthusiasm". Express Milwaukee. May 21, 2013 accessed January 22, 2014.
  8. ↑ Dombal, Ryan. Japandroids Talk New Album. Pitchfork Media. 9 March 2012. Retrieved 6 June 2012.
  9. 1 2 Stanley, Carl Louder Than War Interview: Japandroids. Louder Than War. October 11, 2012 accessed January 22, 2014.
  10. ↑ Hermes, Will "Japandroids: One Part Classic Rock, One Part Punk", NPR, June 6, 2012 accessed January 22, 2014.
  11. ↑ Devlin, Mike "Why Japandroids should win the Polaris Prize", CBC Music, July 30, 2012 accessed January 22, 2014.
  12. ↑ Rubin, Mike "Loud Enough to Be Heard in Another Country", The New York Times, June 15, 2012 accessed January 22, 2014.
  13. 1 2 Cohen, Ian "Reviews - Japandroids, Celebration Rock", Pitchfork Media, May 29, 2012 accessed June 7, 2012.
  14. ↑ Gormely, Ian "Review: Japandroids - Celebration Rock", Exclaim!, May 29, 2012 accessed January 22, 2014.
  15. ↑ Hyden, Steven "Japandroids and The Beach Boys try to recapture rock's lost youth", Grantland, June 6, 2012 accessed January 22, 2014.
  16. 1 2 Murphy, Tom "Brian King of Japandroids on Husker Du, the Gun Club and the lost art of album art", Westword, June 19, 2012 accessed January 22, 2014.
  17. ↑ Adams, Jacob "Interview: Japandroids", Spectrum Culture, June 12, 2012 accessed January 22, 2014.
  18. ↑ Dombal, Ryan "Japandroids Talk New Album", Pitchfork Media, March 9, 2012 accessed March 31, 2012.
  19. ↑ Fitzmaurice, Larry "Japandroids Share New Song, Tour Dates", Pitchfork Media, March 26, 2012 accessed March 31, 2012.
  20. ↑ Thompson, Stephen. First Listen: Japandroids, 'Celebration Rock'. NPR Music. 27 May 2012. Retrieved 6 June 2012.
  21. ↑ Pelly, Jenn Japandroids' "The House That Heaven Built" is now Vancouver Canucks' entrance song, Pitchfork Media, February 27, 2013 accessed February 28, 2013.
  22. ↑ Minsker, Evan "Video: Japandroids: "The House That Heaven Built"", Pitchfork Media, August 13, 2012 accessed January 22, 2014.
  23. ↑ Minsker, Evan "Japandroids Offer Commentary on Their "House That Heaven Built" Music Video", Pitchfork Media, December 13, 2012 accessed January 22, 2014.
  24. ↑ Marotta, Michael "Japandroids finally wrap up their 230-show ‘Celebration Rock’ tour — which began in March 2012", Vanyaland, November 17, 2013 accessed January 22, 2014.
  25. ↑ "Bandsintown – Tour History 2009–2013 (Japandroids)"
  26. 1 2 "Reviews for Celebration Rock by Japandroids". Metacritic. Retrieved January 24, 2014.
  27. ↑ Lymangrover, Jason. "Celebration Rock – Japandroids". AllMusic. Retrieved June 6, 2012.
  28. 1 2 Ryan, Kyle (June 4, 2012). "Japandroids: Celebration Rock". The A.V. Club. Retrieved June 6, 2012.
  29. ↑ Kot, Greg (June 20, 2012). "Album review: Japandroids, 'Celebration Rock'". Chicago Tribune. Retrieved November 25, 2015.
  30. ↑ Carroll, Jim (June 15, 2012). "Japandroids". The Irish Times. Retrieved November 25, 2015.
  31. ↑ Christgau, Robert (July 3, 2012). "Dabke/Japandroids". MSN Music. Retrieved November 25, 2015.
  32. 1 2 Denney, Alex (June 1, 2012). "Japandroids – 'Celebration Rock'". NME. Retrieved June 7, 2012.
  33. 1 2 Cohen, Ian (May 29, 2012). "Japandroids: Celebration Rock". Pitchfork Media. Retrieved June 6, 2012.
  34. ↑ "Japandroids: Celebration Rock". Q (312): 104. July 2012.
  35. ↑ Dolan, Jon (June 5, 2012). "Celebration Rock". Rolling Stone. Retrieved January 22, 2014.
  36. ↑ Tedder, Michael (June 4, 2012). "Japandroids, 'Celebration Rock' (Polyvinyl)". Spin. Retrieved June 6, 2012.
  37. ↑ Ritt, Megan (June 6, 2012). "Japandroids – Celebration Rock". Consequence of Sound. Retrieved June 7, 2012.
  38. ↑ Gillis, Carla (June 23, 2013). "Japandroids: Celebration Rock". Now. Retrieved January 22, 2014.
  39. ↑ Juno Awards "Juno Awards: 2013 Nominees", 2013 Juno Awards, February 13, 2013, accessed January 22, 2014.
  40. ↑ "Toronto’s Drake, Feist and F---ed Up in running for Polaris Prize". Toronto Star, July 17, 2012.
  41. ↑ Polaris Music Prize "Polaris Music Prize: 2012 Nominees", Polaris Music Prize, July 17, 2012, accessed January 22, 2014.
  42. ↑ Montgomery, James “Best Albums Of 2012”, MTV, December 13, 2012 accessed January 22, 2014.
  43. 1 2 Wheeler, Brad "Best Canadian album of 2012? Japandroids’ Celebration Rock", The Globe and Mail, December 16, 2012 accessed January 22, 2014.
  44. 1 2 Shuymka, Dave “Top 5 Rock Albums of 2012”, CBC Music, December 17, 2012 accessed January 22, 2014.
  45. ↑ Kandell, Steve “Japandroids Made The Best Rock Album Of 2012”, Buzzfeed, December 17, 2012 accessed January 22, 2014.
  46. ↑ A.V. Club Staff "The Best Music of 2012", The A.V. Club, December 11, 2012 accessed January 22, 2014.
  47. ↑ McCarthy, Sean “The Top Albums of 2012”, USA Today, December 20, 2012 accessed January 22, 2014.
  48. ↑ Pitchfork Staff “Insound's Top 10 Albums of 2012”, Insound, December 20, 2012 accessed January 22, 2014.
  49. ↑ Spin Staff "50 Best Albums of 2012", Spin, December 3, 2012 accessed January 22, 2014.
  50. ↑ Village Voice Staff “Pazz & Jop's Top 25 Albums of 2012”, Village Voice, January 14, 2013 accessed January 22, 2014.
  51. ↑ “Exclaim!'s Best Albums of 2012”, Exclaim!, December 17, 2012 accessed January 22, 2014.
  52. ↑ LA Times Staff “Best Music of 2012”, Pitchfork Media, December 26, 2012 accessed January 22, 2014.
  53. ↑ Young, Alex “Top 50 Albums of 2012”, Consequence of Sound, December 13, 2012 accessed January 22, 2014.
  54. ↑ PopMatters Staff “The 75 Best Albums of 2012”, PopMatters, December 9, 2012 accessed January 22, 2014.
  55. ↑ Knot, Greg “Greg Kot's top 10 albums of 2012”, Chicago Tribune, December 6, 2012 accessed January 22, 2014.
  56. ↑ Stereogum Staff "Stereogum's Top 50 Albums of 2012", Stereogum, December 5, 2012 accessed January 22, 2014.
  57. ↑ Jackson, Josh “The 50 Best Albums of 2012”, Paste Magazine, December 2, 2012 accessed January 22, 2014.
  58. ↑ Dolan, Jon "Rolling Stone's Best Albums of 2012", Rolling Stone, December 5, 2012 accessed January 22, 2014.
  59. ↑ Pitchfork Staff “Pitchfork Staff Lists:The Top 50 Albums of 2012”, Pitchfork Media, December 20, 2012 accessed January 22, 2014.
  60. ↑ “Best Music Of 2012: The Complete List”, NPR, December 5, 2012 accessed January 22, 2014.
  61. ↑ Metacritic "2012 Music Critic Top Ten Lists", Metacritic, December 4, 2012, accessed January 22, 2014.
  62. ↑ CBC Music "The 100 Greatest Canadian Albums Ever", CBC Music, July 28, 2012 accessed January 22, 2014.
  63. ↑ Sheffield, Rob "The 10 Coolest Summer Albums of All Time", Rolling Stone, July 18, 2012 accessed January 22, 2014.
  64. ↑ Harvilla, Rob "Band of the Year: Japandroids", Spin, December 3, 2012 accessed January 22, 2014.
  65. 1 2 3 4 Celebration Rock - Charts & Awards. AllMusic. Retrieved 21 July 2012
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