Neapolitan language

Neapolitan (autonym: (’o n)napulitano [(o n)napuliˈtɑːnə]; Italian: napoletano) is the language of much of southern continental Italy, including the city of Naples.^[4][5][6] It is not named after the city but rather the Kingdom of Naples, which once covered most of the area and of which Naples was the capital. On October 14, 2008, a law by the Region of Campania stated that Neapolitan was to be protected.^[7]

Neapolitan has had a significant influence on the intonation of Rioplatense Spanish, of the Buenos Aires region of Argentina, and the whole of Uruguay.^[8]

Distribution

The Neapolitan dialects are distributed throughout most of continental southern Italy, historically united during the Kingdom of Naples and the Kingdom of the Two Sicilies, specifically southern Lazio (Gaeta and Sora districts), southern Marche, Abruzzo, Molise, Basilicata, Campania (Naples), northern and central Apulia, and northernmost Calabria. The dialects are part of a varied dialect continuum, so the varieties in southern Lazio, Marche, Abruzzo, Molise, Apulia, Lucania and Calabria can typically be recognizable as regional groups of dialects. In western Abruzzo and Lazio the dialects give way to Central Italian dialects such as Romanesco. In central Calabria and southern Apulia, the dialects give way to the Sicilian language. Largely due to massive southern Italian migration in the 20th century, there are also numbers of speakers in Italian diaspora communities in the United States, Canada, Australia, Brazil, Argentina and Venezuela. However, in the United States traditional Neapolitan has had considerable contact with English, and is significantly different from contemporary Neapolitan spoken in Naples. English words are often used in place of Neapolitan words, especially among second-generation speakers.

The following dialects constitute Neapolitan; numbers refer to the map:^[9]

The southernmost regions of Italy—most of Calabria and southern Apulia, as well as Sicily—are home to Sicilian rather than Neapolitan.

Classification

Giambattista Basile (1566–1632), author of a collection of fairy tales in Neapolitan that includes the earliest known versions of Rapunzel and Cinderella

Neapolitan is generally considered Italo-Dalmatian. There are notable differences among the various dialects, but they are all generally mutually intelligible. The Italian language and Neapolitan are of variable mutual comprehensibility, depending on factors both affective and linguistic. There are notable grammatical differences such as nouns in the neuter form and unique plural formation, and historical phonological developments that often obscure the cognacy of lexical items. Its evolution has been similar to that of Italian and other Romance languages from their roots in Vulgar Latin. It may reflect a pre-Latin Oscan influence in the pronunciation of the d sound as an r sound (rhotacism), but only when "d" is at the beginning of a word, or between two vowels (e.g.- "doje" or "duje" (two, respectively feminine and masculine form), pronounced, and often spelled, as "roje"/"ruje", vedé (to see), pronounced as "veré", and often spelled so, same for cadé/caré (to fall), and Madonna/Maronna). Another purported Oscan influence is historical assimilation of the consonant cluster /nd/ as /nn/, pronounced [nː] (this generally is reflected in spelling more consistently) (e.g. "munno" ('world', compare to Italian "mondo"), "quanno" ('when', compare to Italian "quando"), etc.), along with the development of /mb/ as /mm/ (e.g.- tammuro (drum), cfr. Italian tamburo), also consistently reflected in spelling. Other effects of the Oscan substratum are postulated too, although substratum claims are highly controversial. In addition, the language was also affected by the Greek language. There have never been any successful attempts to standardize the language (e.g. consulting three different dictionaries, one finds three different spellings for the word for tree, arbero, arvero and àvaro).

Neapolitan has enjoyed a rich literary, musical and theatrical history (notably Giambattista Basile, Eduardo De Filippo, Salvatore di Giacomo and Totò). Thanks to this heritage and the musical work of Renato Carosone in the 1950s, Neapolitan is still in use in popular music, even gaining national popularity in the songs of Pino Daniele and the Nuova Compagnia di Canto Popolare.

The language has no official status within Italy and is not taught in schools. The Università Federico II in Naples offers (from 2003) courses in Campanian Dialectology at the faculty of Sociology, whose actual aim is not teaching students to speak the language, but studying its history, usage, literature and social role. There are also ongoing legislative attempts at the national level to have it recognized as an official minority language of Italy. It is however a recognized ISO 639 Joint Advisory Committee language with the language code of nap.

For comparison, The Lord's Prayer (here as in the Catholic catechism) is reproduced in the Neapolitan spoken in Naples and in a northern Calabrian dialect, in contrast with a variety of southern Calabrian (part of Sicilian language), Italian and Latin.

Alphabet and pronunciation

The Neapolitan alphabet, like the Italian alphabet, is almost the same as the English alphabet except that it consists of only 22 letters. It does not contain k, w, x, or y even though these letters might be found in some foreign words. The English pronunciation guidelines that follow are based on General American pronunciation and the values used may not be applicable to other dialects. (See also: International Phonetic Alphabet chart for English dialects.)

All Romance languages are closely related. Although Neapolitan shares a high degree of its vocabulary with Italian, the official language of Italy, differences in pronunciation often make the connection unrecognizable to those without knowledge of Neapolitan. The most striking phonological difference is the Neapolitan weakening of unstressed vowels into schwa (schwa is pronounced like the a in about or the u in upon). However it is also possible (and quite common for some Neapolitans) to speak standard Italian with a "Neapolitan accent"; that is, by pronouncing un-stressed vowels as schwa but by otherwise using only entirely standard words and grammatical forms. This is not Neapolitan proper, but a mere difference in Italian pronunciation.

Therefore, while pronunciation presents the strongest barrier to comprehension, the grammar of Neapolitan is what sets it apart from Italian. In Neapolitan, for example, the gender and number of a word is expressed by a change in the accented vowel, whereas in Italian it is expressed by a change in the final vowel (e.g. luongo, longa; Italian lungo, lunga; masc. "long", fem. "long"). These and other morpho-syntactic differences distinguish the Neapolitan language from the Italian language and the Neapolitan accent.

Vowels

While there are only five graphic vowels in Neapolitan, phonemically, there are seven. The vowels e and o can be either "closed" or "open" and the pronunciation is different for the two. The grave accent (à, è, ò) is used to denote open vowels, and the acute accent (é, í, ó, ú) is used to denote closed vowels. However, accent marks are not used in the actual spelling of words except when they occur on the final syllable of a word, such as Totò, arrivà, or pecché and when they appear here in other positions it is only to demonstrate where the stress, or accent, falls in some words.

Consonants

Digraphs and trigraphs

The following clusters are always geminated vowel-internally.

Grammar

Definite articles

The Neapolitan definite articles (corresponding to the English word "the") are La (feminine singular), Lo (masculine singular) and Li (plural for both), but in reality these forms will probably only be found in older literature (along with Lu and even El), of which there is much to be found. Modern Neapolitan uses, almost entirely, shortened forms of these articles which are:

Before a word beginning with a consonant:

These definite articles are always pronounced distinctly.

Before a word beginning with a vowel:

l’ or ll’ for both masculine and feminine; for both singular and plural.

Although both forms can be found, the ll’ form is by far the most common.

It is well to note that in Neapolitan the gender of a noun is not easily determined by the article, so other means must be used. In the case of ’o which can be either masculine singular or neuter singular (there is no neuter plural in Neapolitan), when it is neuter the initial consonant of the noun is doubled. As an example, the name of a language in Neapolitan is always neuter, so if we see ’o nnapulitano we know it refers to the Neapolitan language, whereas ’o napulitano would refer to a Neapolitan man.

Likewise, since ’e can be either masculine plural or feminine plural, when it is feminine plural, the initial consonant of the noun is doubled. As an example, let's consider ’a lista which in Neapolitan is feminine singular for "list." In the plural it becomes ’e lliste.

There can also be problems with nouns whose singular form ends in e. Since plural nouns usually end in e whether masculine or feminine, the masculine plural is often formed by orthographically changing the spelling. As an example, let's consider the word guaglione (which means "boy", or "girl" in the feminine form):

More will be said about these orthographically changing nouns in the section on Neapolitan nouns.

A couple of notes about consonant doubling:

• Doubling is a function of the article (and certain other words), and these same words may be seen in other contexts without the consonant doubled. More will be said about this in the section on consonant doubling.
• Doubling only occurs when the consonant is followed by a vowel. If it is followed by another consonant, such as in the word spagnuolo (Spanish), no doubling occurs.

Indefinite articles

The Neapolitan indefinite articles, corresponding to the English "a" or "an", are presented in the following table:

Verbal conjugation

In Neapolitan there are four finite modes: indicative, subjunctive, conditional and imperative, and three non-finite modes: infinitive, gerund and participle. Each mode has an active and a passive form. The only auxiliary verbs used in the active form is "Avè" (en. "to have", it. "avere"), which contrasts with Italian in which the intransitive verbs take "essere" for their auxiliary. For example, we have:

Doubled initial consonants

In Neapolitan, many times the initial consonant of a word is doubled. This is apparent both in written as well as spoken Neapolitan.

• All feminine plural nouns, when preceded by the feminine plural definite article, ’e, or by any feminine plural adjective, have their initial consonant doubled.
• All neuter singular nouns, when preceded by the neuter singular definite article, ’o, or by a neuter singular adjective, have their initial consonant doubled.
• In addition, other words also trigger this doubling. Below is a list of words that trigger the doubling of the initial consonant of the word that follows.

However, when there is a pause after the "trigger" word, the doubling does not occur (e.g. Tu sî gguaglione, [You are a boy] where sî is a "trigger" word causing doubling of the initial consonant in guaglione but in the phrase De do sî, guagliò? [Where are you from, boy?] no doubling occurs). Neither does doubling occur when the initial consonant is followed by another consonant (e.g. ’o ttaliano [the Italian language], but ’o spagnuolo [the Spanish language], where ’o is the neuter definite article).

Words that trigger doubling

• The conjunctions e and né but not o (e.g. pane e ccaso; né ppane né ccaso; but pane o caso)
• The prepositions a, pe, cu (e.g. a mme; pe tte; cu vvuje)
• The negation nu, short for nun/nunn (e.g. nu ddicere niente)
• The indefinites ogne, cocche (e.g. ogne ccasa; cocche ccosa)
• Interrogative che and relative che but not ca (e.g. Che ppiensa? Che ffemmena! Che ccapa!)
• accussí (e.g. accussí ttuosto)
• From the verb "essere," so’; sî; è but not songo (e.g. je so’ ppazzo; tu sî ffesso; chillo è ccafone; chilli so’ ccafune but chilli songo cafune)
• cchiú (e.g. cchiú ppoco)
• The number tre (e.g. tre ssegge)
• The neuter definite article ’o (e.g. ’o ppane, but nu poco ’e pane)
• The neuter pronoun ’o (e.g. ’o ttiene ’o ppane?)
• Demonstrative adjectives chistu and chillu which refer to neuter nouns in indefinite quantities (e.g. chistu ffierro; chillu ppane ) but not in definite quantities (e.g. Chistu fierro; chillu pane)
• The feminine plural definite article ’e (e.g. ’e ssegge; ’e gguaglione)
• The plural feminine pronoun ’e (’e gguaglione ’e cchiamme tu?)
• The plural masculine pronoun ’e preceding a verb, but not a noun (’e guagliune ’e cchiamme tu?)
• The locative lloco (e.g. lloco ssotto)
• From the verb stà: sto’ (e.g. sto’ pparlanno)
• From the verb puté: può; pô (e.g. ; isso pô ssapé)
• Special case Spiritu Ssanto

See also

• Languages of Italy
• Sicilian language
• Calabrian languages

References

Additional sources

• Iandolo, Carlo. A lengua ’e Pulecenella, Di Mauro Franco, Italy; 1 Oct 2001; ISBN 978-8885263710 (in Italian)
• De Blasi, Nicola and Luigi Imperatore. Il napoletano parlato e scritto. Con note di grammatica storica ; Dante & Descartes, Italy; 2nd edition, 1 July 2001; ISBN 978-8888142050 (in Italian)

External links

Neapolitan edition of Wikipedia, the free encyclopedia

• Neapolitan recognized by UNESCO (in Italian)
• Websters Online Dictionary Neapolitan–English
• Interactive Map of languages in Italy
• Neapolitan on-line radio station
• Neapolitan glossary on Wiktionary
• Italian-Neapolitan searchable online dictionary
• Neapolitan basic lexicon at the Global Lexicostatistical Database
• Grammar primer and extensive vocabulary for the Neapolitan dialect of Torre del Greco
• Neapolitan language and culture (in Italian)
• Prosodic detail in Neapolitan Italian. By Francesco Cangemi. Berlin: Language Science Press. 187pp. Free download

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