Atom Heart Mother

Atom Heart Mother
Studio album by Pink Floyd
Released 2 October 1970
Recorded February–August 1970
Studio Abbey Road Studios,
London
Genre Progressive rock, symphonic rock, psychedelic rock
Length 52:06
Label
Producer Pink Floyd, Norman Smith (executive producer)
Pink Floyd chronology
Ummagumma
(1969)		 Atom Heart Mother
(1970)		 Meddle
(1971)
Singles from Atom Heart Mother
  1. "Summer '68"
    Released: 10 October 1970

Atom Heart Mother is the fifth studio album by the English progressive rock band Pink Floyd. It was released by Harvest and EMI Records 2 October 1970 in the UK, and by Harvest and Capitol on 10 October 1970 in the US.[1] It was recorded at Abbey Road Studios in London, England, and was the band's first album to reach number 1 in the UK,[2] while it reached number 55 in the US chart,[3] eventually going gold there.[4] A remastered CD was released in 1994 in the UK and the United States, and again in 2011. Ron Geesin, who had already influenced and collaborated with Roger Waters, made a notable contribution to the album and received a then-rare outside songwriting credit.

This was the first Pink Floyd album to be specially mixed for four-channel quadraphonic sound as well as conventional two-channel stereo. The SQ quadraphonic mix was released on LP in a matrix format compatible with standard stereo record players. There was also a release of the quadraphonic version in the UK in fully discrete four-channel form on the "Quad-8" format, a four-channel variant of the stereo 8-track tape cartridge.

The cover was designed by Hipgnosis, and was significant in that it was the first one to not feature the band's name on the cover, or contain any photographs of the band anywhere. This was a trend that would continue on subsequent covers throughout the 1970s and beyond.

Although it was commercially successful on release, the band, particularly Waters and David Gilmour, have expressed several negative opinions of the album in more recent years.[5][6] Nevertheless, it remained popular enough for Gilmour to perform the title track with Geesin in 2008.

Recording

Roger Waters onstage at Leeds University, 28 February 1970. One of the earliest live performances of the album's title track was at this show.

The album came about after Pink Floyd had completed work on the soundtrack to the film Zabriskie Point in Rome, which had ended somewhat acrimoniously, and headed back to London in early 1970 for rehearsals. A number of out-takes from the Rome sessions were used to assemble new material during these rehearsals, though some of it, such as "The Violent Sequence", later to become "Us and Them", would not be used for some time.[7]

Side one

The title track to Atom Heart Mother resulted from a number of instrumental figures the band had composed during these rehearsals, including the chord progression of the main theme, which guitarist David Gilmour had called "Theme from an Imaginary Western",[8][9][10] and the earliest documented live performance was on 17 January 1970[10] at Hull University.[11] The band felt that the live performances developed the piece into a manageable shape.[7] Recording of the track commenced at Abbey Road Studios in London, and was somewhat cumbersome, as it was the first recording to use a new eight-track one-inch tape and EMI TG12345 transistorised mixing console (8 track 20 microphone inputs) in the studio, and, as a result, EMI insisted the band were not allowed to do any splicing of the tape to edit pieces together. Consequently, band members Roger Waters and Nick Mason had little choice but to play the bass and drums, respectively, for the entire 23 minute piece in one sitting. The other instruments the band played were overdubbed later. Mason recalled the final backing track's lack of precise timekeeping would cause problems later on.[7]

By March, they had finished recording the track,[12] but felt that it was rather unfocused and needed something else. The band had been introduced to Ron Geesin via the Rolling Stones tour manager, Sam Cutler, and were impressed with his composition and tape editing capabilities, particularly Waters and Mason.[7] Geesin was handed the completed backing tracks the band had recorded, and asked to compose an orchestral arrangement over the top of it while the band went on tour to the US.[7] Geesin described the composing and arranging as "a hell of a lot of work. Nobody knew what was wanted, they couldn't read music …"[12] According to him, Gilmour came up with some of the melodic lines, while the pair of them along with keyboardist Richard Wright worked on the middle section with the choir.[10][13] When it came to recording his work in June with the EMI Pops Orchestra,[6] the session musicians present were unimpressed with his tendency to favour avant garde music over established classical works, and, combined with the relative difficulty of some of the parts, harassed him during recording. John Alldis, whose choir were also to perform on the track, had experience in dealing with orchestral musicians, and managed to conduct the recorded performance in place of Geesin.[7][14]

The track was originally called "The Amazing Pudding", though Geesin's original score referred to it as "Epic".[9][10] A refined and improved version (with Geesin's written parts) was played at Bath Festival of Blues and Progressive Music on 27 June.[14][15] Its name was changed after the band were due to play an "in concert" broadcast for BBC Radio 1 on 16 July 1970, and had needed a title for John Peel to announce it.[nb 1][14][16] Geesin pointed to a copy of the Evening Standard, and suggested to Waters that he would find a title in there. The headline was: "ATOM HEART MOTHER NAMED", a story about a woman being fitted with a nuclear-powered pacemaker.[9][17][18]

The piece as presented on the completed album is a progression from Pink Floyd's earlier instrumental pieces such as "A Saucerful of Secrets" and even earlier, "Interstellar Overdrive". The "Atom Heart Mother" suite takes up all of side one, and is split into six parts, individually named. Geesin chose the opening section name, "Father's Shout" after Earl "Fatha" Hines, while other names such as "Breast Milky" and "Funky Dung" were inspired by the album cover artwork.[6] The orchestral arrangements feature a full brass section,[13] a cello[19] and the 16-piece John Alldis choir,[20][21] which take most of the lead melody lines,[13] while Pink Floyd mainly provide the backing tracks;[13] a reverse of the 1960s pop music practice of using orchestration as the background, and putting the rock band in front.[22] Nevertheless, there are several occasions where Gilmour's electric guitar and Wright's keyboards take the lead.

Side two

By 1970, Rick Wright had started using a Hammond M102 organ (pictured) on stage regularly, and it makes a prominent appearance on the album.[23]

The album's concept is similar to their previous Ummagumma album, in that it features the full band in the first half, and focuses on individual members in the second half.[22][24] Side two opens with three five-minute songs: one by each of the band's three resident songwriters, and closes with a suite with sound effects primarily conceived by Mason,[25] but credited to the whole group.[22] Waters contributes a folk ballad called "If", playing acoustic guitar.[22][26] Pink Floyd rarely played the song live, but Waters often performed it at solo shows[26] in support of his Radio K.A.O.S. album, more than a decade later. This is followed by Wright's "Summer '68", which also features prominent use of brass in places. It was issued as a Japanese single in 1971,[27] and was the only track on the album never to be played live in concert.

According to Mason, Gilmour, having had little songwriting experience at that point, was ordered to remain in Abbey Road until he had composed a song suitable for inclusion on the album.[7] He came up with a folk-influenced tune, "Fat Old Sun",[22] which he still cites as a personal favourite.[7] The song was extended in arrangement to fifteen minutes as a key part of the band's live set, and is a staple of Gilmour's various solo tours.

The final track, "Alan's Psychedelic Breakfast", is divided into three segments, each with its own descriptive title, joined by dialogue and sound effects of then-roadie Alan Styles preparing, discussing, and eating breakfast.[22][25] The idea for the piece came about by Waters experimenting with the rhythm of a dripping tap,[25] which combined sound effects and dialogue recorded by Mason in his kitchen[25] with musical pieces recorded at Abbey Road.[28] A slightly re-worked version was performed on stage on 22 December 1970 at Sheffield City Hall, Sheffield, England with the band members pausing between pieces to eat and drink their breakfast. The original LP ends with the sound of a dripping tap which continues into the inner groove, and thus plays on indefinitely.[9][15]

While recording sessions for his Barrett album were underway (with help from Gilmour and Wright), previous Floyd frontman Syd Barrett would occasionally observe his old band as they were recording Atom Heart Mother.[19][22][29]

Cover art

The bootleg The Dark Side of the Moo featured a fan's attempt at copying the cover.

The original album cover, designed by art collective Hipgnosis, shows a cow standing in a pasture with no text nor any other clue as to what might be on the record.[25][30] Some later editions have the title and artist name added to the cover. This concept was the group's reaction to the psychedelic space rock imagery associated with Pink Floyd at the time of the album's release; the band wanted to explore all sorts of music without being limited to a particular image or style of performance. They thus requested that their new album had "something plain" on the cover, which ended up being the image of a cow.[25][30] Storm Thorgerson, inspired by Andy Warhol's famous "cow wallpaper", has said that he simply drove out into a rural area near Potters Bar and photographed the first cow he saw.[25][30] The cow's owner identified her name as "Lulubelle III".[25][30][31] More cows appear on the back cover, again with no text or titles, and on the inside gatefold. Also, a pink balloon shaped like a cow udder accompanied the album as part of Capitol's marketing strategy campaign to "break" the band in the US.[25][30][32] The liner notes in later CD editions give a recipe for Traditional Bedouin Wedding Feast on a card labelled "Breakfast Tips".[33] Looking back on the artwork, Thorgerson remembered: "I think the cow represents, in terms of the Pink Floyd, part of their humour, which I think is often underestimated or just unwritten about."[34]

In the mid-1970s, a bootleg containing rare singles and B-sides entitled The Dark Side of the Moo appeared, with a similar cover. Like Atom Heart Mother, the cover had no writing on it, although in this case it was to protect the bootlegger's anonymity rather than any artistic statement.[35] The album cover to The KLF's concept album Chill Out was also inspired by Atom Heart Mother.[36]

Release and reception

Professional ratings
Review scores
SourceRating
AllMusic[37]
Robert ChristgauD+[38]
The Daily Telegraph[39]
The Great Rock Discography7/10[40]
MusicHound2/5[41]
The Rolling Stone Album Guide[42]
Sputnikmusic3/5[43]
Virgin Encyclopedia of Popular Music[40]

Atom Heart Mother was released in the UK[nb 2] and US[nb 3] in October 1970, reaching number 1[2] and number 55,[3] respectively. It was released in the quadraphonic format in the UK,[25] Germany[nb 4] and Australia.[nb 5] A remastered CD was released in 1994 in the UK[nb 6] and the US.[nb 7] Mobile Fidelity Sound Lab released a 24KT gold CD in the US in 1994,[nb 8] while a LP version was released in the US in the same year.[nb 9] As part of the Why Pink Floyd...? campaign, a remaster was released in 2011.[nb 10][nb 11] Then the album was re-issued again in 2016 on the band's own Pink Floyd Records label.[53]

Critical reaction to the suite has always been mixed, and all band members have expressed negativity toward it in recent times.[18] For instance, Gilmour has said the album was "a load of rubbish. We were at a real down point ... I think we were scraping the barrel a bit at that period"[5] and "a good idea but it was dreadful... Atom Heart Mother sounds like we didn't have any idea between us, but we became much more prolific after it."[54] Similarly, in a 1984 interview on BBC Radio 1, Waters said "If somebody said to me now – right – here's a million pounds, go out and play Atom Heart Mother, I'd say you must be fucking joking."[6]

Live performances

The band were initially enthusiastic about performing the suite in the early 1970s. An early performance was taped for the San Francisco based television station KQED, featuring just the band, on 28 April 1970.[55] Two memorable performances were at the Bath Festival of Blues and Progressive Music on 27 June and the "Blackhills Garden Party" in Hyde Park, London on 18 July. On both occasions the band were accompanied by the John Alldis Choir and the Philip Jones Brass Ensemble.[56] Later, the band took a full brass section and choir on tour just for the purpose of performing this piece.[15] However, this caused the tour to lose money, and the band found problems with the hired musicians, which changed from gig to gig as they simply took who was available, which, combined with lack of rehearsal and problems miking up the whole ensemble, made a full live performance more problematic. Reflecting on this, Gilmour said "some of the brass players have been really hopeless".[28] According to Mason, the band arrived at one gig in Aachen, Germany, only to discover they had left the sheet music behind, forcing tour manager Tony Howard to go back to London and get it.[7]

A later arrangement without brass or choir, and pared down from 25 minutes to fifteen by omitting the "collage" sections and closing reprise of the main theme, remained in their live repertoire into 1972. For instance, during the first concert of that year, halfway through the first ever public live performance of The Dark Side of the Moon in Brighton, technical problems resulted in the abandoning of that performance, replaced by Atom Heart Mother.[57] Pink Floyd's last live performance of the suite took place on 22 May 1972 at the Olympisch Stadion, Amsterdam, Netherlands,;[58] performances by other forces have included in Paris in 2012 and Bratislava in 2016.

Legacy

Stanley Kubrick wanted to use the album's title track in A Clockwork Orange.[25] The group refused permission, primarily because Kubrick was unsure of exactly which pieces of music he wanted and what he wished to do with them. In retrospect, Waters said "maybe it's just as well it wasn't used after all".[28] Nevertheless, the album is visible behind the counter in the record store scene.[59]

On 14 and 15 June 2008, Geesin performed "Atom Heart Mother" with Italian tribute band Mun Floyd over two nights as part of the Chelsea Festival.[60] Geesin introduced it with a history and slide show. The performances featured the chamber choir Canticum,[61] brass and noted cellist Caroline Dale, who has worked with Gilmour. The second night saw Gilmour join Geesin on stage for the performance, which was extended to 30 minutes.[62]

In 2013, Geesin produced a book, The Flaming Cow, which documented his experience with working with Pink Floyd, including the making of this album from his point of view.[63]

Track listing

Side one
No. TitleWriter(s)Lead vocals Length
1. "Atom Heart Mother"
  • I. "Father's Shout"
  • II. "Breast Milky"
  • III. "Mother Fore"
  • IV. "Funky Dung"
  • V. "Mind Your Throats Please"
  • VI. "Remergence"  
Nick Mason, David Gilmour, Roger Waters, Rick Wright, Ron GeesinInstrumental, wordless vocals by the John Alldis Choir 23:44
  • 2:50
  • 2:33
  • 4:50
  • 5:15
  • 2:28
  • 5:48
Total length:
 23:44
Side two
No. TitleWriter(s)Lead vocals Length
2. "If"  WatersWaters 4:31
3. "Summer '68"  WrightWright 5:29
4. "Fat Old Sun"  GilmourGilmour 5:22
5. "Alan's Psychedelic Breakfast"
  • I. "Rise and Shine"
  • II. "Sunny Side Up"
  • III. "Morning Glory"  
Waters, Mason, Gilmour, WrightInstrumental, vocalisations by Alan Styles 13:00
Total length:
 28:22

Personnel

Taken from sleeve notes[64]

Pink Floyd

(all instrumentation uncredited)

Additional musicians
Production

Charts and certifications

Peak positions

Chart (1970) Peak
position
Australia (Kent Music Report)[68] 30
Canada Top Albums/CDs (RPM)[69] 39
Danish Albums (Tracklisten)[70] 8
Dutch Albums (MegaCharts)[71] 5
French Albums (SNEP)[72] 4
German Albums (Offizielle Top 100)[73] 8
Norwegian Albums (VG-lista)[74] 13
UK Albums (OCC)[75] 1
US Billboard 200[76] 55
Chart (2011–12) Peak
position
French Albums (SNEP)[77] 66
Spanish Albums (PROMUSICAE)[78] 79
Swiss Albums (Schweizer Hitparade)[79] 81

Certifications

Region Certification Certified units/Sales
Austria (IFPI Austria)[80] Gold 25,000*
France (SNEP)[81] Gold 100,000*
Germany (BVMI)[82] Gold 250,000^
Italy (FIMI)[83] Gold 50,000*
United States (RIAA)[84] Gold 500,000^

*sales figures based on certification alone
^shipments figures based on certification alone

References

Footnotes
  1. ↑ A free performance was held at London's Hyde Park in July 1970, arranged by former Floyd management, Peter Jenner and Andrew King, with Geesin in attendance, who was shocked by the performance.[14][15]
  2. ↑ UK EMI Harvest SHVL 781[44]
  3. ↑ US Capitol Harvest SKAO-382[45]
  4. ↑ UK EMI Harvest/HÖR ZU SHZE 297 Q[46]
  5. ↑ Australia EMI Harvest Q4SHVL-781[47]
  6. ↑ UK EMI EMI United Kingdom 7243 8 31246 2 6 / CDEMD 1072[33]
  7. ↑ US Capitol CDP 0777 7 46381 2 8[48]
  8. ↑ US Capitol Harvest/Mobile Fidelity Sound Lab UDCD 595[49]
  9. ↑ US Capitol Mobile Fidelity Sound Lab MFSL 1–202[50]
  10. ↑ Europe EMI 50999 028940 2 7[51]
  11. ↑ US Capitol 50999 028940 2 7[52]
Citations
  1. ↑ Povey, Glenn (2006). Echoes : The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 137. ISBN 978-0-9554624-0-5. Retrieved 5 September 2012.
  2. 1 2 "Pink Floyd – UK Chart History". Official Charts Company. Retrieved 30 July 2012.
  3. 1 2 Pink Floyd. "Pink Floyd – Awards". AllMusic. Retrieved 4 September 2012.
  4. ↑ Record Research (advertisement). Billboard magazine. 15 March 1997. Retrieved 6 September 2012.
  5. 1 2 Guitar World presents Pink Floyd. Retrieved 5 September 2012.
  6. 1 2 3 4 5 "Dear Diary" (PDF). The Word. July 2008. Retrieved 5 September 2008.
  7. 1 2 3 4 5 6 7 8 9 Mason, Nick (2004). Inside Out: A Personal History of Pink Floyd (New ed.). Widenfeld & Nicolson. pp. 135–138. ISBN 0-297-84387-7.
  8. ↑ Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 157. ISBN 1-905139-09-8.
  9. 1 2 3 4 Mabbett, Andy (1995). The Complete Guide to the Music of Pink Floyd. London: Omnibus. ISBN 0-7119-4301-X.
  10. 1 2 3 4 Manning, Toby (2006). The Rough Guide to Pink Floyd (1st ed.). London: Rough Guides. p. 62. ISBN 1-84353-575-0.
  11. ↑ Povey, Glenn (2006). Echoes: The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 181. ISBN 978-0-9554624-0-5.
  12. 1 2 Povey, Glenn (2006). Echoes: The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 121. ISBN 978-0-9554624-0-5.
  13. 1 2 3 4 Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 158. ISBN 1-905139-09-8.
  14. 1 2 3 4 Manning, Toby (2006). The Rough Guide to Pink Floyd (1st ed.). London: Rough Guides. p. 63. ISBN 1-84353-575-0.
  15. 1 2 3 4 Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 163. ISBN 1-905139-09-8.
  16. ↑ Povey, Glenn (2006). Echoes: The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 134. ISBN 978-0-9554624-0-5. Retrieved 5 September 2012.
  17. ↑ Blake, Mark (2006). Comfortably Numb: The Inside Story of Pink Floyd. De Capo Press. p. 152. ISBN 978-0-306-81752-6.
  18. 1 2 Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 160. ISBN 1-905139-09-8.
  19. 1 2 Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 159. ISBN 1-905139-09-8.
  20. ↑ "Obituary – John Alldis". Brain Damage. 21 December 2010. Retrieved 5 September 2012.
  21. ↑ Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. pp. 159–160. ISBN 1-905139-09-8.
  22. 1 2 3 4 5 6 7 Manning, Toby (2006). The Rough Guide to Pink Floyd (1st ed.). London: Rough Guides. p. 162. ISBN 1-84353-575-0.
  23. ↑ Mason, Nick (2004). Inside Out: A Personal History of Pink Floyd (New ed.). Widenfeld & Nicolson. p. 130. ISBN 0-297-84387-7.
  24. ↑ Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 156. ISBN 1-905139-09-8.
  25. 1 2 3 4 5 6 7 8 9 10 11 Manning, Toby (2006). The Rough Guide to Pink Floyd (1st ed.). London: Rough Guides. p. 64. ISBN 1-84353-575-0.
  26. 1 2 Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 162. ISBN 1-905139-09-8.
  27. ↑ "Pink Floyd – The Official Site – Singles".
  28. 1 2 3 Povey, Glenn (2006). Echoes : The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 122. ISBN 978-0-9554624-0-5. Retrieved 5 September 2012.
  29. ↑ Manning, Toby (2006). The Rough Guide to Pink Floyd (1st ed.). London: Rough Guides. p. 72. ISBN 1-84353-575-0.
  30. 1 2 3 4 5 Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 161. ISBN 1-905139-09-8.
  31. ↑ "Pink Floyd: Atom Heart Mother – The 20 best album covers ever – Pictures – Music". Virgin Media. Retrieved 4 September 2012.
  32. ↑ R. Serge Denisoff, Solid gold: the popular record industry, p. 174, Transaction Publishers (1975), ISBN 0-87855-586-2
  33. 1 2 "Pink Floyd – Atom Heart Mother (CD, Album) at Discogs". Discogs. Retrieved 4 September 2012.
  34. ↑ "Interview: Designer Storm Thorgerson Reflects on Pink Floyd and 30 Years of Landmark Album Art". Guitar World. 10 August 2011. Retrieved 5 September 2012.
  35. ↑ Heylin, Clinton (1994). The Great White Wonders – A History of Rock Bootlegs. Penguin Books. p. 197. ISBN 0-670-85777-7.
  36. ↑ Young, Stuart. "KLF is Gonna Rock Ya!". Library of Mu. Retrieved 5 September 2012.
  37. ↑ Erlewine, Stephen Thomas. Album review at AllMusic. Retrieved 3 July 2011.
  38. ↑ "CG: Pink Floyd". Robert Christgau. Retrieved 4 September 2012.
  39. ↑ McCormick, Neil (20 May 2014). "Pink Floyd's 14 studio albums rated". The Daily Telegraph. London. Retrieved 27 December 2014.
  40. 1 2 Pink Floyd Atom Heart Mother, Acclaimed Music, retrieved 27 December 2014
  41. ↑ Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 872. ISBN 1-57859-061-2.
  42. ↑ Sheffield, Rob (2 November 2004). "Pink Floyd: Album Guide". Rolling Stone. Wenner Media, Fireside Books. Archived from the original on 17 February 2011. Retrieved 27 December 2014.
  43. ↑ Tan, Irving. "Pink Floyd Atom Heart Mother". Sputnikmusic. Retrieved 26 August 2015.
  44. ↑ "Pink Pink Floyd – Atom Heart Mother (Vinyl, LP, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  45. ↑ "Pink Pink Floyd – Atom Heart Mother (Vinyl, LP, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  46. ↑ "Pink Pink Floyd – Atom Heart Mother (Vinyl, LP, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  47. ↑ "Pink Pink Floyd – Atom Heart Mother (Vinyl, LP, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  48. ↑ "Pink Floyd – Atom Heart Mother (CD, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  49. ↑ "Pink Floyd – Atom Heart Mother (CD, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  50. ↑ "Pink Floyd – Atom Heart Mother (Vinyl, LP, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  51. ↑ "Pink Floyd – Atom Heart Mother (CD, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  52. ↑ "Pink Floyd – Atom Heart Mother (CD, Album) at Discogs". Discogs.com. Retrieved 4 September 2012.
  53. ↑ https://www.amazon.com/Atom-Heart-Mother-Pink-Floyd/dp/B019HKK7GK/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1454962049&sr=1-1-mp3-albums-bar-strip-0&keywords=atom+heart+mother
  54. ↑ "Have Pink Floyd Split Up?". Mojo Magazine. October 2001. Retrieved 2010-08-16.
  55. ↑ Povey, Glenn (2006). Echoes : The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 131. ISBN 978-0-9554624-0-5. Retrieved 5 September 2012.
  56. ↑ "Timeline : 1970". Pink Floyd – The Official Site. Retrieved 5 September 2012.
  57. ↑ Povey, Glenn (2006). Echoes : The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 164. ISBN 978-0-9554624-0-5. Retrieved 5 September 2012.
  58. ↑ Povey, Glenn (2006). Echoes : The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 168. ISBN 978-0-9554624-0-5. Retrieved 5 September 2012.
  59. ↑ John Coulthart. "Alex in the Chelsea Drug Store". Retrieved 5 July 2015.
  60. ↑ New Musical Express (2 June 2008). "Dave Gilmour to perform 'Atom Heart Mother' with tribute band". Retrieved 7 August 2012.
  61. ↑ Canticum. "Canticum – Testimonials". Retrieved 7 August 2012.
  62. ↑ Brain Damage (15 June 2008). "Ron Geesin – Atom Heart Mother, Cadogan Hall, London – June 14th 2008". Retrieved 7 August 2012.
  63. ↑ Ron Geesin (9 May 2013). "Ron Geesin – The Flaming Cow (book)". Retrieved 18 June 2013.
  64. ↑ Atom Heart Mother (gatefold). Pink Floyd. Harvest Records. SHVL 781 http://pinkfloydarchives.com/Discog/France/LP/AHM/AHMbv/IC.jpg |url= missing title (help).
  65. ↑ "Interview with David Gilmour". The Sun. 26 September 2008. Retrieved 5 September 2012.
  66. ↑ named in Ron Geesin's book 'The Flaming Cow: The Making of Pink Floyd's Atom Heart Mother' (2013, The History Press)
  67. ↑ Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. pp. 161–162. ISBN 1-905139-09-8.
  68. ↑ Kent, David (1993). Australian Chart Book 1970–1992 (Illustrated ed.). St. Ives, N.S.W.: Australian Chart Book. p. 233. ISBN 0-646-11917-6.
  69. ↑ "Top RPM Albums: Issue 3735." RPM. Library and Archives Canada. Retrieved 9 June 2016.
  70. ↑ "LP Top 10, December 7, 1970". Retrieved 30 March 2016.
  71. ↑ "Dutchcharts.nl – Pink Floyd – Atom Heart Mother" (in Dutch). Hung Medien. Retrieved 9 June 2016.
  72. ↑ "Le Détail des Albums de chaque Artiste – P" (in French). Infodisch.fr. Archived from the original on 7 May 2013. Retrieved 24 April 2013.
  73. ↑ "Offiziellecharts.de – Pink Floyd – Atom Heart Mother" (in German). GfK Entertainment Charts. Retrieved 9 June 2016.
  74. ↑ "Norwegian charts portal (48/1970)". norwegiancharts.com. Retrieved 9 June 2016.
  75. ↑ "Pink Floyd | Artist | Official Charts". UK Albums Chart Retrieved 9 June 2016.
  76. ↑ "Pink Floyd – Chart history" Billboard 200 for Pink Floyd. Retrieved 9 June 2016.
  77. ↑ "Les charts francais (01/11/2011)". lescharts.com. Retrieved 9 June 2016.
  78. ↑ "Spanishcharts.com – Pink Floyd – Atom Heart Mother". Hung Medien. Retrieved 9 June 2016.
  79. ↑ "Swisscharts.com – Pink Floyd – Atom Heart Mother". Hung Medien. Retrieved 9 June 2016.
  80. ↑ "Austrian album certifications – Pink Floyd – Atom Heart Mother" (in German). IFPI Austria. Retrieved 24 April 2013. Enter Pink Floyd in the field Interpret. Enter Atom Heart Mother in the field Titel. Select album in the field Format. Click Suchen
  81. ↑ "SNEP Certifications". InfoDisc. Archived from the original on 21 June 2010. Retrieved 24 April 2013.
  82. ↑ "Gold-/Platin-Datenbank (Pink Floyd; 'Atom Heart Mother')" (in German). Bundesverband Musikindustrie. Retrieved 24 April 2013.
  83. ↑ "Italian album certifications – Pink Floyd – Atom Heart Mother" (in Italian). Federazione Industria Musicale Italiana. Retrieved 24 April 2013. Select Album e Compilation in the field Sezione. Enter Pink Floyd in the field Filtra. Select 2009 in the field Anno. The certification will load automatically
  84. ↑ "American album certifications – Pink Floyd – Atom Heart Mother". Recording Industry Association of America. Retrieved 24 April 2013. If necessary, click Advanced, then click Format, then select Album, then click SEARCH

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