Ana Istarú

Ana Istarú, literary pseudonym of Ana Soto Marín[1] (San José, 3 February 1960), is a Costa Rican actress and writer who cultivates poetry and the dramaturgy.

Biography

Thanks to her father, Enrique Soto Borbón, Ana Istarú entered the world of writing, and her mother —the economist and political liberacionist Matilde Marín Chinchilla de Soto (San José, 29 June 1931 – 29 September 1986), twice deputy (1966 and 1982) to the Legislative Assembly of Costa Rica—[2] inculcated the passion for the theatre.[3]

At fifteen years she published her first poetry book, new Word, and although with the second, Poems for any day , obtains a prize from the Publisher of Costa Rica, it is with her fourth that authentic literary fame arrives: The station of fever. The book —appeared in 1983, two years after finishing training in Dramatic Arts at the University of Costa Rica— obtained the prize granted in 1982 by EDUCA and has been reedited in Spain in 1991 (Visor) and 2011 (Torremozas). Also it was published in France by The différence in a bilingual edition and with translation by Gérard of Cortanze, that has been converted to French to Ernesto Cardinal, Roque Dalton, Juan Gelman and Vicente Huidobro.[4][5][6] Protagonist of this erotic hymn —in addition to the author, of course— is the painter and French professor César Maurel (Paris, 1952), rooted in Costa Rica from 1981, with whom Istarú married at the beginning of this decade (he is also author of two poetry books: Zapping, Editions Blue Dog, 2005 and rear Playground, Germinal Publisher, 2012) and from whom years later would separate .[7][8][9][10]

The critics point out that her poetry is loaded with eroticism —what has the controversy between readers—, ad at the same time has a perspective of gender, that is to say, that is very feminine.[11] In it Istarú expresses without any fear the deepest feelings of the woman. “Filled with high erotic temperature sustained from beginning to end, expresses in a personal and strict vocabulary attaining in so difficult subject, a harmony of moving expression with a government infalible of the form”, said the jury of the Latin American Prize EDUCA based on the quoted book awarded.[12]

The pieces of Istarú, always current, have been mounted not only in Costa Rica, but also in other countries of America, included the United States, and Europe. It suffices to say, for taking only one work, that pickled Men, with its showing in Portugal, arrived in 2010 "to his thirtieth fourth professional première abroad".[13]

Director María Bonilla, with the University Theatre, chose Our Mother that are on the earth to inaugurate the 2010 season in Costa Rica, signaled related to this piece that treats four generations of women that have to confront the paper that society imposes them and the one who impose on themselves: “Women have to work on the construction of our identity, far from social conventions, of repressive education  that we have received and of the masculine perspective, all elements that are important and it is necessary to take into account, but that are not those that have to define us”.[14] And Istarú comments: “I conceived it after doing a reflection on families that reiterate from generation to generation, and that many times the same women transmitted the sexist values that obey their conception of social patriarchy”.[14]

The repertoire of Istarú as an actress of theater includes leading papers in classical and contemporary works. She has dabbled in cinema, exerting papers in Costa Rican films and tv shows (for example, in This they call home) and also co-wrote with the director Esteban Ramírez the script of Caribbean, film starred by the Cuban Jorge Perugorría and rewarded in festivals.[15]

Her work, the poetic as well as like dramatic, and her work as an actress have won several prizes. American and European anthologies have selected his poems, that have also have been translated to diverse languages, like  German, French, Dutch, English and Italian.

As of 2002, Istarú writes columns of opinion, in the weekly newspaper The Financial as well as in the Sunday magazine, Proa, of The Nation. In 2010 they were gathered in the book 101 articles, saying: “My style of writing does not look for the objectivity, is scandalously subjective with eagerness to seduce the reader with games of words, rhythms, but, especially, with ideas”.[16]

Prizes

Works

References

  1. Geovanny Jiménez S. Ana Istarú conquista a los lectores con 101 artículos, CulturaCR, 17.11.2010; acceso 17.10.2011
  2. Video de la entrevista a Istarú después de participar en TEDx Pura Vida 2011 interpretando extractos de Hombres en escabeche, La Nación Internet, 05.03.2011; acceso 18.10.2011
  3. Matrimonio Soto-Marín, sección Vida Social de La Nación, 14.09.1957; acceso 19.05.2013
  4. Festival de Poesía de Medellín; acceso 17.10.2011
  5. Ficha de Saison de fièvre en Editions La différence; acceso 18.10.2011
  6. "Nación Digital. Revista Viva". nacion.com. Retrieved 3 May 2016.
  7. Maurel en Afinidades Electivas; acceso 18.10.2011
  8. "Nación Digital. Ancora". nacion.com. Retrieved 3 May 2016.
  9. Viaje de ida: una lectura del libro 'Zapping' de César Maurel (Perro Azul, 2005), suplemento cultural Áncora de La Nación, 13.11.2005, reproducido en el blog Tetra-Largos; acceso 18.10.2011
  10. "César Maurel y su "Patio trasero"". Literofilia.com. Retrieved 3 May 2016.
  11. "Ana Istarú, Costa Rica, 1960". laotrarevista.com. Retrieved 3 May 2016.
  12. Citado en la presentación de Poesía escogida.
  13. "Estrenan obra de Istarú en Portugal". archive.org. Retrieved 3 May 2016.
  14. 1 2 "- ana istar natalia arias mara bonilla Mara Orozco Lolita Aguilar lelos fonseca Madre nuestra que ests en la tierra mujeres sociedad costarricense teatro universitario redcultura red cultura - RedCultura". RedCultura. Retrieved 3 May 2016.
  15. 1 2 3 4 5 6 7 Ana Istarú en el Sistema de Información Cultural Costarricense, acceso 17.10.2011
  16. 1 2 Andrea Solano B. Actriz Ana Istarú deja oír su voz irreverente en nuevo libro, La Nación, 02.11.2010; acceso 17.10.2011
  17. "Premios Nacionales celebran a tres de grandes de las artes escénicas". La Nación. Retrieved 3 May 2016.
  18. Ficha de La estación de fiebre en Ediciones Torremozas, acceso 18.10.2011
  19. Reseña escrita por Rosa Briones de Baby Boom en el paraíso, de Istarú, y Los restos de la noche, de Yolanda Pallín, Asociación de Directores de Escena de España (ADE), 1996; acceso 17.10.2011
  20. Ans Istarú en Fandango; acceso 18.10.2011'
  21. Ana Istarú en el programa Gente de Teatro de La Nación, en el que MelvinMolina la entrevista y se muestran extractos La cuna, video 2011; acceso 17.10.2011
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